Galerie Hans Mayer

Tony Oursler: »pU#\*c«

28.04.2016 - 27.08.2016

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Die Galerie Hans Mayer freut sich, eine neue Serie von Arbeiten „pu#\*c“ des amerikanischen Künstlers Tony Oursler zu präsentieren. Mit diesem neuen Werk feiert die Galerie ihre langjährige Zusammenarbeit mit dem New Yorker Künstler, der durch seine Verwendung neuester Technologie als sein Hauptkommunikationsmittel zu einer der führenden Figuren der internationalen Kunstszene geworden ist. Die Ausstellung zeigt 7 Multi-Media-Wandarbeiten (teilweise mit oder ohne Sound), ein großes Projektions-Panel-Werk (5-Panel-Work) und eine Multi-Media-Standbild Arbeit mit integrierten TVs und Sound. Der Titel der Ausstellung „pu#\* c“ steht für das Wort Öffentlich, als ob es ein Hacker oder Tech-Unternehmen in Codeschrift geschrieben hätte. Die gesamte Ausstellung befasst sich mit dem zunehmend aktuellen Thema Gesichtserkennungssysteme und wie unsere moderne Gesellschaft ständig durch laufend verbesserte Technologien, immer aktiver und allgegenwärtiger beobachtet, ja kontrolliert wird. Im Interview verdeutlicht Oursler wie und warum er sich mit dieser Art von Technologie befasst, um seine Botschaft zu übermitteln und was ihn dazu gebracht hat sich für Gesichtserkennungssysteme zu interessieren, aber auch wie sie funktionieren, was sie ändern bzw. in der Zukunft verändern werden, sowie ihre Verbindung zur traditionellen Porträtmalerei.

Tony Oursler wurde 1957 in New York geboren. Er absolvierte seinen Bachelor of Arts in Fine Arts am California Institute for the Arts, Valencia, California 1979. Seine Kunst umfasst eine Reihe von Medien: Video, Skulptur, Installation, Performance und Malerei. Ourslers Arbeiten wurden in international renommierten Institutionen einschließlich des Walker Art Center, Minneapolis; Documenta VIII, IX, Kassel; Museum of Modern Art, New York; Whitney Museum of American Art, New York; dem Centre Georges Pompidou, Paris; Carnegie Museum of Art, Pittsburgh; Skulptur Projekte in Münster; Museum Ludwig, Köln; dem Hirshhorn Museum, Washington; der Tate, Liverpool; Stedelijk Museum, Amsterdam, Niederlande; der Luma-Stiftung, Arles, Frankreich gezeigt. Der Künstler lebt und arbeitet in New York City. 

Ab 18. Juni 2016 – bis zum 2. Januar 2017, wird Oursler ein Solo-Ausstellung mit dem Titel: „Tony Oursler: Imponderable“ im MOMA, New York, haben. Außerdem wird sein Werk „The Imponderable Archive“ im Center for Curatorial Studies, im renommierten Bard College, Annandale-on-Hudson, New York, vom 25. Juni bis zum 30. Oktober 2016, gezeigt werden. Dieses Werk wurde ursprünglich von der LUMA Foundation für den Parc des Ateliers, Arles, Frankreich, und LUMA Westbau, Zürich, Schweiz, 2015 in Auftrag gegeben und produziert. 

Tony Oursler im MoMA

Interview von Billy Ruben mit Tony Oursler

Das Herzstück vieler deiner Werke ist die Technologie. Auf welche Weise fügt sie sich in diese Multimedia-Panels ein?

OK, wenn man die Geschichte des technologischen Fortschritts betrachtet, kann man sagen, dass wir mithilfe dieser Werkzeuge auf die eine oder andere Weise unsere Begierden erweitern. Anders ausgedrückt, jedes neue Gerät oder System führt, wenn man es rückentwickelt, wieder hin zu einem Begehren. Ich bin weniger ein Techno-Fetischist als dass mich Erfolg und Misserfolg dieser Werkzeuge interessieren, ich sehe hier ein wahres Epos. Während wir in die Zukunft stolpern, offenbart sich irgendwie unsere Menschlichkeit, indem wir uns mit Maschinen befassen.

Woher stammt dein Interesse an Gesichtserkennungssystemen?

Gesichter zu erkennen ist für uns von selbstverständlicher Wichtigkeit, aus vielerlei Gründen. In der Vergangenheit mussten wir Mitglieder unseres Stamms, oder unserer Familie, identifizieren und von fragwürdigen Gestalten unterscheiden können – die Gründe waren ersichtlich, mitunter ging es ums Überleben. Es verbleiben hiervon noch Überreste in der Amygdala, der uralten Hirngegend, die mit Angst assoziiert ist, und so reflexiv auf Dinge reagiert, merkwürdige Geräusche zum Beispiel, dass der bewusste Verstand sich dessen zunächst überhaupt nicht bewusst wird. Freunde von Feinden zu unterscheiden hat unmittelbare evolutionäre Auswirkungen und Vorteile, so dass dieser Teil unseres Gehirns sich sehr stark entwickelt hat. Ich habe mich von einer Unzahl psychologischer Studien sowie Forschung zu Gehirnfunktionen, die sich auf das Gesicht beziehen, inspirieren lassen. Im Mittelalter haben die Menschen versucht, Gesichter anhand von Falten oder anderer Merkmale zu kodifizieren, um Rückschlüsse auf die Persönlichkeit zu ziehen. Die Entwicklung der Fotografie führte zu Kopfbildern, und in Paris begann der Fotograf Eugène Appert mit der systematischen Erfassung der Bevölkerung. Im Jahr 1888 standardisierte er das doppelte Kopfbild, wie wir es heute kennen, mit einer Ansicht von vorne und einer im Profil.

Einige frühe Werke beziehen sich auf Themen der Überwachung, so zum Beispiel deine Puppen mit Überwachungskameras.

In den späten 1980er Jahren habe ich angefangen, in meiner Arbeit mit Heimüberwachungskameras zu spielen. Mich interessiert der Aspekt der persönlichen Macht im Big-Brother-Staat – die psychosexuelle Komponente, individualisierte Kameras. Sehr viel davon manifestiert sich mittlerweile im Internet. Der Maßstab wird von der Regierungs- auf die persönliche Ebene verschoben, mit den Machtkämpfen und Kräftespielen zwischen Individuen. Das kommt in diesen Arbeiten hervor, es liegt alles direkt unter der Oberfläche.

In der technologischen Zeitachse, die du 2000 herausgebracht hast, erwähntest du die „Band of Steel“ in London.

Der ursprüngliche Plan war, jede Straße in einer Großstadt zu überwachen, und London hat dies vollbracht. Wir müssen die Invasion des öffentlichen Raums durch das allsehende Auge betrachten. Überall sieht man den Drang, jeden Flecken Raum zu erfassen und alle möglichen Sorten von Daten zu sammeln, und das ist mittlerweile mit anderen Arten von Aufspürgeräten und Satellitensystem verbunden. Es ist die totale Verwandlung von Raum in Information. So sieht das Kind des zweiköpfigen Monsters – Militär und Kapitalismus – aus.

Also können die Kameras alles und überall hinsehen, aber erst seit kurzem sind die Systeme in der Lage, zu erkennen, wen und was sie da sehen.

Das ist der Schlüssel: erkennen. In anderen Worten, Menschenmengen können wir bereits sehen, seit es Wachposten gibt, und das Panoptikum, etc., aber es benötigte immer der menschlichen Bedienung, um Personen zu identifizieren. In den 1960ern begann Woody Bledsoe mit der ernsthaften Forschung im Gebiet der Gesichtserkennung. Er benutzte Kardinalpunkte im Gesicht, zum Beispiel die Pupille, das Kinn, und die Ohren, und wand mathematische Korrelationen zwischen ihnen an, um eine unverwechselbare Gleichung des Gesichts zu finden. Das System wurde „Man-Machines“ (Mensch-Maschinen) genannt. Andere folgten in seinen Fußstapfen, und es dauerte lange Zeit, bis sich diese Programme über die Jahre entwickelten, einige davon waren ziemlich unzureichend, steckten bisweilen sogar voller Komik, was ihre Fehler anging. In dieser Frühphase wurde die Treffgenauigkeit und Häufigkeit von Fehlern in der Identifizierung von Personen in Prozent ausgedrückt: eine Erfolgsrate von 60% bedeutete zum Beispiel 40 Fehler in 100 Versuchen. Es gibt eine lustige Geschichte über den Logan Airport in Boston, der anscheinend ein Gesichtserkennungssystem flächendeckend installiert hatte – das einzige Problem war seine Erfolgsquote: 0%. Es identifizierte nie auch nur eine einzige Person.

Wie funktionierten die Algorithmen?

Ich bin kein Mathematiker, aber so weit ich es verstehe, identifizieren die Programme mehrere gleichbleibende Punkte im Gesicht und bestimmen ihre Beziehung zueinander. In diesem formalen Vergleich findet man das Individuum. In anderen Worten, die Proportionen unseres Gesichts können auf solche Art gemessen werden, dass sich daraus einzigartige Formeln ableiten lassen, die dann wir sind. Oder so etwas in der Art. Was diese Arbeiten enthalten, sind grafische Darstellungen dieser Algorithmen.

Wo hast du diese gefunden?

Ich habe im Internet herumgeschnüffelt und bin auf ein paar faszinierende Darstellungen dieser Programme gestoßen. Es gibt eine Vielzahl an Methoden und Techniken. Ich liebe die verschiedenen Designs, und versuche sie in jedem meiner Werke zu erhalten. Etwas daran erscheint mir neu, als hätte ich es noch nie zuvor gesehen.

Diese Arbeiten scheinen eine Art Bezug zu den sogenannten primitiven Masken zu haben, aber genauso wohnt ihnen ein Hauch Science-Fiction inne.

Genau, diese Algorithmen haben etwas ahistorisches und akulturelles an sich, was es ihnen erlaubt, ein Echo zu erzeugen – zwischen vielerlei verschiedenen Bezügen hin- und herzuspringen. Ich habe sie mir zuerst als Masken und Schaubilder vorgestellt. Es ist, als kreierten wir etwas, das sich zu einem gewissen Grad unserer Kontrolle entzieht, dies geschieht natürlich mit jeder neuen Technologie, es gibt immer unvorhergesehene Aspekte. Aber ich bin mir nicht sicher, ob wir diese hier verstanden haben. Es ist, als hätten wir eine Maschine gebaut, die unserem Willen folgen soll, und nun hat sie ein Röntgenportrait von uns angefertigt. Die Maschine blickt zum ersten Mal auf uns zurück. Das ist der Anfang einer neuen Blickweise, und wir fangen gerade erst an, zu verstehen, wie die Maschine uns sehen wird. Es ist ein neues Portrait.

Die Portraitkunst hat eine weit zurückreichende Geschichte, und sie ist auf mehrerlei Weise angewendet worden, zum Beispiel um Götter anzubeten, oder als Denkmäler in Form von Statuen oder auf Sarkophagen. Aber Gesichtserkennung eröffnet einen vollkommen neuen Horizont.

In Verbindung mit Mobilgeräten und Überwachungssystemen können Unmengen an Menschen katalogisiert werden. Aber das ist bloß die Spitze des Eisbergs, denn diese Identitäten sind mit Big Data verbunden. Ist man einmal identifiziert, kann man mit allen möglichen Arten von Information verknüpft werden: Internetsuchen, Krankengeschichte, wirtschaftliches Profil, Bildung, politische Ansichten, Ästhetik – was auch immer – sowie zu jedem Zeitpunkt der exakte körperliche Standort. Und all das kann durch andere Algorithmen miteinander verbunden und analysiert werden. Diese Art Überwachung hat sogar eine vorausschauende Qualität, wie sie Philip K. Dick in seinen „Zukunftsverbrechen“ beschrieb. Betrachtet man also unsere Geschichte, dann sehe ich im brandneuen Phänomen der Gesichtserkennung eine Form der Portraitgestaltung, ein Informationskompositum. Sie hat eine lustige Verbindung zum Kubismus in seinem Versuch, verschiedene Dimensionen miteinander zu verbinden. Es ist keine wirklich menschliche Aktivität.

Ist dies eine angsteinflößende Entwicklung? Ist dein Projekt eine Warnung, eine Enthüllung von „Big Brother“?

Künstler spiegeln die Zeit wider, in der sie leben. Ich bin mir unserer gegenwärtigen Lage sehr bewusst, oder ich versuche zumindest, es zu sein. Natürlich hat diese Technologie etwas unheimliches. Die Privatsphäre gehört der Vergangenheit an. Was bedeutet das, in einer Welt der Transparenz zu leben? Ich hoffe, dass diese Arbeiten Teil eines Dialogs sein können. Ich würde mir wünschen, dass sie solcherlei Diskussionen anfachen, während sie auch auf der ästhetischen Ebene funktionieren. Gleichsam sehe ich überaus faszinierende Möglichkeiten in all diesem Sammeln von Daten, und ich glaube, dass wir viele Einblicke in das menschliche Wesen erhalten werden, und vielleicht auch Lösungen für manche unserer Probleme. Ich bin mir auch sicher, dass es missbraucht werden wird, daran besteht kein Zweifel. Auf der anderen Seite begeistert mich die neue Bildsprache, die der Biometrik im allgemeinen entspringt. So oder so, das ist die neue Normalität.

Aus einigen der Arbeiten hört man Geflüster kommen, was versuchen sie uns zu sagen?

Diese Tafeln sprechen, aber weil sie zu 90% visueller Natur sind, wollte ich, dass sie sehr leise sind, um einen inneren Dialog parallel zum Betrachter zu schaffen, der nicht von allen Perspektiven aus hörbar ist. Manchmal ist er so leise, dass er falsch ausgelegt wird, und durch dieses Missverständnis zu etwas anderem wird – mir gefällt das. Als ich die Texte dafür schrieb, versetzte ich mich in mehrere Perspektiven – die der Maschine, die der Beobachteten, die der Person, die sich entblößt. Die Texte entfalten sich den Leuten im Lauf der Zeit, ich werde sie hier nicht ausdrucken.

In der klassischen Portraitkunst werden ein inneres und ein äußeres Leben angedeutet, zwischen denen das Gesicht vermittelt. Diese Portraits verweisen auf eine andere Lesart von Identität; wie weit gehen sie?

Der Schlüssel ist die Biometrik, und diese Technologien helfen, die Portraits auf mehreren Ebenen zu erschließen. Mikroexpressionen, DNA, Irisdruck, Wärme- und Geruchssignatur sind allesamt Methoden, uns zu interpretieren. Die Grenze zwischen Körper und Geist sowie der Öffentlichkeit wird also im Lauf der Zeit immer durchdringlicher. Wir können uns eine ganze Industrie vorstellen, welche Isolation und Privatsphäre verkauft. Ich sehe da eine kleine Kabine, die man für kurze Zeit mieten kann, und in der man von allem abgeschirmt ist: W-Lan, Handys, kosmischer Strahlung, elektrischen Feldern, etc. Das wird der Schwerpunkt meiner nächsten Installation sein.

Tony Oursler

Tony Oursler works and lives in New York, USA.

1957
Born in New York, USA

 

Education

1979
California Institute of the Arts, B.A.

 

Solo Exhibitions

2016
“pU3\*c”, Galerie Hans Mayer, Düsseldorf, Germany
“TC: The Most Interesting Man Alive”, Chrysler Museum, Norfolk, Virginia, USA
“PriV%te”, Lehmann Maupin Gallery, Hong Kong, China

2015
“Cosa mentale, Imaginaries of Telepathy of the 20th-Century Art”, Centre Pompidou-Metz, France
“Classifier Cascades”, Bernier Eliades Gallery, Athens, Greece
“La Sucrière”, Biennale de Lyon, France
“Imponderable”, Luma Foundation, Les Forges, Parc des Ateliers, Arles, France
Lehmann Maupin Gallery, New York, USA
“Influence Machine”, Blinc Festival Adelaide, Pinky Flats, Adelaide, Australia
“template/variant/friend/stranger”, Lisson Gallery, London, United Kingdom

2014
“Obscura”, Galerie Hans Mayer, Düsseldorf, Germany
“Phantasmagoria”, Musee des Arts Contemporains de la Federation Wallonie-Brussels, Hornu, Belgium
National Gallery of Korea, Seoul, South Korea
“X ERGO Y”, Stedelijk, Amsterdam, The Netherlands
“I/O Underflow”, Oude Kerk, Amsterdam, The Netherlands
“Influence Machine”, Wolverhampton Art Gallery, Wolverhampton, United Kingdom
“Passe-Partout”, Baldwin Gallery, Aspen, Colorado, USA
“Vox Vernacular”, New York Public Library, New York, USA
“Innesti Psciotici”, Galleria In Arco, Torino, Italy
“1 plus 1 equals 1”, Musee d’art Contemporain Montreal, Montreal, Quebec, Canada
“A Collective Invention: Photographs at Play”, Morgan Library, New York, USA

2013
Albert Baronian, Brussels, Belgium
Musée des Arts Contemporains del la Fédération Wallonie, Hornu, Belgium
Artsonje Center, Seoul, South Korea
Galeria Leme, Sao Paulo, Brazil
“Phobic/WhiteTrash”, JMG Galerie, Paris, France
“UFOs and Effigies”, Arthur Ross Architecture Gallery, Graduate School of Architecture, Columbia University, New York, USA
“agentic iced etcetera”, Pinchuk Art Center, Kiev, Ukraine
“Little Worlds”, Honolulu Museum of Art, Hawaii, USA
“Agentic Iced Etcetera”, Pinchuk Art Centre, Kiev, Ukraine
“Tony Oursler: hopped (popped)”, Edward Hopper House, Nyack, New York, USA

2012
“Face to Face”, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
ARoS Aarhus Kunstmuseum, Aarhus, Denmark
313 Gallery, Seoul, South Korea
Contemporary by Angela Li, Hong Kong, China
ArtSonje Center, Seoul, South Korea

2011
JGM. Galerie, Paris, France
“Open Obscura”, Padiglione d’Arte Contemporanea PAC, Milan, Italy

2010
“Vertical Loop Task”, Baldwin Gallery, Aspen, Colorado, USA
Lehmann Maupin, New York City, USA
“Autochtonous too high”, Le Carré, scène nationale, Chateau Gontier Oi Futuro, Rio de Janeiro, Brazil
“Peak”, Lehmann Maupin, New York, USA
“The Uncanny Valley”, Adobe Museum of Digital Media
“On Off”, Jensen Gallery, Auckland, New Zealand
“Number 7, Plus or Minus 2”, Gallery Faurschou, Beijing, China

2009
Gallery Paule Anglim, San Francisco, California, USA
Galerie Baronian-Francey, Brussels, Belgium
“Gaze Heuristic (with Droll)”, Galleria in Arco, Turin, Italy
“Gallery Paule Anglim”, San Francisco, California, USA
“Cell Phones Diagrams Cigarettes Searches and Scratch Cards”, Metro Pictures Gallery, New York, USA
“50 Shilling”, Galerie Steinek, Vienna, Austria
“Void or Everything Ever Wanted”, Luminato Festival, Toronto, Canada
“Vampiric Battle”, Mattress Factory, Pittsburgh, Pennsylvania, USA
“Lock 2,4,6”, Kunsthaus Bregenz, Bregenz, Austria
“Five Take Radius”, Clocktower, New York, USA
“Haze or Transparency with Friends and Colors”, AGO, Toronto, Canada

2008
“Trunk Mask Frame Hutchet Crutch Queen”, Galeria Soledad Lorenzo, Madrid, Spain
“Tony Oursler: HIGH” Lisson Gallery, London, UK
“White Night”, Paris, France
“NixAlienClimaxCloudAxe”, House of Photography, Moscow, Russia
“St. Roch”, KK Projects, New Orleans, Louisiana, USA
“Project for Physic Garden”, London, UK
“AWGTHTGTWTA”, New York, USA
“Horizon Scander Jeu”, Gare du Nord, Paris, France
Jensen Gallery, Auckland, New Zealand
“Project for Land and Beach”, Gibbs Farm, New Zealand
“Mirada Pensante Canary Islands Tour”, El Tanque Santa Cruz de Tenerife/La Regenta, Las Palmas de Gran Canaria/Centro Juan Ismael, Fuerteventura/Instituto de America, Granada, Spain

2007
“Ooze” Lehmann Maupin, New York, USA
“Dum-Dum, Metalbreath, Wadcutter”, Galleria Emi Fontana, Milan, Italy
“Recent Works”, Galerie Forsblom, Helsinki, Finnland
“Phobos”, Bernier/Eliades, Athens, Greece
Gallery Paule Anglim, San Francisco, California, USA

2006
“Monsters”, Les editions Take Five et Simon Studer Art, Genève, Switzerland
“Blue Invasion”, Hyde Park North, Sydney, Australia
“Sound Digressions in Seven Colours”, Neyhaus, New York, USA
“Thought Forms”, Metro Pictures, New York, USA
“Good Vibrations: Visual Arts and Rock Music”, Palazzo delle Papesse, Sienna, Italy
“Spaced”, Margo Levin Gallery, Los Angeles, California, USA
“Disposifs”, Kunstforeningen GL Strand, Copenhagen, Denmark
Galeria IN ARCO, Turin, Italy
“Perfect Partner”, Montclair, New Jersey, USA

2005
“Seven Months of My Aesthetic Education (Plus Some)”, Metropolitan Museum of Art, New York, USA
“Dispositifs”, Musée de Jeu de Paume, Paris/Domus Atrium, Salamanca/City Art Museum, Helsinki/GL Strand, Cophenhagen
“Blue Invasion”, Hyde Park, Sydney, Australia
Tennis Palace at the Helsinki City Art Museum, Helsinki, Finland

2004
Bernier Elaiades, Athens, Greece
Margo Levin Gallery, Los Angeles, California, USA
“Blob”, Galeria Soledad Lorenzo, Madrid, Spain
Lehmann Maupin, New York, USA
“Unk”, Aarhus Kunsthaus, Aarhus, Germany
Studio, Musée d’Orsay, Paris, France
Margo Leavin Gallery, Los Angeles, California, USA
“Blob”, Galeria Soledad Lorenzo, Madrid, Spain
“Braincast”, Seattle Public Library, Seattle, Washington, USA
“PHOBOS”, Bernier Eliades, Athens, Greece

2003
Metro Pictures Gallery, New York, USA
Jensen Gallery, New Zealand
Lisson Gallery, London, UK
Paula Anglum, San Francisco, California, USA
Metro Pictures, New York, USA
Jean Bernier Gallery, Athens, Greece
Jensen Gallery, Auckland, New Zealand

2002
“TDrawings”, Lehmann Maupin, New York, USA
“Luftmetall”, Galerie Hans Mayer, Düsseldorf, Germany
“Shock-Rock”, Gräflicher Kurpark Driburg, Garten Landschaft Ostwestfalen-Lippe, Germany
“Station”, Magasin 3 Stockholm Konsthall, Stockholm, Sweden
“The Influence Machine”, Magasin 3 Projekt, Stockholm, Sweden
“Parallel Lines”, Studio d’Arte Raffaelli, Trento, Italy
Galleria IN ARCO, Torino, Italy
Museo Arte Contemporanea di Roma, Italy
Galerie H.S. Steinek, Vienna, Austria
“Station”, Magasin 3, Stockholm Konsthall, Stockholm, Sweden
“Drawings, CD-ROM, Installation, Videotapes”, Pei Ling Chan Gallery and Garden for the Arts, Savannah College of Art and Design, Savannah, Georgia, USA

Museo d’Arte Contemporanea, Roma, Italy

2001
Galerie Ghislaine Hussenot, Paris, France
Henry Art Gallery, Seattle, Washington, USA
IVAM, Centre del Carme, València, Spain/Centro Cultural de Belém, Lisbon, Portugal/KoldoMitxelena Kulturenea, Donosti-San Sebastián, Spain
Ghislaine Hussenot, Paris, France
“Flucht”, Kunsthaus Bregenz, Austria
“Antennae Pods Transmissions”, Metro Pictures, New York, USA
Institut Valencià D’Art Modern, Valencia, Spain
Newcomb Gallery, Tulane University, New Orleans, Lousiana, USA
“Flucht”, Kunsthaus Bregenz, Bregenz, Austria
Galerie Joan Prats, Barcelona, Spain

2000
“Introjection: Tony Oursler”, Houston Contemporary Arts Museum, Texas, USA
“Sulfer, Glass, Silicon”, 1000 Eventi, Milan, Italy
“Blue Transmission”, Lisson Gallery, London, UK
“Introjection: Tony Oursler”, LA MoCA, Los Angeles, California, USA
“The Influence Machine”, The Becks/Artangel Commission, Soho Square, London, UK
Galerie H.S. Steinek, Vienna, Austria
“The Empty Cabinet”, Henry Art Gallery, University of Washington, Seattle, Washington, USA
University ArtGallery, University of California, San Diego, California, USA
Bernier/Eliades, Athens, Greece
Margo Leavin Gallery, Los Angeles, California, USA
“The Darkest Color Infinitely Amplified”, The Whitney Museum of American Art, New York, USA
EVOL, Sammlung Goetz, München, Germany

1999
Malmö Konsthall, Malmö, Sweden
“Introjection: Tony Oursler”, Williams College Museum of Art/Contemporary Art Museum Houston, Texas, USA
Ujazdowski Castle, Warsaw, Poland
Tel Aviv Museum of Art, Tel Aviv, Israel
“Introjection: Tony Oursler mid-career survey, 1976–1999”, MASS MoCA, North Adams, Massachussetts/Williams College Museum of Art, Williamstown, Massachussetts/Contemporary Arts Museum, Houston, Texas/Los Angeles Museum of Contemporary Art, California/Des Moines Art Center, Des Moines, Iowa, USA
Galerie Biedermann, München, Germany

1998
“1000 eventi”, Milan, Italy
Kunstverein Hannover, Germany
“The Poetics Project: 1977–1997”, in collaboration with Mike Kelley/Barcelona version: Lehmann Maupin
Metro Pictures, New York, USA
“Directions – Tony Oursler: Video Dolls with Tracey Liepold”, Hirshhorn Museum & Sculpture Garden, Washington, D.C., USA
“Videotapes, Dummies, Drawings, Photographs, Viruses, Heads, Eyes, & CD-ROM”, Galeria Soledad , Lorenzo, Madrid, Spain/Galleria 1000 Eventi, Milan, Italy/Kunstverein Hannover, Hannover, Germany/Malmö Konsthall, Malmö, Sweden

1997
“Judy”, ICA, Philadelphia, Pennsylvania, USA
Margo Leavin Gallery, Los Angeles, California, USA
“Skulpturenprojekte”, Münster, Germany
Museum of Contemporary Art, Bordeaux, France
Manchester City Art Galleries, UK
Aspen Art Museum, Aspen, Colorado, USA
Musée d’art contemporain de Bordeaux, Bordeaux, France/Salade Exposiciones Rekalde, Bilboa, Spain
Gallery Paul Anglim, San Francisco, California, USA
Galerie Biedermann, München, Germany
Gallery Koyanagi, Tokyo, Japan
“Der menschliche Fator—Das Individuum im Spiegel der zeitgenossischen Kunst”, Hypo Bank, Luxembourg City, Luxembourg/Kunsthandel Achenbach, Düsseldorf, Germany
The Video Room, White Columns, New York, USA
“Videoskulpturen”, Galerie Franck & Schulte, Berlin, Germany

1996
Lisson Gallery, London, UK
Metro Pictures, New York, USA
Museum of Contemporary Art, San Diego
Van Abbemuseum, Eindhoven, The Netherlands
Jean Bernier, Athens, Greece
Centre Georges Pompidou, Paris, France

1995
RUM, Malmö, Sweden
Centre d’Art Contemporain, Geneva, Switzerland
“Video Installations, Objects, Watercolours”, Musee des Artes Modernes et Contemporains, Strasbourg, France
Galerie, Graphisches Kabinett, Wiener Secession, Wien, Austria
“Hysterical”, Atle Gerhardsen, Oslo, Norway
“System for Dramatic Feedback”, Portikus Frankfurt, Germany/Les Musées de la Ville de Strasbourg, Strasbourg, France/Centre d’Art Contemporain, Geneva, Switzerland/Stedlijk Van Abbemuseum, Eindhoven, The Netherlands
“Video Installations, Objects, Watercolors”, Musée d’Art Moderne et Contemporain, Strasbourg, France
Galerie Ghislaine Hussenot, Paris, France
“Ouvres Récentes”, Galeria Soledad Lorenzo, Madrid, Spain
Galeria Soledad Lorenzo, Madrid, Spain

1994
Lisson Gallery, London, UK
Jean Bernier Gallery, Athens, Greece
“Dummies, Flowers, Altars, Clouds and Organs”, Metro Pictures, New York, USA
“Recent Video Works”, The Contemporary Museum, Honolulu, Hawaii, USA
Linda Chathcar Gallery, Santa Monica, California, USA

1993
“Phobic/White Trash”, Centre d’Art Contemporain, Geneve, Switzerland/Kunstwurke, Berlin, Germany
Andrea Rosen Gallery, New York, USA
The Living Room, San Francisco, California, USA
IKON Gallery, Birmingham/Bluecoat Gallery, Liverpool, UK

1992
“F/X Plotter, 2 Way”, Kijkhuis, Den Haag, The Netherlands
“Station Project” (with James Casebere), Kortrijk (Railway Station), Belgium
The Space, Boston, Massachusetts, USA
The Knitting Factory, New York, USA

1991
Diane Brown Gallery, New York, USA
“Dummies, Hex Signs, Watercolours”, The Living Room, San Francisco, California, USA
The Pacific Film Archives, San Francisco, California, USA
The Cinematheque, San Francisco, California, USA

1990
Hallwalls, Buffalo, New York, USA
Diane Brown Gallery, New York, USA
The Kitchen, New York, USA
“On Our Own”, The Segue Gallery, New York, USA

1989
The Walker Art Center, Minneapolis, Minnesota, USA
Boston Film/Video Foundation, New York, USA
“A Scene”, P.S.1, New York, USA
“Complete Works”, The Kitchen, New York, USA
Soho TV M/T Channel 10, New York, USA
The Kitchen, New York, USA
“Relatives” (video/performance in collaboration with Constance DeJong), The Kitchen, New York/Rockland Center for the Arts, West Nyak, New York/Seattle Arts Museum, Washington/Mikery Theatre, Amsterdam/ECG-TV Studios, Frankfurt, Germany
“Drawings, Objects, Videotapes”, Delta Gallery, Düsseldorf, Germany
Folkwang Museum, Essen, Germany
Collective for Living Cinema, New York, USA
Museum für Gegenwartskunst, Basel, Switzerland
Bobo Gallery, San Francisco, California, USA

1988
“Tony Oursler’s Works”, Le Lieu, Québec City, Canada
“Constellation: Intermission”, Diane Brown Gallery, New York, USA
Western Front, Vancouver, Canada
“Tony Oursler and Constance Dejong”, LACPS/EZTV, Los Angeles, California, USA

1987
The Kitchen, New York, USA

1986
“Spheres of Influence”, Centre Georges Pompidou, Paris, France
New Langton Arts, San Francisco, California, USA
Nova Scotia College of Art and Design, Nova Scotia, Canada
Boston Film/Video Foundation, Boston, Massachusetts, USA

1985
Kijkhuis, Den Haag, The Netherlands
Schule für Gestaltung, Basel, Switzerland
The American Center, Paris, France
Kunst Delft, Delft, The Netherlands
ELAC, Espace Lyonnais d’Art Contemporain, Lyon, France
Schule fur Gestaltung, Basel, Switzerland

1984
Anthology Film Archives, New York, USA
“L-7, L-5”, The Kitchen, New York, USA
David Mo Gallery, New York, USA
The Kitchen, New York, USA

1983
“La Mamelle”, San Francisco, California, USA
“My Sets”, Media Study, Buffalo, New York, USA
“Son of Oil”, A Space, Toronto, Canada
“LACE-Panic House”, Los Angeles, California, USA
“X Catholic” (performance in collaboration with Mike Kelley), Beyond Baroque, Los Angeles, California, USA

1981
University Art Museum, University of California, Berkley, California, USA
“Video Viewpoints”, Museum of Modern Art, New York, USA
The School of the Art Institute of Chicago, Chicago, Illinois, USA

 

Group Exhibitions

2013
“Disembodied”, Cleveland Museum of Art, Cleveland, Ohio, USA
“Mike Kelley”, Centre Georges Pompidou, Paris, France
“Strawberry Ecstasy Green,” Espace Louis Vuitton, Venice, Italy
“The Poetics Project”, Centre Pompidou, Paris, France
“The Influence Machine”, Tate Modern, London, UK
“Crossed Circuits; Norte Sul Leste Oeste”, Museu de Arte Moderna, Sao Paulo, Brazil

2012
“The Royal Family”, Hayward Gallery Project Space, London, UK
“Glasstress New York: New Art from the Biennale di Venezias”, The Museum of Art and Design, New York, USA

2011
“Paradise Lost”, Istanbul Modern, Istanbul, Turkey
“Off the Wall/Fora da Parede”, Museu Serralves, Museu de Arte Contemporânea, Porto, Portugal
“The view from a Volcano – The Kitchen’s Soho Years, 1971–85”, The Kitchen, New York City, USA
“CLAP”, Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, New York, USA
“The Royal Family”, Hayward Gallery, London, UK
“Blink! Light, Sound & the Moving Image”, Denver Art Museum, Denver, Colorado, USA
“Let the Healing Begin”, IMA Institute of Modern Art, Brisbane, Australia
“Anonyme Skulpturen. Video und Form in der zeitgenössischen Kunst”, Galerie im Taxispalais, Innsbruck, Austria
“Nothing in the World but Youth”, Turner Contemporary Gallery, Margate, UK
“Night Scented Stock”, Marianne Boesky Gallery, New York, USA
“Glasstress”, 54th Biennale di Venezia, Venice, Italy
“The Way We Are Now: Selections from the 21st Century Collection”, Cincinnati Art Museum, Cincinnati, Ohio, USA
“Unreal”, Vancouver Art Gallery, Vancouver, Canada

2010
“Fourteen Again”, Chelsea Art Museum, New York, USA
“Julia Stoschek Collection – I want to see how you see”, Haus der Photographie, Deichtorhallen Hamburg, Germany
“C’est la vie! Vanités de Caravage à Damien Hirst”, Musée Maillol, Fondation Dina Vierny, Paris, France
“Spazio. The Scene and the Imaginary”, Museo nazionale delle arti del XXI secolo, Rome, Italy
“Things evoke feelings”, CSW Centrum Sztuki Wspolczesnej/Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
“Corso. Werke der Sammlung Essl im Dialog”, Essl Museum, Klosterneuburg, Austria
“11. Triennale Kleinplastik – Larger Than Life – Stranger Than Fiction”, Triennale Kleinplastik Fellbach, Fellbach, Germany
“Dessins contemporains/Collection Florence et Daniel GUERLAIN”, Musée des Beaux-Arts et d’Archéologie de Besançon, France
“Off the Wall Part 1: Thirty Performative Actions”, The Whitney Museum of American Art, New York, USA
“Ordinary Madness”, Carnegie Museum of Art, Pittsburgh, Pennsylvania, USA
“Five in Istanbul: A Selection of Artists from Lehmann Maupin Gallery”, Borusan Muzik Evi, Istanbul, Turkey
“The Rhythm of Istanbul”, AKBank Sanat, Istanbul, Turkey
“Il Trucco e le Maschere”, Byblos Gallery, Verona, Italy
Centro Cultural Oi Futuro, Rio de Janeiro, Brazil
“C’est la Vie! Vanités – De Pompéï à Damien Hirst”, Musée Maillol, Paris, France

2009
“Huésped”. Museo Nacional de Bellas Artes , Buenos Aires, Argentina
“Art and Electronic Media”, Bitforms Gallery, New York, USA
“Surrealism and Contemporary Art: Subversive Spaces”, Compton Verney, Warwickshire, UK
“Animated”, Centre d’Art Bastille, Grenoble, France
“SONIC YOUTH etc.: Sensational Fix”, Malmö Konsthall, Malmö, Sweden
“UNDERWATER”, Western Bridge, Seattle, Washington, USA
“Lisson Presents 3/29 Bell Street”, Lisson Gallery, London, UK
“Histoires à l“ère numérique. Werke aus der Sammlung”, Espace Multimédia, Gantner, Basel, Switzerland
“Plastic Culture: Legacies of Pop 1986–2008”, Harris Museum and Art Gallery, Preston, Lancashire, UK
“XIV. Quadriennale di Roma”, Quadriennale di Roma, Rome, Italy
“Subversive Spaces: Surrealism and Contemporary Art”, Whitworth Art Gallery, Manchester, UK/Kunsthalle Düsseldorf, Germany
“Boule to Braid”, Lisson Gallery, London, UK

2008
”La vidéo, un art, une histoire 1965–2007”, Musée Fabre, Montpellier, France
“Listen Darling… The World is Yours”, Ellipse Foundation, Alcoitão, Portugal
“Anatomie | les peaux du dessin – collection Florence et Daniel Guerlain, FRAC, Amiens, France
“Sympathy for the Devil: Art and Rock and Roll Since 1967”, Musée d’art contemporain de Montréal, Montreal, Canada
“Sonic Youth etc. – Sensational Fix”, Museum für moderne und zeitgenössische Kunst , Bolzano, Italy
“Julia Stoschek Collection: Destroy, she said”, PinchukArtCentre, Kiev, The Ukraine
“Keine Angst”, Kunstverein Ludwigshafen, Germany
“PORTRAIT”, Galerie Hübner & Hübner, Frankfurt am Main, Germany
“My Favourite Things Vol.1”, Fotografisk Center, Copenhagen, Denmark
“Order. Desire. Light. An exhibition of contemporary drawings”, Irish Museum of Modern Art, Dublin, Ireland
“SONIC YOUTH etc. – SENSATIONAL FIX”, International Space for Emerging Arts, Saint-Nazaire, France
“Call it what you like”, Collection Rik Reinking, Kunst Centret Silkeborg Bad, Silkeborg, Denmark
“New Sculptures“, Galerie Forsblom, Helsinki, Finnland
“Lost Paradise – Der Blick des Engels”, Zentrum Paul Klee, Bern, Switzerland
“Punk. No One is Innocent”, Kunsthalle Wien, Vienna, Austria
“Hovedutstillinger”, Rogaland Museum of Fine Arts, Stavanger, Norway
“Tele Mondo” Le Parvis, scène nationale Tarbes Pyrénées, Ibos, France
“The Morning After“,Videoarbeiten der Sammlung Goetz, Neues Museum Weserburg, Bremen, Germany
“20/20”, Jensen Gallery, Auckland, New Zealand
“Good Doll, Bad Doll”, Armory Center for the Arts, Pasadena, California, USA
“The Cinema Effect: Illusion, Reality, and the Moving Image Part I: Dreams, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA
“Grensetilstander – internasjonal samtidskunst fra 1990” tallet - Sørlandets Art Museum, Kristiansand, Norway
“Looking at Music”, Museum of Modern Art, New York, USA
“California Video”, J. Paul Getty Museum, Los Angeles, California, USA
“Slightly Unbalanced”, Chicago Cultural Center, Chicago, Illinois, USA/Museum London, London
Canada/Huntington Museum of Art, Huntington, West Virginia, USA/Rodman Hall Arts Center, St. Catharines, Canada/Paul and Lulu Hillliard University Art Museum, Lafayette, Louisiana, USA/Joel and Lila Harnett Museum of Art, Richmond, Virginia, USA

2007
“J”embrasse Pas”, Collection Lambert En Avignon, France
“Pompidou Centre New Media 1965–2003”, Museu Nacional De Arte Contemporanea, Museu do Chiado, Lisbon, Portugal
“Borderlines”, Kunstmuseum, Bergen, Norway
“Theater without Theater”, Museum of Contemporary Art, Barcelona, Spain/Walker Art Center, Minneapolis, Minnesota, USA
“Contemporary, Cool and Collected”, Mint Museum of Art, Charlotte, North Carolina, USA
“Mask”, James Cohan Gallery, New York/NY Playback/Musée d’Art Moderne de la Ville de Paris, France
“Don’t Look”, Davis Museum and Cultural Center, Wellesley, Massachusetts, USA
“Chelsea to Caochangdi”, Chambers Fine Art, Beijing, China
“To Be Continued…Magasin 3”, Stockholm, Sweden
“Her (his)tory”, Museum of Cycladic Art, Athens, Greece
“Panic Attack! Art in the Punk Years”, Barbican Art Gallery, London, UK
“Inaugural Exhibition: Wrestle”, Hessel Museum of Art, Bard College, Annandaleon, Hudson, New York, USA
“Rockín Roll Vol. I”, Metro Pictures, New York, USA
Norrköpings Museum of Art, Norrköping, Sweden
“Passion for Art”, Essl Museum of Contemporary Art, Klosterneuburg, Austria
“Sympathy for the Devil: Art and Rock and Roll Since 1967”, Museum of Contemporary Art, Chicago, Illinois, USA

2006
“Don’t Trust Anyone Over 30” with Dan Graham and Rodney Graham, Whitney Biennal, Whitney Museum of American Art, New York, USA
“Into me/Out of me”, KW Institute for Contemporary Art, Berlin, Germany
“On/Off”, FRAC Lorraine, France
“Open House”, The Ellipse Foundation: Contemporary Art Collection, Lisbon, Portugal
“Super Vision”, Institute of Contemporary Art, Boston, Massachusetts, USA
“New York New York: Fifty Years of Art”, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco

2005
“Guardami, Percezione del Video”, Palazzo Delle Papesse, Centro Arte Contemporanea, Siena, Italy
“Perfect Partner”, with Kim Gordon, Barbican, London, UK

2004
“100 Artists See God”, The Jewish Museum, San Francisco and Laguna Art Museum, USA
“OMA AMO”, Neue Nationalgalerie, Berlin/Kunsthal, Rotterdam, The Netherlands
“DeJong, Oursler, Zansky Installations”, Rockland Center for the Arts, New York, USA
“Lonely Planet”, Contemporary Art Center, Art Tower Mito, Ibaraki-ken, Japan
“Videodreams: Between the Cinematic and the Theatrical”, Kunsthaus Graz, Austria
“North Fork/South Fork: East End Art Now”, Parish Art Museum, Southampton, Long Island, New York, USA
“An Exhibit and Private Auction”, Marianne Boesky Gallery, New York, USA
“At years end, rethinking The Family of Man”, De Appel, Amsterdam, The Netherlands
“The Print Show”, Exit Art, New York, USA
“A fripon Fripon et Demi”, Collection Lambert en Avignon, Avignon, France
“Bodily Space”, Albright-Knox Gallery, Buffalo, New York, USA
“Freud –The Creative Analysis of Analysis”, University of Connecticut, Storrs, Connecticut, USA
“Loachim Plum Collection”, Museum Kurhaus Kleve, Kleve, Germany
“Making Visible”, Gallery Faurschou, Copenhagen, Denmark
“Disparities & Deformations – Our Grotesque”, 5th International Site Santa Fe Biennial, Santa Fe, New Mexico, USA
“Landscape and Memory”, Centro Atlántico de Arte Moderno, Grand Canaria, Spain
Metro Pictures, New York, USA
“Visions of America, Contemporary Art from the Essl and Sonnabend Collection”, Kunst der Gegenwart, Vienna, Austria
Galeria Soledad Lorenzo, Madrid, Spain

2003
“Mystic”, Massachusetts College of Art, Boston, Massachusetts, USA
“videoMIX”, Arario Gallery, Cheonan-city, South Korea
“Drawings”, Metro Pictures, New York, USA
“Yanomami: Spirit of the Forest”, Fondation Cartier pour l’Art Contemporain, Paris, France
“Video +”, Carl Solway Gallery, Cincinnati, Ohio, USA
“The Poetics Project: 1977–1997”, Barbican Center, London, UK
“Skin: Contemporary Views of the Human Body”, Jacksonville Museum of Modern Art, Jacksonville, Florida, USA
“Mystic”, Sandra and David Bakalar Gallery, Massachusetts College of Art, Boston, Massachusetts, USA
“La Vista Y La Visión”, Institute Valencia d’Art Modern, Valencia, Spain
“Fast Forward”, Media Art Sammlung Goetz, KZM, Karlsruhe, Germany
“Art, Lies, and Videotape: Exposing Performance”, Tate Liverpool, Liverpool, UK
“Lux”, Andrew Jensen Gallery, Auckland, New Zealand/Mark Hutchins Gallery, Wellington, New Zealand

2002
“Hautnah: Die Sammlung Goetz”, Museum Villa Stuck, München, Germany
“Parole”, Galleria Civica di Arte Contemporanea, Trento, Italy
“Slow Motion”, Ludwig Forum für internationale Kunst, Aachen, Germany
“Station”, Magasin 3 Stockholm Konsthall, Stockholm, Sweden
“Heart of Glass”, Crafts Council Gallery, London, UK
“lehmann Maupin”, 540 West 26 Street, July 2002, New York, USA
“M_ARS. Art and War”, Neue Galerie Graz, Graz, Austria
“VideoMix”, Arario Gallery, Korea
“Galeria Soledad Lorenzo, Madrid, Spain
“The poetics Project 1977–1997”, Multi-media installation, Barbican Center, London, UK
“Contemporary Collecting: New Art for Manchester”, Manchester Art Gallery, UK
“Yanomami, l”esprit de la foret”, Fondation Cartier pour l”art contemporain, Paris, France
“Hommage an Rudolf Schwarzkogler”, Galerie Krinzinger, Vienna, Austria
“On Perspective”,Galleri Faurschou, Copenhagen, Denmark
“The First Decade-Video From the EAI Archives”, Museum of Modern Art, New York, USA
“The Uncanny”, Vancouver Art Gallery, Vancouver, Canada
Metro Pictures, New York, USA
“Vue De Près/Close Up”, Cuchifritos, New York, USA
“Portrait as Performance”, Hand Workshop Art Center, Richmond, Virginia, USA
“New York Renaissance–Masterworks From the Whitney Museum of American Art”, Palazzo Reale, Milan, Italy
Garten Landschaft Ostwestfalen-Lippe, Gräflicher Kurpark Driburg, Driburg, Germany
“Los Exceosos de la Mente”, Centro Andaluz de Arte Contemporáneo, Seville, Spain
“Ce Qui Arrive”, Fondation Cartier Pour L’Art Contemporain, Paris, France
“Cardinales”, Museo de Arte Contemporánea de Vigo, Vigo, Spain
“Video Acts”, P.S.1 Contemporary Art Center, Long Island City, New York/Institute of Contemporary Arts, London, UK
“Body Electric: Video Art and the Human Body”, Cheekwood, Nashville, Tennessee, USA
“Life, Death, Love, Hate, Pleasure, Pain”, Museum of Contemporary Art, Chicago, Illinois, USA

2001
“Ghost”, Ciocca Arte Contemporanea/Claudia Gian Ferrari Arte Contemporanea, Milan, Italy
“Black Box: The Dark Room in Art”, Museum of Fine Arts, Berne, Switzerland
“Tony Oursler, Mike Kelly, Jim Shaw”, Galerie Biedermann, München, Germany
“Switch”, Musée départemental d’art contemporain de Rochechouart, Limousin, France
“Electronic Maple: Human Language and Digital Culture in Contemporary Art”, New York, USA
Center for Media Arts, New York, USA
“Wechseltrom – Alternating Current”, Sammlung Hauser und Wirth in der Lokremise St. Gallen, Switzerland
“Das innere Befinden”, Kunstmuseum Liechtenstein, Liechtenstein
“God is in the Details”, Centre for Contemporary Art, Geneva, Switzerland
“Memento Mori”, Galerie Jérome de Noirmont, Paris, France
“Get Together: Art as Teamwork”, Kunsthalle Wien, Austria
“Artcité: when Montréal Turns into a Museum”, Museum of Contemporary Art, Monréal, Canada
“A Contemporary Cabinet of Curiosities – Selections from the Vicki and Kent Logan Collection”, Oliver Art Center, California College of the Arts, Oakland, California, USA
“Televisions”, Kunsthalle Wien, Vienna, Austria
“I Need You to Be There”, Center for Curatorial Studies, Bard College, Annandale-on Hudson, New York, USA
“Heart of Glass”, Queens Museum of Art, Queens, New York/The Crafts Council, London, UK
“Collaborations with Parkett: 1984 to Now”, Museum of Modern Art, New York, USA
“I’m Not Here: Constructing Identity at the Turn of the Century”, Susquehanna ArtMusuem, Harrisburg, Pennsylvania, USA
“Recent Acquistions”, Rockford Art Museum, Rockford, Illinois, USA
“Lateral Thinking: Art of the 1990’s”, Museum of Contemporary Art, San Diego, California/Colorado Sprigs Fine Art Center, Colorado Springs, Colorado/Hood Museum, Dartmouth University, Hanover, New Hampshire/Dayton Art Institute, Dayton, Ohio, USA
“Outside of the Box”, Contemporary Art Museum, University of South Florida, Tampa, Florida, USA
“Off The Grid: Works on Paper”, Lehmann Maupin Gallery, New York, USA

2000
“Appearance”, Galleria d’Arte Moderna Bologna, Italy
“The Anagrammatical Body”, Centre for Art and Media Technology Karlsruhe, Germany
“Mike Kelly/Tony Oursler”, Centre Pompidou, Paris, France
“Heaven”, Tate Liverpool, Liverpool, UK
“Wanas 2000”, Wanas Foundation, Knislinge, Sweden
“Film/Video Works – Lisson Gallery at 9 Keane Street”, Lisson Gallery, London, UK
“Sinn + Sinnlichkeit – Körper und Geist des Bildes”, New Museum Weserburg, Weserburg, Switzerland
“Media City, Seoul 2000”, Contemporary Art and Technology Biennial, Seoul, South Korea
“Spectacular Bodies – The Art and Science of the Human Body from Leonardo to now”, Hayward Gallery, London, UK
“Hitchcock et l’art: coïncidences fatales”, Musée des beaux-arts, Montréal, Canada
“Ich ist atwas Anderes (I is Another)”, Kunstsammlung, Düsseldorf, Germany
“Moving Pictures”, Real Art Ways, Hartford, Connecticut, USA
“Bizzaro World”, Cornell Fine Arts Museum, Rollins College, Winter Park, Forida, USA
“Blurring Boundaries: Installation Art 1969–1996”, San Jose Museum of Art, San Jose, California, USA
“Presumed Innocent”, Musée d’art Contemporain de Bordeaux, France
“Head Over Heels into the Millenium”, Musée d’art Contemporain de Montréal, Canada
“Limited and Unlimited Editions”, Artists Space, New York, USA
“Exorcism/Aesthetic Terrorism”, City Collection Rotterdam, The Netherlands
“Présumés innocents – L’art contemporain et l’enfance”, Musée d’Art Contemporain de Bordeaux, France
Metro Pictures, New York, USA
“Illuminations”, Auckland Art Museum, Chapel Hill, North Carolina, USA
“American Art Today: Fantasies & Curiosities”, Art Museum at Florida International University, Miami, Florida, USA
“00”, Barbara Gladstone Gallery, New York, USA
“WildLife”, Reynolds Gallery, Richmond, Virginia, USA
Officine Senza Nome, Polilab 2000, Terracino, Italy
“Long days”, longer nights, Galapagos Art & Performance Space, Brooklyn, New York, USA
“Hitchcock and Art: Fatal Coincidences”, The Montréal Museum of Fine Arts, Montréal, Canada/Centre Georges Pompidou, Paris, France
“Collecting Ideas: Works from the Polly and Mark Addison Collection”, Denver Art Museum, Denver, Colorado, USA

1999
“Tony Oursler, Dirk Reinartz”, Malmö Konsthall, Sweden
“I love New York”, Museum Ludwig, Köln, Germany
“Heaven: An Exhibition That Will Break Your Heart”, Kunsthalle Düsseldorf, Germany/Tate Gallery, Liverpool, UK
“Wände/Wall Works”, Museum Villa Stuck, München, Germany
“U.S. To Art 1950–2000”, Studio Casoli, Milano, Italy
“The Edge of Awareness – Al Limite Della Coscienza”, Triennale di Milano, Milano, Italy
“Sammensatt – Composite”, Museet for Samtidskunst, National Museum of Contemporary Art, Oslo, Norway
“Double Lives”, Institut de Cultura de Barcelona, Spain
“Video Cult/ures”, Center for Art and Media, MfCA, Karlsruhe, Germany
“American Century”, Whitney Museum of American Art, New York, USA
“Skin”, Deste Foundation Center for Contemporary Art, Athens, Greece
“Triennale Exhibition: Sentiment of the Year 2000”, Triennale di Milano, Milan, Italy
“Millennium My Eye!”, Musée d’art Contemporain de Montréal, Canada
“6th International Istanbul Biennial”, Istanbul Foundation for Culture and Arts, Istanbul, Turkey
“Drawn by…”, Metro Pictures, New York, USA
“Rewind to the Future”, Bonner Kunstverein, Bonn, Germany
“Salome: Images of Women in Contemporary Art”, Castle Gallery, New Rochelle, New York, USA
“Collectors Collect Contemporary: 1990–1999”, Institute of Contemporary Art, Boston, Massachussetts
“Heaven”, Kunsthalle Düsseldorf, Germany
“Der Anagrammatische Körper”, Jahresmuseum, Mürzzuschlag, Austria/ZKM Medientheater, Karlsruhe, Germany
“I’m Not Here”, Susquehanna Art Museum, Harrisburg, Pennsylvania, USA
“Life Cycles”, Galerie für Zeitgenössische Kunst, Leipzig, Germany

1998
“Electronically Yours”, National Portrait Gallery, London, UK
Kunstverein Hannover, Germany
“Reservate der Sehnsucht/Zones of Desire”, Kulturbüro Stadt, Dortmund, Germany
“Video: Tony Oursler, Bruce Naumen, Sam Taylor-Wood”, San Francisco Museum of Modern Art, San Francisco, California, USA
“Sao Paulo Biennale XXIV”, São Paulo, Brazil
Gian Enzo Sperone, Milan, Italy
“Presumed Innocence”, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, USA
“The Secret Life of Clothes”, The Nishinippon, Fukuoka, Japan
“Mysterious Voyages”, Contemporary Museum, Baltimore, Maryland, USA
“Exterminating Angel”, Galerie Ghislaine Hussenot, Paris, France
“Spectacular Optical”, Thread Waxing Space, New York, USA
“Pop Surrealism”, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, USA
“Avatar”, De Oude Kerk, Amsterdam, The Netherlands
“Bathroom”,Thomas Healy Gallery, New York, USA
“mächtig gewaltig: Internationale Videokunst”, ACC Galerie Weimar, Germany
“German Connections and Contradictions: Modern and Contemporary Art from Atlanta Collections”, Michael C. Carlos Museum, Emory University, Atlanta, Georgia, USA
“From Figure to Floor: Sculpture in the Twentieth Century, Milwaukee Art Museum, Milwaukee, Wisconsin, USA
“Emotion”, Deichtorhallen, Hamburg, Germany
“I Love New York”, Museum Ludwig, Köln, Germany
“Bowie”, Rupert Goldsworthy Gallery, New York, USA
“Escenes de L’Imaginari: Festival internacional de Teatre visual i de Titelles de Barcelona XXV. aniversari”, Institut del Teatre, Barcelona, Spain

1997
“Whitney Biennale”, New York, USA
“Anatomy of Space and Time”, Kobe Fashion Museum, Japan
“Gothic”, ICA, Boston, Massachusetts, USA
“Made in France”, Centre Georges Pompidou, Paris, France
“Video Positive”, Liverpool and Manchester, UK
“Scream and Scream Again, Film in Art”, Museum of Contemporary Art, Helsinki, Finnland
Paule Anglim Gallery, San Francisco, USA
Capc Musée d’art Contemporain, Bordeaux, France
“Künstlerlnnen, 50 Positionen”, Kunsthaus Bregenz, Vienna, Austria
“Technological drift”, Lawing, Houston, Texas, USA
Tokyo Koi Nagi Gallery, Tokyo, Japan
“Poetics Project 1977–1997” with Mike Kelley, Documenta X, Kassel, Germany
“Skulptur Projekte”, Münster, Germany
“The Body”, The Art Gallery of New South Wales, Sydney, Australia
Museum of Contemporary Art, Tokyo, Japan
“The Digital Video Wall”, Rockefeller Center, New York, USA
“M.A. Thesis Exhibition”, Center For Curatorial Studies, Bard College, Annandale-on-Hudson, New York, USA
“Engel: Engel”, Kunsthalle Wien, Vienna, Austria/Galerie Rudolfinum, Prague, Czech
“Republic* Identité”, Institut d’Art Contemporain, Geneva, Switzerland
SITE Santa Fe, Santa Fe, New Mexico, USA
Barbara Krakow Gallery, Boston, Massachusetts, USA
“Installations/Projects”, P.S. 1 Contemporary Art Center, Long Island City, New York, USA
“World Wide Video Festival”, Stedilijk Museum, Amsterdam, The Netherlands
“Patrick Painter”, Santa Monica, California, USA
“Zones of Disturbance, steirischer herbst 97”, Graz, Austria
“der Menschliche Faktor – Das Individuum im Spiegel zeitgenossischen Kunst”, Hypobank International S.A., Luxembourg City, Luxembourg
The Eli Broad Family Foundation, Santa Monica, California, USA

1996
“Never Walk Home Alone”, The Photographers Gallery, London, UK
“Elsewhere”, Galerie Froment & Putman, Paris, France
“Scream and Scream Again”, MOMA, Oxford, UK
“Moving Structures”, Lehmann Maupin, New York, USA
“New Persona/New Universe”, Stazione Leopolda, Florence, Italy
“Being and Time, the emergence of video projection”, Albright Knox Art Gallery, Buffalo, New York, USA
“Portrett”, National Museum of Contemporary Art, Oslo, Norway
“Hide and Seek”, The Jerusalem Foundation, Israel
“ID, An international survey on the notion of identity in contemporary art”, Stedelijk
van Abbemuseum, Eindhoven, The Netherlands
“Altered and Irrational”, Whitney Museum of American Art, New York, USA
“Sex & Crime: On Human Relationships”, Sprengel Musem, Hannover, Germany
“Young Americans: New American Art in the Saatchi Collection”, Saatchi Gallery, London, UK
“Phantasmagoria”, Museum of Contemporary Art, Sydney, Australia
“10th Biennale of Sydney”, Sydney, Australia
“Sampler 2”, David Zwirner, New York, USA
“Empty Dress”, The Rubelle & Norman Schafler Gallery, Pratt Institute, Brooklyn, New York, USA
“Kingdom of Flora”, Shoshana Wayne Gallery, Santa Monica, California, USA
“Human Technology”, Revolution, Ferndale, Michigan, USA
Metro Pictures, New York, USA
Lisson Gallery, London, UK
“Tomorrow”, Rockland Center for the Arts, West Nyack, New York, USA
The Cincinnati Art Museum, Cincinnati, Ohio, USA
“New York Unplugged II”, Gallery Cotthem, Knokke-Zoute, Belgium
“Radical Images”, 2nd Austrian Triennial on Photography, Neue Galerie am Landesmuseum, Austria
“Matthew Barney, Tony Oursler, Jeff Wall”, Sammlung Goetz, München, Germany
Cranbrook Art Museum, Bloomfield Hills, Michigan/Portland Art Museum, Portland, Oregon/Contemporary Arts Museum, Houston, Texas, USA
Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA
“The Red Gate”, Whitney Museum of American Art, New York, USA/Museum van Hedendaagse Kunst, Ghent, Belgium
“The Scream”, The Nordic Arts Centre, Helsinki, Finland/Arken Museum of Modern Art, Ishoj, Denmark
“Face Value: American Portraits”, The Parrish Art Museum, South Hampton, New York, USA
“Intermission”, Basilico Fine Arts, New York, USA
“ID”, Van Abbemuseum, Eindhoven, The Netherlands

1995
“Ars 95”, Museum of Contemporary Art, Helsinki, Finland
“The Message is the Medium: Issues of Representation in Modern Technologies”, Castle Gallery, College of New Rochelle, New York, USA
“Zeichen & Wunder”, Kunsthaus Zürich, Switzerland/Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
“Entre Acte 1”, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands
“Fetishism”, Brighton Museum and Art Galleries, UK
“Fantastic Prayers”, (collaboration with Constance DeJong and Stephen Vitiello), DIA Center for thr Arts, Rushmore Festival, New York, USA
“Inside Out: Psychological Self-Portraiture”, The Aldrich Musseum of Contemporary Art, Connecticut, USA
“Trust”, Tramway, Glasgow, Scotland
“Man & Machine: Technology Art”, Dong-Ah Gallery, Seoul, Korea
“Configura 2 – Dialog Der Kulturen – Erfurt 1995”, Erfurt, Germany
“Immagini in Prospettive”, Zerynthia, Rome, Italy
“L”Effect Cinéma”, Musée d’Art Contemporain de Montréal, Canada
“Auto Reverse”, Saint-Gervais and Centre Européen de la Culture, Geneva, Switzerland
Mendelson Gallery, Pittsburgh, Pennsylvania, USA
“Passions Privées”, Museé d’Art Moderne de la Ville de Paris, France
“Le Printemps de Cahors”, la Compagnie des Arts, Cahors, France
“Playtime: Artists and Toys”, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA
“Video Spaces: Eight Installations”, The Museum of Modern Art, New York, USA
“1995 Carnegie International”, Carnegie Museum of Art, Pittsburgh, Pennsylvania, USA
“3e Biennale de Lyon”, France

1994
Galleria Galliani, Genova, Italy
“Beeld”, Museum van Hedendaagse, Citadelpark, Gent, Belgium
“A Sculpture Show”, Marian Goodman Gallery, New York, USA
“Tony Oursler and John Kessler”, Salzburg Kunstverein, Salzburg, Austria
“The Laugh of #12”, Fort Asperen, Acquoy, The Netherlands/Galleria Galliani, Genoa, Italy
“The Figure”, The Lobby Gallery, Deutsche Bank, New York, USA
Metro Pictures, New York, USA
Laura Carpenter Fine Art, Santa Fe, New Mexico, USA
“Home Video Redefined: Media, Sculpture and Domesticity”, Center of Contemporary Art, Miami, Florida, USA
“Light”, ARTprop, New York, USA
“Medienbiennale 94”, Minima Media, Leipzig, Germany
“Heart of Darkness”, Kroller Müller Museum, The Netherlands

1993
“Love Again”, Kunstraum Elbschloss, Hamburg, Germany
“3rd International Biennale in Nagoya-Artec“93”, Nagoya City Art Museum, Japan
“Privat”, Gallery F-15, Oslo, Norway

1992
“Documenta 9”, Kassel, Germany
“Station Project”, Kortrijk Railway Station, Kortrijk, Belgium

1991
“New York Time Festival”, Museum van Hedendaagse Kunst, Gent, Belgium
“Triune”, Bluecoat Gallery, Video Positive Festival, Liverpool, UK

1990
“The Technological Muse”, Katonah Museum of Art, Katonah, New York, USA
“Tendance Multiples, Vidéo des Années 80”, Centre Georges Pompidou, Paris, France
“Video/Objects/Installations/Photography”, Howard Yezerski Gallery, Boston, Massachusetts, USA
“Video Transforms Television – Communicating Unease”, New Langton Arts, San Francisco, California, USA

1989
“World Wide Video Festival”, Den Haag, The Netherlands
“Biennial Exibition”, Whitney Museum of American Art, New York, USA
“Video Sculpture 1963–1989”, Kölnischer Kunstverein, Köln, Germany
“XII Salso Film & TV Festival”, Salsomaggiore, Italy
“Masterpieces”, Stadtgarten, Köln, Germany
“Nepotism”, Hallwalls, Buffalo, New York, USA
“Video and Language”, Museum of Modern Art, New York, USA
“Sanity is Madness”, The Artists Foundation Gallery, Boston, Massachusetts, USA
“World Wide Video Festival”, Den Haag, The Netherlands

1988
“The BiNational”, Institute of Contemporary Art, Museum of Fine Arts, Boston, Massachusetts, USA
“Film Video Arts, 17 Years”, Museum of Modern Art, New York, USA
“Twilight, Festival Belluard 88 Bollwerk”, Fribourg, Switzerland
“2nd Videonale”, Bonn, Germany
“New York Dagen”, Kunstichting, Rotterdam, The Netherlands
“Videografia”, Barcelona, Spain
“Varitish”, Korea
“New York Musikk”, Oslo, Norway
“Festival International du Nouveau Cinema et de la Vidéo”, Montreal, Canada
“Replacement”, LACE, Los Angeles, California, USA
“Interfermental 7”, Hallwalls, Buffalo, New York, USA
“Serious Fun Festival”, installation for Alice Tully Hall, Lincoln Center, New York, USA

1987
“L“époque, la mode, la morale, la passion”, Centre Georges Pompidou, Paris, France
“Aspects of Media: Video”, Department of Video/Art Advisory Service of the Museum of Modern Art for Johnson & Johnson, New York, USA
“Japan 1987”, Television and Video Festival, Spiral, Tokyo, Japan
“Documenta 8”, Kassel, Germany
“Schema”, Baskerville + Watson Gallery, New York, USA

1984
“The Luminous Image”, Stedjelijk Museum, Amsterdam, The Netherlands

1983
“X Catholic”, Beyond Baroque, Los Angeles, California, USA

 

Videos

2004
“Commu”, Seattle Public Library, Seattle, Washington

2000
“The Influence Machine”, The Becks/Artangel Commission

1992
“Toxic Detox”, (in collaboration with Joe Gibbons)
“Triptych: Model Release” (with Constance DeJong)
“Paranoid Schozoid Position” (with Kim Gordon)
“Test” (with Karen Finley)

1991
“Kepone”, 10 Min.

1990
“Tunic (for Karen)”, (in collaboration with Sonic Youth), 6 Min.

1988
Diane Brown Gallery

“ONOUROWN”, (Collaboration with Joe Gibbons), 47 Min.
“Joy Ride TM”, (in collaboration with Constance DeJong)

1987
“Sucker”, 5 Min.

Belgium Radio and Television
The Western Front of Vancouver and Los Angeles Contemporary Exhibitions

1986
Centre Georges Pompidou, Paris, France
“Diamond the 8 Lights: Sphères d’Influence”, 55 Min.

1985
“Sphères d’influence”, 45 Min., Farbe

1984
“EVOL”, 30 Min.

1983
“Spinout”, 17 Min.
“Theme Song from Si Fi”, 5 Min.
“Rome Hilton”, 2 Min.
“My Class”, 12 Min., Farbe

1982
“Son of Oil”, 18 Min., Farbe

1981
“Grand Mal”, 23 Min. Farbe

1979
“Diamond Head”, 25 Min., s/w
“Selected Shorts”, 20 Min.
“The Rosery Finger of Dawn”, 10 Min., Farbe
“The Loner”, 32 Min., Farbe

1978
“Life”, 10 Min., s/w
“Good Things + Bad Things”, 10 Min., s/w

1977
“The Life of Phillis”, 55 Min., s/w

1976
“Joe, Joe’s Transsexual Brother and Joe’s Woman”, 25 Min., s/w

 

Performances

1994
Dia Centre for the Arts with Constance de Jong and Steven Vitiello

 

Public Collections

 

Aarhus Kunstmuseum, Denmark
Ackland Art Museum, Chapel Hill, North Carolina, USA
Albright Knox Art Gallery, Buffalo, New York, USA
Arken Museum for Modern Art, Denmark
Broad Art Foundation, Los Angeles, California, USA
CAPC Musée d’art Contemporain de Bordeaux, Bordeaux, France
Carnegie Museum of Art, Pittsburgh, Pennsylvania, USA
Fondation Cartier pour l’Art Contemporain, Paris, France
Centre Georges Pompidou, Paris, France
Cincinnati Art Museum, Cincinnati, Ohio, USA
Cleveland Museum of Art, Cleveland, Ohio, USA
DePont Foundation for Contemporary Art, Tilburg, The Netherlands
Des Moines Art Center, Des Moines, IA
Eli Broad Family Foundation, Los Angeles, California, USA
Ellipse Foundation of Contemporary Art, Cascais, Portugal
Goetz Collection, München, Germany
Hammer Museum, Los Angeles, California, USA
Hara Museum, Tokyo, Japan
Hirshhorn Museum and Scu
lpture Garden, Washington, D.C., USA
JB Speed Museum, Louisville, Kentucky, USA
Joslyn Art Museum, Omaha, NE
Los Angeles County Museum of Art, Los Angeles, California, USA
Magasin 3, Stockholm, Sweden
Milwaukee Art Museum, Milwaukee, Wisconsin, USA
Modern Art Museum of Fort Worth, Fort Worth, Texas, USA
Musée d’Art Contemporain de Montréal, Montréal, Canada
Musée d’Art Contemporain, Lyon, France
Museu d’Art Contemporani, Barcelona, Spain
Museum der Kulturen, Basel, Switzerland
Museum of Contemporary Art, Chicago, Illinois, USA
Museum of Contemporary Art, Helsinki, Finland
Museum of Contemporary Art, San Diego, California, USA
Museum of Modern Art, New York, USA
Museum Ludwig, Köln, Germany
National Museum of Osaka
Osaka, Japan
Orange County Museum of Art
Newport Beach, California, USA
Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA
San Francisco Museum of Modern Art, San Francisco, California, USA
Saatchi Collection, London, UK
Staatsgalerie Moderner Kunst, München, Germany
Tate Modern, London, UK
Van Abbemuseum, Eindhoven, The Netherlands
Virginia Museum of Fine Arts, Richmond, VA
Whitney Museum of American Art, New York, USA
Williams College Museum of Art, Williamstown, Massachusetts, USA
ZMK/Center for Art & Media, Karlsruhe, Germany

Katharina Sieverding: Norad I–VI, 1980

25.02.2016 - 15.04.2016

Details

Download des Texts auf Deutsch

The Gallery Hans Mayer presents the series of six works entitled „Norad I–VI“ by Katharina Sieverding. The work was created 1980 and exhibited at the neighboring Kunsthalle Düsseldorf, just across the street from the gallery. Her last solo-exhibition at a gallery took place in 1976; thus 40 years later the Gallery Hans Mayer pays homage to the artist in her hometown.

A report in the news-magazine “Der Spiegel” about false alarms in the US nuclear command named Norad triggered off this series. A black-and-white photograph illustrated the article showing the tunnel-entrance to the subterranean headquarter in Cheyenne Mountain, Colorado: a tunnel-entrance as contemplative as anywhere in the Alpes – a military Jeep cum driver giving an idea of the size of the site. Katharina Sieverding enlarged this small image to the scale projection of 4 by 5.4 meters and placed the silhouette of a woman over entrance and mounting; the outline of her cloak unfolds over the scenery as if she were a Madonna. Two juxtaposing colors are at the same time graphic element as well as message: an aggressive red signaling alert and a soothingly comforting green. The figure of the woman stems from the film “Orpheus” by Jean Cocteau that poetically con-densed narration of the ancient myth of love, ephemerality, murder and fidelity.

The coloration of the other works is also highly contrastive. Behind purple metal bars appears a young man in semi-profile whose glance seemingly is directed rather inward than down-ward. His prison cell, his hair and his outlines again bear shades of green – a doomed man awaiting his execution. The third image is also derived from a publicized original: A man hovers over a naked woman on a beach who is half-way buried in the sand; only her head, shoulder, breast protrude from the sand in various shades of blue while the man is kept in red. An uncertain, sexually charged situation.

All three images are executed twice in distinctive coloring, in varying coarsened projections or as mirror image. Battle of the sexes, violence against humans, atomic threat – the theme of “Norad I–VI” is the latent fight. Although these works were created 36 year ago, they have not lost any of their immediate impact. In conversation, Katharina Sieverding points to the various crises of our time, from Russia, to the Middle East or Asia.

Originally the “Norad”-series was entitled “Fade-Out”. The term for the end of a movie was the code word for the highest alarm in the Central Atomic Command in Colorado. By posting the name of the subterranean military base she released these six photographic images of their real image plain. Alienation as a means in order to illustrate and to intensify. “In a broader sense, photography brings light into uncertain situations. It is an art-form of light”, declared Katharina Sieverding once and thus made clear why she is not a photographer. Photography to her is a means of thinking, a tool for her dealing with issues of our time.

Initially the photo-sheets were pinned to the wall and billowed on the floor or in front of the wall depending on the exhibition-space and the humidity (it was easier to have them rolled in order to transport them to the various museums and exhibition-spaces where they were on display). For the presentation at the Gallery Hans Mayer, Katharina Sieverding placed them in ridged frames, which makes the montages all the more startling.

Before the artist starting working with Joseph Beuys at the Düsseldorf Art Academy in the 1960‘s, Katharina Sieverding started her career in theater. She collaborated with Fritz Kortner who invited her to the Burgtheater in Vienna and with the influential stage set-designer Teo Otto. The English poet W. H. Auden once wrote good drama derives from the relationship between expecta-tion and the confrontation with reality. Given this thought, the “Norad”-Series is drama at its best, condensed in photomontages of steadfast validity, as true as ever.

Christian Sabisch

Katharina Sieverding

Born in Prague, lives and works in Düsseldorf and Berlin.

Important exhibitions involve the Solomon R. Guggenheim, New York, the Warhol Museum, Pittsburgh, the ICA, Boston, SFMOMA, San Francisco, as well as Museum Folkwang, Essen, the Neue Nationalgalerie, Berlin, the Kunstsammlung NRW, Düsseldorf, the Stedelijk Museum, Amsterdam, Deutsche Guggenheim, Berlin and the Kunst-Werke, Berlin.

Some of Katharina Sieverding’s group exhibitions include the Paris Biennale (1965, 1973), the Venice Biennale (1976, 1980, 1995, 1997 (German Pavillon), 1999), Documenta, Kassel (1972, 1977, 1982), the 4th Biennale Sydney (1982), the Shanghai Biennale (2002), as well as extensive shows at the MoMA P.S.1, New York and Hamburger Bahnhof, Berlin.

She has been awarded an array of prizes, containing the prestigious Kaiserring of Goslar (2004). She was professor for Visual Culture Studies from 1992–2010 at UDK-Berlin and is also guest professor at many international universities.

Variation Chromatique – Works from the 1960s

26.11.2015 - 15.01.2016

Details

Gallery Hans Mayer is pleased to announce a solo exhibition of Jean Pierre Yvaral‘s work from the Sixties. With this exhibition, Gallery Hans Mayer celebrates its more than 50 year old, ongoing relationship with the artist group ‘Groupe de Recherche d’Art Visuel’ (GRAV), which Yvaral has been an active member of since the beginning of the Sixties. His first German solo exhibition with Hans Mayer took place in 1966 at the (Op)art gallery in Esslingen and he has been exhibited consistently ever since.

Jean Pierre Vasarely, popularly known by his artist name Yvaral, was born in 1934 in Paris and  passed away there in 2002. He was the son of Victor Vasarely and studied graphics and advertising  from 1950 until 1953 at the Ecole des Arts Appliqués in Paris. In 1960 he became part of the Groupe de Recherche d’Art Visuel together with like-minded colleagues such as Julio Le Parc, Francois Morellet, Horacio Garcia Rossi, Francisco Sobrino and Joel Stein. They were interested in developing a coherent abstract visual language through the use of simple geometric elements. From the end of the Fifties onwards, Yvaral was represented by the Parisian Gallery Denise Rene and participated, both as part of the Groupe de Recherche d’Art Visuel and later as an individual artist, in numerous solo and group exhibitions worldwide, including among others the documenta III in Kassel. His works are represented in several renowned institutions and collections including The Museum of Modern Art, New York; The National Collection of Belgium; The Museum of Zagreb; Newark Museum; The Tate Gallery, London; The Albright-Knox Art Gallery, Buffalo and the Museum of Philadelphia.

 

There will be a presentation by Dr. Klaus Albrecht Schröder, Director of the Albertina in Vienna.

 

Robert Longo: "The Invention of Zero (After Malevich)", 1991

05.09.2015 - 07.11.2015

Installation Views

Details

Exhibition extended until the 7th of November

Watch "99 SECONDS OF: ROBERT LONGO: The Invention of Zero (After Malevich)" on Vimeo

On the occasion of this year’s DC-Open, Galerie Hans Mayer is pleased to present "The Invention of Zero (After Malevich)", a restaging of a triptych installation, complemented by a series of works on paper by Robert Longo. Taking place during the 100-year anniversary of Malevich’s Black Square, Longo’s exhibition creates an unlikely homage to Kasimir Malevich, a pioneer of Suprematism.

Both bodies of work were initially created in 1991, while Longo was living in Paris (1989-1992). This work was in response to the seismic social and political changes after the fall of the Berlin Wall, the demise of the Soviet Union, and the first Gulf War. To navigate the destruction, Longo sought after the immaterial, and was largely influenced by Malevich’s Suprematism, a movement rejecting meaning: "To the Suprematist the visual phenomena of the objective world are, in themselves, meaningless; the significant thing is feeling […]."¹

The eponymous piece in the show consists of three large-scale wax on wood reliefs: a circle, a square, and a cross; each relief that Longo presents is immersed in an extreme, high-powered light, constructing a white frame around each relief. A blue, cinematic glow around the light’s edges pushes the forms not only further out of reality, but also somehow more physically present. The intensity of the lights creates a confusion of depth, an otherworldliness, while the reliefs’ surfaces, black and charred, rough like battlefields, possess the illusion of receding into the wall.

Longo also presents about a dozen works on paper, selected out of hundreds from his Face Time series, which Longo created from 1990–1991. This series, for which Longo created a single work each day, developed into a kind of meditation. In making each work, Longo painted over the broadside pages from The Herald Tribune, allowing subtle visibility of that day’s headlines chronicling the events such as the first Gulf War.

Together, the two bodies of work explore the potential in the polarities of materiality in securing recognizable form. The defiantly solid materiality of the installation The Invention of Zero (After Malevich) balances the ephemerality of the works on paper. Longo found inspiration from the book Interviews with Barnett Newman, recalling Barnett Newman’s escape from subject matter, similar to that of Malevich. The lack of image urges the audience to become overwhelmed by their own physicality. Newman’s influential work depicts a search for purity, where "Instead of making cathedrals out of Christ, man, or ‘life,’ we are making it out of ourselves, out of our own feelings."²


¹ Malevich, Kasimir. "The Non-Objective World." 1927.
² Newman, Barnett. "The Sublime is Now." 1948.

Robert Longo

Robert Longo works and lives in New York.

1953
Born in Brooklyn, New York, USA

 

Education

1975
BFA State University College, Buffalo, New York, USA

 

Awards/Prizes/Grants/Fellowships

2005
Kaiserring (Art Award of the City of Goslar), Goslar, Germany

 

Solo Exhibitions

2014
“Gang of Cosmos”, Metro Pictures, New York, USA
“Strike the Sun”, Petzel Gallery, New York, USA

2013
“The Capitol Project”, Aldrich Contemporary Art Museum, Ridgefield, Connecticut, USA
“Phantom Vessels”, Galerie Thaddaeus Ropac, Salzburg, Austria

2012
“Stand”, Capitain Petzel, Berlin, Germany
“Men in the Cities: Fifteen Photographs 1980/2012”, Schirmer/Mosel Showroom, München, Germany

2011
“God Machines”, Galerie Thaddaeus Ropac, Paris, France
“Mysterious Heart”, Galería Soledad Lorenzo, Madrid, Spain

2010
Kunsthalle Weishaupt, Ulm, Germany

2009
Galerie Hans Mayer, Düsseldorf, Germany
“Robert Longo: 1979–2009”, Musée dʼArt Moderne et dʼArt Contemporain, Nice, France/The Berardo Museum Collection, Lisbon, Portugal
“Surrendering the Absolutes”, Metro Pictures, New York, USA

2008
“Intimate Immensity”, Galería Soledad Lorenzo, Madrid, Spain
“Margo Leavin Gallery”, Los Angeles, California, USA

2007
“Beginning of the World”, Galerie Hans Mayer, Düsseldorf, Germany
“Children of Nyx”, Metro Pictures, New York, USA

2006
“Ouroboros”, Galerie Daniel Templon, Paris, France
“The Outward Visible Signs of an Inward Invisible”, Metro Pictures, New York, USA

2005
“Robert Longo: Fire, Water, Rock 2003–2005”, Galleria D’Arte Contemporanea Emilio Mazzoli, Modena, Italy
“Robert Longo: Deep Silence”, Mönchehaus Museum, Goslar, Germany
“Something Wicked This Way Comes”, Margo Leavin Gallery, Los Angeles, California, USA

2004
“The Sickness of Reason”, Metro Pictures, New York, USA

2003
“Lust of the Eye”, Galería Soledad Lorenzo, Madrid, Spain

2002
“Monsters”, Metro Pictures, New York, USA
“Robert Longo – Sigmund Freud”, Jüdisches Museum Berlin, Germany
“The Freud Drawings”, Museen Haus Lange und Haus Esters, Krefelder Kunstmuseen, Krefeld, Germany/Albertina Museum, Vienna, Austria

2001
“The Freud Drawings”, Metro Pictures, New York, USA

2000
“Robert Longo: Superheroes”, Lipanjepuntin Artecontemporanea, Trieste, Italy
“Robert Longo: 1980–2000”, Emilio Mazzoli, Modena, Italy

1998
Cotthem Gallery, Belgium/Cotthem Gallery Barcelona

1997
“Das Magellan Projekt”, Kunsthalle Tübingen, Germany/Kunsthal Rotterdam, The Netherlands/Kunsthalle Bielefeld, Germany
“Magellan”, Metro Pictures, New York, USA

1996
“Robert Longo: Kreuze”, Museum Fridericianum, Kassel, Germany

1995
“Robert Longo: A Retrospective”, The Isetan Museum of Art, Tokyo/Ashikaga City Museum/Kirin Plaza Art Space, Osaka, Japan
Galerie Thaddaeus Ropac, Salzburg, Austria

1994
Galerie Hans Mayer, Düsseldorf, Germany

1993
“Bodyhammers: The Cult of the Gun”, Metro Pictures, New York, USA
Galerie Thaddaeus Ropac, Salzburg, Austria

1992
“Dreams With The Wrong Solutions”, Salzburg Grand Opera House, Salzburg, Austria
“When Heaven and Hell Change Places”, Galerie Hans Mayer, Düsseldorf, Germany

1991
Hamburger Kunstverein and Deichtorhallen, Hamburg, Germany
Galerie Daniel Templon, Paris, France

1990
“Black Flags”, Galerie Daniel Templon, Paris/Metro Pictures, New York, USA

1989
“Robert Longo 1976–1989”, The Los Angeles County Museum of Art/Museum of Contemporary Art, Chicago/Wadsworth Atheneum, Hartford, Connecticut, USA

1988
Menil Collection, Houston, Texas, USA
Metro Pictures, New York, USA

1987
Galerie Daniel Templon, Paris, France

1986
Donald Young Gallery, Chicago, Illinois, USA
“Robert Longo: Studies and Prints”, Norman Mackenzie Art Gallery, University of Regina, Sasketchawan, Canada
Spiral Gallery, Wacoal Art Center, Tokyo, Japan
“Sequences/Men in the Cities”, University Art Museum, California State University, Long Beach, California/Contemporary Arts Museum, Houston, Texas/Fort Wayne Museum of Art, Indiana, USA
“Steel Angels Part I”, Metro Pictures, New York, USA
“Steel Angels Part II”, Metro Pictures, New York, USA

1985
The Brooklyn Museum, New York, USA
Stedelijk Museum, Amsterdam, The Netherlands
“Robert Longo Dis-Illusions”, University of Iowa Museum of Art, Iowa, USA

1984
“Robert Longo: Drawings & Reliefs”, Akron Art Museum, Akron, Ohio, USA
Gagosian Gallery, Los Angeles, California, USA
Metro Pictures, New York, USA

1983
Leo Castelli Gallery, New York, USA
Metro Pictures, New York, USA

1981
Gagosian Gallery, Los Angeles, California, USA
“Men in the Cities”, Metro Pictures, New York, USA

1979
The Kitchen, New York, USA

1976
Hallwalls, Buffalo, New York, USA

 

Group Exhibitions

2013
“Holes in the Walls: Early Works 1948–2013”, FRI-ART, Fribourg, Switzerland
“Something about a Tree”, FLAG Art Foundation, New York, USA

2012
“Graphite”, Indianapolis Museum of Art, Minnesota, USA
“We the People”, Robert Rauschenberg Foundation, Project Space, New York, USA
“Wish You Were Here: The Buffalo Avant-garde in the 1970s”, Albright-Knox Art Gallery, Buffalo, New York, USA
“Poule!”, Fundacion/Colección Jumex, Ecatepec, México
“Art & Press”, Martin-Gropius-Bau, Berlin, Germany

2011
“View From a Volcano: The Kitchenʼs Soho Years, 1971–85”, The Kitchen, New York, USA

2010
“Mixed Use, Manhattan: Photography and Related Practices 1970s to the present”, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
“The Surreal House”, Barbican Art Gallery, London, UK
“Off the Wall: Part 1 – Thirty Performative Actions”, The Whitney Museum of American Art, New York, USA
“Human”, Musée dʼArt Moderne et dʼArt Contemporain, Nice, France
“Cars: Warhol, Fleury, Longo, Szarek—Works from the Daimler Collection”, The Albertina, Vienna, Austria
“Disquieted”, Portland Art Museum, Oregon, USA

2009
“Just What Is It: 100 Years of Modern Art From Private Collections in Baden-Württemberg”, ZKM Center for Art and Media, Karlsruhe, Germany
Metro Pictures, New York, USA
“Beg Borrow and Steal”, The Rubell Family Collection Museum, Miami, Florida, USA
“Three: The Triptych in Modern Art”, Kunstmuseum Stuttgart, Germany
“The Pictures Generation: 1974–1984”, The Metropolitan Museum of Art, New York, USA

2008
“Interieur/Exterieur: Living in Art”, Kunstmuseum Wolfsburg, Germany
“Political Corect”, BFAS Blondeau Fine Art Services, Geneva, Switzerland
“to: Night”, The Hunter College Art Galleries, New York, USA
“The Big Bang”, Museo Carlo Bilotti, Rome, Italy
“That Was Then…This Is Now”, P.S.1 Contemporary Art Center, New York, USA
“Landscope”, Galerie Thaddaeus Ropac, Paris, France
“Future Tense: Reshaping the Landscape”, Neuberger Museum of Art, Purchase, New York, USA

2007
“History Will Repeat Itself”, KW Institute for Contemporary Art, Berlin, Germany/Hartware MedienKunstVerein, Dortmund, Germany/Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland
“Sympathy for the Devil: Art and Rock and Roll Since
1967”, Museum of Contemporary Art, Chicago, Illinois, USA/Museum of Contemporary Art, North Miami, Florida, USA/Musée D’Art Contemporain, Montréal, Canada
“Panic Attack! Art in the Punk Years”, Barbican Art Gallery, London, UK
“Hot Rock”, Transmission Gallery, UK

2006
“Fifth Interpretation of the Collection”, La Colección Jumex, Pachuca, México
“New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video”, Grimaldi Forum, Monaco
“Les Mouvement des Images”, Centre Pompidou, Paris, France
“The Downtown Art Show: The New York Art Scene 1974–1984”, Grey Art Gallery, Fales Library, New York University, New York, USA

2005
“Flashback: Revisiting the Art of the Eighties”, Kunstmuseum Museum für Gegenwartskunst, Basel, Switzerland
“Drawing from the Modern”, MoMA, New York, USA
Metro Pictures, New York, USA

2004
“Whitney Biennial”, Whitney Museum of American Art, New York, USA

2003
“Art, Lies, and Videotape: Exposing Performance”, Tate Liverpool, Liverpool, UK
Metro Pictures, New York, USA

2002
“The Human Factor: Figuration American Art, 1950–1995”, Fort Wayne Museum of Art, Fort Wayne, Indiana, USA
“Melodrama”, Atrium, Vitoria-Gasteiz/Centro José Guerrero, Granada/Marco, Vigo, Spain

2001
“Postmodern Americans”, The Menil Collection, Houston, Texas, USA
“Pictures at an Exhibition”, Artists Space, New York, USA
“Streit-Lust – For Argument’s Sake”, Ludwig Forum für Internationale Kunst, Aachen, Germany

2000
“End Papers”, Neuberger Museum of Art, Purchase, New York, USA

1999
“The Kiasma Collection”, The Museum of Contemporary Art, Helsinki, Finnland
“The Virginia & Bagley Wright Collection”, Seattle Art Museum, Washington, USA

1998
“The Edward R. Broida Collection: a Selection of Works”, The Orlando Museum of Art, Florida, USA

1997
“Biennale di Venezia XLVII. Esposizioione Internationale dʼArte”, Venice, Italy
“Views From Abroad: European Perspectives on American Art 3”, Whitney Museum of American Art, New York, USA
“Stills: Art and Cinema in the Marieluise Hessel Collection”, Centro Cultural Light, Rio de Jeneiro/Center For Curatorial Studies, Annandale-on-Hudson, New York, USA

1996
“New York Unplugged II”, Gallery Cotthem, Knokke-Zoute, Belgium

1995
“Itʼs Only Rock and Roll” (traveling venues through 1998), Contemporary Arts Center, Cincinnati, Ohio, USA
“Passions Privee”, Musée dʼArt Moderne de la Ville de Paris, France

1993
“The 21st Century”, Kunsthalle Basel, Switzerland

1992
“Allegories of Modernism: Contemporary Drawing”, The Museum of Modern Art, New York, USA

1990
“Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art”, The Art Institute of Chicago, Illinois, USA

1989
“A Forest of Signs: Art in the Crisis of Representation”, The Museum of Contemporary Art, Los Angeles, California, USA
“Image World: Art and Media Culture”, The Whitney Museum of American Art, New York, USA

1987
“Documenta 8”, Kassel, Germany
“LʼEpoque, La Mode, La Morale, La Passion, 1977–1987”, Centre Georges Pompidou, Musee National DʼArt Moderne, Paris, France
“Avant-Garde in the Eighties”, Los Angeles County Museum of Art, California, USA
“Implosion: A Postmodern Perspective”, Moderna Museet, Stockholm, Sweden

1986
“The American Exhibition”, The Art Institute of Chicago, Illinois, USA

1985
Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh

1984
“Alibis”, Centre Georges Pompidou, Paris, France
“Content: A Contemporary Focus, 1974–1984”, Hirshhorn Museum, Washington, D.C.
“The Heroic Figure” (1984–1985), Contemporary Arts Museum, Houston, Texas/Brooks Memorial Art Gallery, Memphis, Tennessee,/Alexandria Museum, Alexandria, Kentucky/The Santa Barbara Museum of Art, Santa Barbara, California, USA

1983
“Directions 1983”, Hirshhorn Museum, Washington, D.C., USA
“Whitney Biennial”, The Whitney Museum of American Art, New York, USA
“The New Art”, Tate Gallery, London, UK
“The Fifth Biennale of Sydney, Private Symbol: Social Metaphor”, Art Gallery of New South Wales, Sydney, Australia
“An International Survey of Recent Painting and Sculpture”, The Museum of Modern Art, New York, USA

1982
“Eight Artists: The Anxious Edge”, Walker Art Center, Minneapolis, Minnesota, USA
“Focus on the Figure: Twenty Years”, The Whitney Museum of American Art, New York, USA
“Documenta 7”, Kassel, Germany

1981
“Westkunst: Today Section”, Museen der Stadt Köln, Cologne, Germany

1980
“Extensions: Jennifer Bartlett, Lynda Benglis, Robert Longo, Judy Pfaff”, Contemporary Arts Museum, Houston, Texas, USA

1977
“Pictures”, Artists Space, New York/Allen Memorial Art Museum, Oberlin, Ohio/Fine Arts Museum, University of Colorado, Boulder/Los Angeles Institute of Contemporary Art, California, USA

 

Museums and Public Collections

The Albertina, Vienna, Austria
Albright-Knox Art Gallery, Buffalo, New York, USA
Art Institute of Chicago, Illinois, USA
Eli Broad Family Foundation, Los Angeles, California, USA
Guggenheim Museum, New York, USA
High Museum, Atlanta, Georgia, USA
The Jewish Museum, New York, USA
Jüdisches Museum Berlin, Germany
Los Angeles County Museum of Art, California, USA
Ludwig-Forum für Internationale Kunst, Aachen, Germany
Menil Collection, Houston, Texas, USA
Montreal Museum of Fine Arts, Montreal, Canada
Musee dʼArt Contemporain, Montreal, Canada
Museum of Modern Art, New York, USA
Power Gallery of Contemporary Art, University of Sydney, Australia
Stedelijk Museum, Amsterdam, The Netherlands
Tate Gallery, London, UK
Ulrich Museum of Art, Wichita State University, Kansas, USA
Wadsworth Atheneum, Hartford, Connecticut, USA
Walker Art Center, Minneapolis, Minnesota, USA
Weatherspoon Art Gallery, University of North Carolina, Greensboro, North Carolina, USA
The Whitney Museum of American Art, New York, USA
Yale University Art Gallery, New Haven, Connecticut, USA

Accrochage: Bill Beckley, Lawrence Carroll, Stephane Daflon, Ulrich Erben, Jürgen Klauke, Robert Longo, Dennis Oppenheim, Kenny Scharf

01.07.2015 - 28.08.2015

Zander Blom: New Works

10.04.2015 - 27.06.2015

Details

Verlängert bis 26.06.2015

Die Galerie Hans Mayer freut sich eine Einzelausstellung mit neuen Arbeiten von Zander Blom ankündigen zu dürfen. Mit dieser Zusammenarbeit feiert die Galerie ihr 50stes Jubiläum. Zum ersten Mal seit ihrem Bestehen zeigt die Galerie Kunstwerke eines südafrikanischen Künstlers und erweitert so ihren Fokus von bisher überwiegend europäischer und nordamerikanischer moderner und zeitgenössischer Kunst auf die zeitgenössische Kunstszene Südafrikas. Die Ausstellung beinhaltet Ölgemälde, Studiofotografien und Bodenarbeiten.

Zander Bloms abstrakte Arbeiten stehen in engem Zusammenhang mit der Geschichte der Galerie, welche durchgehend der Moderne verpflichtet ist: 1965 wurden in der ersten Ausstellung der Galerie Joseph Albers berühmte Quadrat-Gemälde gezeigt. Bloms Interesse gilt dem Erforschen moderner und avantgardistischer Themen. Für Blom ist Malen ein rein persönlicher Prozess. Die Welt, welche er in seinem Atelier erschafft, dekonstruiert den Mythos des modernen Malers. Bloms Studio, dessen Boden bedeckt ist von einer dichten Assemblage aus Farben, Spachteln, abgenutzten Büchern, Musikinstrumenten sowie einzelnen Seiten aus alten Büchern und Katalogen – welche einen visuellen Kompost bilden – ist das beste Beispiel seiner Verbundenheit mit der Lebens- und Arbeitsweise eines modernen Künstlers, der am selben Ort zugleich lebt und arbeitet. Sein Gebrauch pastoser Ölfarbe in Verbindung mit Rohleinen erzeugt eine eigene Sprache, denn das Öl der Farbe geht eine Bindung mit dem Leinen ein und erzeugt eine Art Schatteneffekt innerhalb des Bildes. Sowohl die Studiofotografien als auch die Bodenarbeiten dokumentieren und zelebrieren den künstlerischen Prozess und messen diesem gleichwertige Bedeutung bei wie dem eigentlichen Ergebnis des Prozesses in Form von Malerei auf Leinwand.

 

Blom beschreibt den derzeitigen Stand seines Schaffens folgendermaßen:

“In der Malerei tendiere ich zu einer forschend-taktilen künstlerischen Praxis, einem konstanten Tauziehen zwischen instinktiven Impulsen und kritischer Beobachtung. Bei dieser Arbeitsweise stellt man fest, dass viele Entscheidungen in Sekundenbruchteilen gemacht werden, ohne dass der Verstand sich ihrer bewusst wird: Der Druck, die Bewegung und die Geschwindigkeit, mit der Farbe auf eine Fläche geschmiert oder geschleudert wird, die schnellen und vermeintlich zufälligen Setzungen von Formen, das ununterbrochene Mischen und Arrangieren von Farben innerhalb einer Komposition – sämtliche Elemente, die für das Malergebnis entscheidend sind also – können ausgeführt werden, ohne dass der Verstand sich im Entferntesten dessen gewahr würde. Oft stelle ich fest, dass ich von der Leinwand zurück trete und den Spachtel niederlege, bevor mir klar wird, dass der letzte Strich, welcher die Komposition vollendet, schon gezogen worden ist. Man wird sich dessen bewusst, wenn man für zwei Tage aufhört zu malen und danach ins Atelier zurück geht und meint, man könnte einfach da weiter machen, wo man aufgehört hat. Das ist niemals möglich. Nach nur 48 Stunden muss sich der Körper bestimmte Fähigkeiten erneut aneignen, von denen man nicht einmal wusste, dass man von ihnen Gebrauch machte. Man muss die Maschine neu starten, das dauert eine Weile, und sobald man wieder im Rhythmus ist, sind die Ergebnisse anders als zuvor, immer etwas Neues. Körper und Geist sind schon fortgeschritten. Man ist bereits woanders, aber man ist sich dessen noch nicht bewusst.

Bewusst formulierte Ideen spielen eine entscheidende Rolle für eine solche Arbeitsweise. Sie sind unbedingt notwendig, können in ihrer strengen, inflexiblen, konterintuitiven Ignoranz aber auch gefährlich sein. Sie sind wie Polizisten: Die Gesellschaft braucht sie zwar, aber sie sind total berechenbar, immer einen Schritt hinterher und absolut humorlos. Ich hatte immer den Verdacht, dass Ideen einer wirklich interessanten Arbeit nur im Wege stehen. Generell habe ich zwar Ideen nicht den Krieg erklärt, wie einst Agnes Martin, aber ich räume ihnen auch keine übergeordnete Stellung ein. Sie werden vom Wind herangetragen und verweht, während ich meiner Beschäftigung nachgehe und versuche ihnen nicht allzu viel Aufmerksamkeit zu schenken. Während der letzten Monate, als ich an dieser Gruppe von neuen Malereien arbeitete, gab es drei Ideen (neben all den flüchtigen Gedanken zu Künstlerbiografien, visuellen Referenzen zur Erde, zum Weltall und zur Kunst aller Epochen), die in den Ecken lungerten, fetter wurden, sich in komplexere Gebilde verwandelten und sich weigerten das Atelier zu verlassen: 

Mensch, Natur und Menschliche Schöpfungen

Mich überkam das Verlangen danach etwas zu erschaffen, das hindeutet auf eine Art Narration mit einfachen Zeichen und Symbolen, wie man sie in Höhlengemälden finden würde, allerdings ohne dass dem eine bestimmte Bedeutung beigemessen würde. Also im Grunde genommen wird primitive Bildsprache für komplexe Kompositionen benutzt. Diese Idee entstand, als ich Werner Herzogs Cave of Forgotten Dreams sah und mir vorstellte, wie es wohl wäre, auf einem entfernten Planeten auf die Höhlenmalereien einer Alienpopulation zu stoßen. Eine treibende Kraft hinter dieser Idee war das wachsende Verlangen danach humanoide Formen zu erschaffen, die von darstellenden Formen oder der Figuration zwar beeinflusst wären, aber strikt abstrakt blieben. Mit anderen Worten: Diese würden sich keiner Narration verschreiben, sondern nur vage auf Narration als Möglichkeit hindeuten. Dies schien genau übereinzustimmen mit einem Artikel über Francis Bacon und den Einfluss von Picassos Figuren (verbundene Gliedmaßen mit praktisch fehlenden Körpern) auf Bacons Werk ab den 1920er Jahren, den ich vor Jahren gelesen hatte. Anscheinend haben ebendiese Figuren Bacon dazu inspiriert Maler zu werden. Der Einfluss wird besonders deutlich in Bacons berühmten Three Studies for Figures at the Base of a Crucifixion (1944), jenem Werk, das Bacon als sein erstes wirklich gelungenes Gemälde ansieht.

„… Ausweichende Arabesken auf Elfenbeinwänden“

Darauf bin ich beim Lesen von Pollocks Biografie gestoßen. In meiner Vorstellung beschwor diese Wortfolge die fantastischsten Bilder. Der Kontext, in dem sie erschien, war ein Artikel, in dem der Kritiker Thomas Craven die Amerikaner der 30er Jahre vor dem frivolen, modernistischen Einfluss Europas warnt. Er war bemüht Künstler davon zu überzeugen “L’art pour l’art” aufzugeben und drängte sie dazu, sich in ihrer künstlerischen Praxis mit der sozialpolitischen und ökonomischen Notlage Amerikas zu befassen. Der vollständige Satz lautet: „Sollen wir der Lage als ehrliche Arbeiter entgegentreten, oder sollen wir uns im Elfenbeinturm verstecken und ausweichende Arabesken auf Elfenbeinwände malen?…“ Diese Worte scheinen mir eine widersprüchliche oder dualistische Bedeutung zu haben, die ich nicht ganz erfassen kann. Aus ihrem Kontext gerissen, ergeben die fünf Worte eine Art Proklamation oder einen dreisten Slogan, sind zugleich Resignation und Feier.

Ein Einzelnes Bild: Der Mensch Kontempliert das Nichts

Ich recherchierte gerade frühe Rothko-Arbeiten, als sich meine Aufmerksamkeit plötzlich gefesselt fand von der Abbildung einer schwarzen Malerei in einem Museum. Was meine Aufmerksamkeit auf sich zog, war weniger die Malerei an sich (von Ad Reinhardt), als vielmehr die Abbildung eines perfekten schwarzen Quadrates auf einer makellos weißen Museumswand – nicht frontal fotografiert, sondern von der Seite inklusive des neutral-grau polierten Bodens, welcher undeutlich die schwebende schwarze Form reflektiert. Es schien das perfekte Sinnbild eines Mannes zu sein, der darum kämpft, mit sich und dem Universum in Reine zu kommen. In der Woche darauf hat mir jemand ein Interview mit Philip Guston geschickt, und bei einer Textstelle machte es komischerweise klick: „Was ich anscheinend wirklich tun will, ist eine einzelne Form auf die Mitte der Leinwand zu malen. Ich meine, einer der mächtigsten Impulse ist es einfach zu machen… Das ist das Wesen des Malers, ein Bildermacher, oder etwa nicht? Und man wäre ein Tor ein Bild malen zu wollen. Der stärkste Trieb ist das Malen einer einzelnen Form in ihrer Kontinuität…“ Guston spricht hier über das Malen eines Portraits, aber seine Worte ergeben für mich diese dritte Idee, nach der ein einzelnes Bild auch das Portrait der Conditio Humana sein kann.

Am Ende müssen alle diese Gedanken zurück kehren zu der physischen Realität abstrakter Malerei und den unberechenbaren Ergebnissen der intuitiven Arbeit im Atelier. Außerdem muss jede Form, jede Leinwand, eine Art Perfektion erreichen, muss einer Logik folgen, die außerhalb jeder bewusst formulierten Idee, jedes konzeptuellen Arguments steht. Die Farbe kann sich nicht setzen, bis die Form sich selbst rechtfertigt.”

 

 

Zander Blom wurde 1982 in Pretoria geboren und lebt in Cape Town. Seine erste bedeutende Werkreihe, “The Drain of Progress”, wurde ausgestellt in Johannesburg (2007), Cape Town (2008) und London (2009). Es folgte “The Travels of Bad”, welche in Johannesburg und Cape Town (2009) ausgestellt wurde. Darauf folgende Einzelausstellungen fanden statt am Savannah College of Art and Design in Savannah und Atlanta, Georgia, USA (2011–12), in der Galerie van der Mieden in Antwerpen, im 5x6x9 in Berlin (2010). Gruppenausstellungen umfassen “The Evolution of Art 1830–2140”, Kuckei + Kuckei, Berlin (2013), “The Global Contemporary: Art worlds after 1989”, ZKM Karlsruhe (2011), “Ampersand”, Daimler Contemporary, Berlin (2010), and “.ZA: Young art from South Africa”, Palazzo Delle Papesse, Siena, Italien (2008). 2014 erhielt Blom den Jean-François-Prat-Preis.

Zander Blom

Zander Blom lives and works in Cape Town, South Africa.

1982
Born in Pretoria, South Africa.

 

Solo Exhibitions

2014
New Paintings, Stevenson, Cape Town, South Africa

2013
New Paintings, Stevenson, Johannesburg, South Africa

2012
New Paintings, Stevenson, Cape Town, South Africa
“Zander Blom: Place and Space”, Trois Gallery, Savannah College of Art and Design, Atlanta, Georgia, USA

2011
New Paintings, Stevenson, Johannesburg, South Africa
“Zander Blom: Place and Space”, Pinnacle Gallery, Savannah College of Art and Design, Savannah, Georgia, USA

2010
The Black Hole Universe”, Galerie van der Mieden, Antwerp, Belgium
“Paintings. Drawings. Photos.”, Michael Stevenson, Cape Town, South Africa
“The Black Hole Universe: Mapping the Void”, 5x6x9, Berlin, Germany

2009
The Travels of Bad”, Rooke Gallery, Johannesburg, South Africa
“The Travels of Bad”, WHATIFTHEWORLD, Cape Town, South Africa
“The Drain of Progress” (two-person show with Julia Rosa Clark), Ferreira Projects, London, UK

2008
The Drain of Progress”, WHATIFTHEWORLD, Cape Town, South Africa

2007
The Drain of Progress”, Rooke Gallery, Johannesburg, South Africa
“The Drain of Progress” (exhibition of drawings and launch of sound album Empty Vessels), The Premises, Johannesburg, South Africa

“The Drain of Progress” (exhibition of drawings and launch of sound album Empty Vessels), WHATIFTHEWORLD, Cape Town, South Africa

2006
Sounds and Pictures”, The Premises, Johannesburg, South Africa

 

Selected Group Exhibitions

2013
A Sculptural Premise”, Stevenson, Cape Town, South Africa
“The Evolution of Art 1830–2140”, Kuckei + Kuckei, Berlin, Germany

2011
The Global Contemporary: Art worlds after 1989”, ZKM Center for Art and Media, Karlsruhe, Germany
“Geography of Somewhere”, Stevenson, Johannesburg, South Africa
Alptraum, Deutscher Künstlerbund, Berlin
The Company, Los Angeles, California, USA
Blank Projects, Cape Town, South Africa

2010
Ampersand, Daimler Contemporary, Berlin, Germany

2009
Red Bull House of Art, Residency Exhibition, São Paulo, Brazil
“Black”, Blank Projects, Cape Town, South Africa
“Why not?”, Kuckei + Kuckei, Berlin, Germany

2008
Disguise: The art of attracting and deflecting attention”, Stevenson, Cape Town, South Africa
“ZA: young art from South Africa”, Palazzo Delle Papesse, Sienna, Italy

2007
Paper Placemats”, ACP Public Art Program, Atlanta, Georgia, USA
“Same Places”, Aardklop Festival, Potchefstroom, South Africa

2006
TEN”, Society of Photographers, The Premises, Johannesburg, South Africa
“All Creatures Great and Small”, WHATIFTHEWORLD, Cape Town, South Africa

2005
DWG, Outlet Gallery, Pretoria, South Africa
“Group Therapy”, Sandton Civic Gallery, Johannesburg, South Africa

 

Awards

2013
Jean-Francois Prat Prize, Paris

 

Residencies

 

2009
Red Bull House of Art, São Paulo, Brazil

Richard Nonas: More

13.02.2015 - 28.03.2015

Installation Views

Richard Nonas

Richard Nonas lives and works in New York.

1936
Born in New York, USA

 

Education

University of Michigan, Ann Arbor, Michigan, USA
Lafayette College, Easton, Pennsylvania, USA
Columbia University, New York, USA
University of North Carolina, USA

 

Solo Exhibitions

2015
“More”, Galerie Hans Mayer, Düsseldorf, Germany

2014
“Construction Phase I, II, III”, Fergus McCaffrey, New York, USA
“Independent Art Fair”, McCaffrey Fine Art, New York, USA
“Cross-Cuts: Sculpture by Richard Nonas and Joel Shapiro”, Knockdown Center, Maspeth, New York, USA
“Holdfast”, Galerie Bruno Mory, Besanceuil, France
ICASTICA, Arezzo, Italy
Fergus McCaffrey, New York, USA

2013
Hubert Winter Gallery, Vienna, Austria
James Fuentes, New York, USA

2012
“The Raw Edge, Vière et les Moyennes Montagnes”, Digne Les Bains, France
“Hamish Fulton e Richard Nonas”, Galleria Michela Rizzo, Venezia, Italy
“Split”, Galerie Anne de Villepoix, Paris, France

2011
“No Water-In”, Galleria P420, Bologna, Italy
“Edge-Stones: Vière et les moyennes montagnes”, Hameau de Vière, Prads-Haute-Blèone, France

2010
“Les Femmes Dures”, Jardin des Tuileries, Galerie Anne de Villepoix, Paris, France
“Shoot good Not Straight”, Musée d’art de Saint’Etienne, Saint’Etienne, France
“In Situ”, Galerie Sfeir Semler, Hamburg, Germany
Saska Station, Hungary
Galerie Hubert Winter, Vienna, Austria

2009
“Plow/Richard Nonas”, Villa Mondolfo, Como, Italy
“Outdoor installation”, Omi International Arts Center, Columbia County, New York, USA
“Wood Lines & Slates”, L’Atelier Archipel, Arles, France
Galleria Michela Rizzo, Venezia, Italy
Pinacoteca di Bologna, Bologna, Italy
“Wedge for Now”, Galerie Anne de Villepoix, Paris, France
University of Michigan, Ann Arbour, Michigan, USA

2008
“cowboy coffee, new work, old ground”, Esso Gallery, New York, USA
“Chord”, permanent installation, Bossolasco, Italy
“Una giornata particolare, (A Special Day)”, Spazio Pubblico Arte Contemporanea, Udine, Italy
“Cave”, Galerie Hubert Winter, Vienna, Austria
“Richard Nonas 2008”, Lemmons Contemporary, New York, USA
“Temporary Installation with Galleria Michela Rizzo”, Verona, Italy

2007
“Gary Kuehn and Richard Nonas”, Esso Gallery, New York, USA

2005
Galerie Hubert Winter, Vienna, Austria
L’Atelier, Dunkerque-Rosendaël, France

2004
Tim Hill Gallery, Birmingham, Michigan, USA

2003
Tim Hill Gallery, Birmingham, Michigan, USA
Galerie Hubert Winter, Vienna, Austria
The Ratti Foundation, Como, Italy

2002
Erik Stark Gallery, New York, USA

2001
“Sophia-Maria and the Indians”, Lawrence Markey Gallery, New York, USA
Curt Marcus Gallery, New York, USA
Galerija Akademije likovnih umjetnod, Sarajevo, Jugoslavia

2000
“A Ghost in Every Kayak”, Five Myles, New York, USA

1999
“1 Skulptur, 7 frühe Zeichnungen, 1 Siebdruck, 1 Künstlerbuch”, Galerie Hubert Winter, Vienna, Austria
Tim Hill Gallery, Detroit, Michigan, USA
L’Atelier, Dunkerque, France

1998
Musée dʼart modern et contemporain, Geneva, Switzerland
Galleria Primo Piano, Rome, Italy

1997
Galerie Hubert Winter, Kontorhaus, Berlin, Germany
Oberösterreichisches Landesmuseum Francisco Carolinum, Linz, Austria
“La Colonne Terminèe 3”, Wanås Sculpture park, Knislinger, Sweden
“12 granite chairs in an 8m diameter circle”, Borös, Sweden
Detroit Institute of Art, Detroit, Michigan, USA

1996
MAMCO, Geneva, Switzerland

1995
Centre de Création Contemporaine, Tours, France
“Cold Coffee, First in the Morning, Last at Night”, Galeriet Anders Tornberg, Lund, Sweden
“Crude Thinking. First in the Morning, Last at Night”, Lunds Konsthall, Lund, Sweden
“Crude Thinking/Thick Making”, John Hansard Gallery, The University of Southampton, Southampton, England

1994
“Transit”, Galerie Renos Xippas, Paris, France
Galerie One Five, Bruxelles, Belgium
Galerie Hubert Winter, Vienna, Austria

1993
“Its own melting: new sculpture”, Ace Gallery, Los Angeles, California, USA
“Richard Nonas: part I”, Galerie Hubert Winter, Vienna, Austria
“Drawings”, Gallery 360 Degrees, Tokyo, Japan
“Richard Nonas: Part II: Nunavit: Art and the Birth of Thinking”, Galerie Hubert Winter, Vienna, Austria
“Outdoor installation: fifteen granite chairs”, Museum of Contemporary Art Stockade, Los Angeles, California, USA
Galerie Art 4 et Galerie de l’Esplanade, Paris, France
Anders Tornberg Galerie, Lund, Sweden

1992
Hetapollohuis, Eindhoven, The Netherlands
Andre Simoens Gallery, Knokke-Houte, Belgium
Personʼs Weekend Museum, Tokyo, Japan

1991
“Sculpture”, Lawrence Markey Gallery, New York, USA
“Wall Sculpture”, Ace Gallery, Los Angeles, California, USA
“Secret Sharer —for Joseph Conrad”, Lodz, Poland
“Between Old Times: Sculpture for a changing Castle —for Bronislow Malinowski”, Center for Contemporary Art, Warsaw, Poland
Harcus Gallery, Boston, Massachusetts, USA
Ben Shahn Galleries, William Patterson College, Wayne, New Jersey, USA
Gallery 360 Degrees, Tokyo, Japan
Handelshogskolan, Stockholm, Sweden
“Mozart Imagines America, Mozart Imagines The Future”, Galerie Hubert Winter, Vienna, Austria

1990
Sandra Gering Gallery, New York, USA
Galleri Lars Bohman, Stockholm, Sweden
Christine Burgin Gallery, New York, USA

1989
Flushing Meadows Corona Park, Queens, New York, USA
Tim Hill Gallery, Birmingham, Michigan, USA
“Lucifer Landing”, Cranbrook Institure of Art, Birmingham, Michigan, USA
Galerie Hans Mayer, Düsseldorf, Germany

1988
Lund Museum of Art, Lund, Sweden
Flushing Meadows Park, Queens, New York, USA
Ace Contemporary Exhibitions, Los Angeles, California, USA

1987
Sten Ericsson Gallery, Stockholm, Sweden
Socrates Sculpture Park, Long Island City, New York, USA

1986
Galeriet Anders Tornberg, Lund, Sweden
Pamela Auchincloss Gallery, Santa Barbara, California, USA
“Outdoors”, Santa Barbara Museum of Art, Santa Barbara, California, USA
“Cut Cord”, Pori, Finland
“How long settled in? Real lives: Mule Mountains” (Outdoor Installation), Bisby, Arizona, USA

1985
Annemarie Verna Gallery, Zürich, Switzerland
Jack Tilton Gallery, New York, USA
“Parts to Anything”, Nassau County Museum, Roslyn Heights, New York, USA
Galleria Krista Mikkola Gallery, Helsinki, Finland
“Outdoor Installations”, Laumeier Sculpture Park, St. Louis, Missouri, USA
“Outdoor Installations”, C.W. Post College, Long Island University, Long Island, New York, USA

1984
“The Coathanger Sculptures (plus Drawings)”, Anderson Gallery, School of the Arts, Virginia, USA
Commonwealth University, Richmond, Virginia, USA
“Outdoor installations”, Broby, Sweden
“Outdoor installations”, Boalt, Sweden

1983
“Installation of Outdoor Chairs”, City Hall Park, Public Art Fund, New York, USA
“Real Art Ways”, Hartford, Connecticut, USA
“TPW”, The Photography Gallery, Harborfront, Toronto, Canada
“(Sit, Still)”, Hoshour Gallery, Albuquerque, New Mexico, USA
“Outdoor Installations”, Houston Festival, Houston, Texas, USA
“New York” (Outdoor Installations), University of North Carolina, Chapel Hill, North Carolina, USA
“Small Sculptures/Some Drawing”, Jack Tilton Gallery, New York, USA

1982
“Sculpture/Drawings/Richard Nonas: Get Out/Come Back/Stay Away”, University Gallery, University of Massachusetts, Amherst, Massachusetts, USA
80 Washington Square East Galleries, New York University, New York, USA
“Get Out/Stay Away/Come Back: Richard Nonas/Sculpture and Drawings”, Galleriet Anders, Tornberg, Lund, Sweden
“Richard Nonas skulpturinstallation”, Pictura, University of Lund, Lund, Sweden
“Goats Itch/Richard Nonas: Narrative Work/Sculpture/Drawing/Sound-Tape”, Franklin Furnace, New York, USA
“Richard Nonas: Drawing”, Georgia State University Art Gallery, Atlanta, Georgia, USA

1981
“Yonkers”, The Hudson River Museum, Yonkers, New York, USA

1980
“Outdoor Installation”, Piedmont Park, Atlanta, Georgia, USA
“Canadian Word-Chaser Series”, Mercer Union, Toronto, Canada
“Two Outdoor Installations”, Art Gallery of Ontario, Toronto, Canada
“New Sculpture and Drawings”, Oil and Steel Gallery, New York, USA

1979
“Nonas/Mangold: Combined Shows”, John Weber Gallery, New York, USA
InK, Zurich, Switzerland
Galleria Salvatore Ala, Milan, Italy
Young Hoffman Gallery, Chicago, Illinois, USA

1978
“Richard Nonas/Sculpture”, John Weber Gallery, New York, USA
“Viewpoints: Richard Nonas”, Walker Art Center, Minneapolis, Minnesota, USA
Galerie G. Mollet-Vieville/J.P. Najar, Paris, France
Texas Gallery, Houston, Texas, USA
“Sculpture”, Galleria Ugo Ferranti, Rome, Italy
“Sculpture”, Galerie Albert Baronian, Brussels, Belgium
Annemarie Verna Gallery, Zürich, Switzerland

1977
“Montezumaʼs Breakfast”, PS1, The Institute for Art and Urban Resources Inc., Long Island City, New York, USA
“Outdoor Installations”, Art Museum of Southern Texas, Corpus Christi, Texas, USA
“Outdoor Sculpture: Montezumaʼs Ballroom (Marker for Frank Salcido)”, Illinois Center Plaza/Young-Hoffman Gallery, Chicago, Illinois, USA

1976
“Works in Wood 1970–1976”, Art Gallery, Hopkins Center, Dartmouth College, Hanover, New Hampshire, USA
“nuove sculture in una vecchia torre”, Spoleto, Italy
Milan, Galleria San Fedele, Italy
Galerie Max Hetzler+Keller, Stuttgart, Germany
“Sculpture”, Wright State University Art Gallery, Dayton, Ohio, USA
Galleria Salvatore Ala, Milan, Italy

1975
Galleria Marilena Bonomo, Bari, Italy
“Equalizer. The Third Sculpture of the Boundary Man Series”, The Institute for Art and Urban Resources, The Idea Warehouse, New York, USA
Holly Solomon Gallery, New York, USA

1974
“Sculpture”, Minetti Rebora Galleria Forma, Genoa, Italy
Galleria dʼAlessandro, Rome, Italy
Galerie Schottle, Munich, Germany
383 West Broadway, New York, USA

1973
The Institute for Art and Urban Resources Inc., The Clocktower, New York, USA
“California Steel Pieces”, Daniel Weinberg Gallery, San Francisco, California, USA
“Other Drawings”, 112 Greene Street, New York, USA

1972
“Enclosures”, 10 Bleeker Street, New York, USA
112 Greene Street, New York, USA

1971
“Rochester Surround: 3 days/3 ways “, University of Rochester, Rochester, New York, USA

 

Group Exhibitions

2012
“Switch On”, Spazio Borgogno, Milano, Italy
“Un’opera x un libro”, Galleria P420, Bologna, Italy
“A’ Travers la Montagne”, Cesav, Filatoio di Caraglio, Caraglio, Italy
“The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States: New Hampshire”, Hood Museum of Art, Hanover, New Hampshire, USA
“The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States”, Yellowstone Art Museum, Billings, Montana, USA

2011
“Personality”, Galleria Michela Rizzo, Venezia, Italy
“A Place to Which We Can Come”, Saint Cecilia’s Convent, Brooklyn, New York, USA
“Pierres, Aciers, Pixels. La vie des formes”, Creusot Montceau, Saone-et-Loire, France
“The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States”, Weatherspoon Art Museum, Greensboro, North Carolina, USA
“Exquisitely Modern”, Honolulu Academy of Art, Honolulu, Hawaii, USA
“The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States”, University of Wyoming Art Museum, Laramie, Wyoming, USA

2010
“112 Greene Street – The Early Years (1970–1974)”, David Zwirner Gallery, New York, USA
“D’apres Nature”, Chateau d’Avignon, France
“Elogio della semplicitá”, Fondazione Stelline, Palazzo delle Stelline, Milan, Italy
“The Biennial”, Winter Salon, Elga Wimmer Gallery, New York, USA
“ArtPark 1974–1984”, UB Art Galleries, University of Buffalo, Buffalo, New York, USA
“Latitudini/Longitudini”, Galleria Michela Rizzo, Venezia, Italy
“50 Works for 50 States”, The Dorothy and Herbert Vogel Collection, Albright-Knox Art Gallery, Buffalo, New York, USA
3 a casa menzio, Torino, Italy
Galerie Andreas Stalzer, Vienna, Austria
“Herb and Dorothy: A Glimpse into Their Extraordinary Collection”, Mississippi Museum of Art, Jackson, Mississippi, USA
“Collecting The Vogel Way, Fifty Works for Maryland”, Academy Art Museum, Easton, Maryland, USA
“50/50, The Vogels”, Portland Art Museum, Portland, Oregon, USA
“The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States”, Huntington Museum, Huntington, West Virginia, USA
“Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection”, Delaware Art Museum, Wilmington, Delaware, USA
“An Economy of Menas: The Dorothy and Herbert Vogel Collection”, University of Michigan, Ann Arbor, Michigan, USA
“Vogel 50/50”, Boise Art Museum, Boise, Idaho, USA

2009
“La seduzione del segno” (collateral event to the 53rd Venice Biennale), Santʼ Elena, Venice, Italy
“Essential Experiences”, Palazzo Riso, Museo di Arte Contemporanea, Palermo, Italy
“One More”, Thomas Reiben Galerie, Cologne, Germany
“The Dorothy and Herbert Vogel Collection: 50 Works for 50 States”, Columbia Museum of Art, Columbia, South Carolina, USA
“Exposed! Revealing Sources in Contemporary Art”, Delaware Art Museum, Wilmington, Delaware, USA
“The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States”, Oklahoma City Museum of Art, Oklahoma City, Oklahoma, USA

2008
“Choosing”, Galerie Sfeir Semler, Hamburg, Germany
“The Panza Collection, Ways of Seeing”, Hirshhorn Museum and Sculpture Garden, Washington D.C., USA
“That Was Then…This Is Now”, MoMA PS1, New York, USA
“ONE More – In Memoriam: Sol Lewitt”, Esbjerg KunstMuseum/Boras Konstmuseum, Sweden
“Impronta Globale, Ex Magazzini Generali”, ISA, Roma, Italy
“Prints for New York”, LeRoy Neiman Gallery, New York, USA
“Gifted, Recent Additions to the Permanent Collection”, Delaware Art Museum, Wilmington, Delaware, USA

2007
“One. in memoriam: Sol Lewitt”, Björn Ressle Gallery, New York, USA
“Andreas Stolzer: 20 Jahre Werkstatt für Kunstsiebdruck”, Niederösterreichisches Dokumentationszentrum für Moderne Kunst, St. Pölten, Austria
“Commemorating 30 Years Part 1: 1976–1980”, Rhona Hoffman Gallery, Chicago, Illinois, USA
“Not for Sale”, MoMA Ps1, New York, USA
“Lund Konsthall 50 years”, Lunds Konsthall, Lund, Sweden

2006
“Moment by Moment: Meditations of the Hand”, North Dakota Museum of Art, Grand Forks, North Dakota, USA
“Black and White”, Hal Bromm Gallery, New York, USA
“Some Sculpture: Albeeʼs Choice”, Longhouse Reserve, East Hampton, New York, USA

2005
Galerie Hubert Winter, Vienna, Austria
Tim Hill Gallery Birmingham, Michigan, USA
“Domicile/Privee-Public”, Musée d’Art Moderne de Saint-Etienne, France
“The Giving Person”, Palazzo delle Arti, Naples, Italy
“Open Systems: rethinking art c 1970”, Tate Modern Museum, London, England

2004
Musée d’Art Moderne de Saint-Etienne, France
Galerie Hubert Winter, Vienna, Austria

2003
Galerie Hubert Winter, Vienna, Austria
“Valencia Bienal”, Valencia, Spain
Ratti Foundation, Como, Italy

2002
Galerie Hubert Winter, Vienna, Austria

2001
“Rolling Stones adored with Starlight”, Galerie Hubert Winter, Vienna, Austria
“Barry Le Va, Richard Nonas, Fred Sandback”, Curt Marcus Gallery, New York, USA
“Site Specific Works”, NMAC Montemedio Arte Contemporaneo, Càdiz, Spain

2000
“From Idea to Matter”, The Anderson gallery, Richmond, Virginia, USA
“Percepciones en Transformación”, La Colección, The Guggenheim Museum, Bilbao, Spain
Tim Hill Gallery, Birmingham, Michigan, USA
“Heimatweh-Fernlust”, Galerie Hubert Winter, Vienna, Austria

1999
“Heimatweh-Fernlust”, Galerie Hubert Winter, Vienna, Austria

1998
“[UME.SE]“, Bild Museet, Umea, Sweden
“Una Collecció Particular. Fragments de 1971 a 1996”, El Museu dʼArt de Gerona, Spain

1998
“Sarajevo 2000”, Palais Liechtenstein, Vienna, Austria
“Sarajevo 2000”, Temporary Museum of Contemporary Art, Sarajevo, Bosnia

1997
“Schwere-los skulpturen”, Landesmuseum, Linz, Austria
“Schwere-los”, Ludwig Museum, Budapest, Hungary
“Kunst im Kontorhaus Mitte”, Berlin, Germany
“Livres dʼ Artistes. Lʼ Invention dʼ un Genre 1960–1980”, Bibliothèque national de France, Galerie Mansart, Paris, France
“Umedalen Skulptur 97”, Galleri Stefan Andersson, Umea, Sweden
“Livres dʼartistes. Lʼinvention dʼun genre”, Bibliothèque national de France, Paris, France

1996
“Gordon Matta-Clark and the displacement of Nature; NYC 1970ʼs” (curated by Richard Nonas), Galerie Hubert Winter, Vienna, Austria
“På tröskeln outdoor sculpture exhibition”, Stockholm, Sweden
“Metallsymposium 96. outdoor sculpture”, Spital am Pyhrn, Austria
“Festival International Montpellier Danse” (collaboration with Steve Paxton), Montpellier, France
“Carl von...” (Outdoor Sculpture), Borås Konstmuseum, Borås, Sweden
“Umedalen Skulptur 96” (Outdoor Sculpture), Galleri Stefan Andersson, Umea, Sweden
“Dominikanerkirche Jahrtausendwende Korrekturen”, Krems, Austria
“Luis Barragan: Sitio+Superficie. Su obra y la vanguardia en la arte.”, Antiguo Solegio de San Ildefonso, Mexico City, Mexico
“Luis Barragan: La luz y la linea”, Museo Regional de Guadalajara, Guadalajara, Mexico
“Tinsel Tower”, The Clocktower, New York, USA

1995
“Learn to Read Art”, Galerie Hubert Winter, Vienna, Austria
“Temporarily Possessed: The Semi-Permanent Collection”, The New Museum, New York, USA
“(W)HO(W) ARE YOU”, Galerie Anhava, Helsinki, Finland
“Richard Tuttle, Roni Horn, Richard Nonas, Gordon Matta-Clark”, Galerie Hubert Winter, Vienna, Austria

1994
“Traction: John Beech, Paul Dickerson, Richard Nonas”, Stark Gallery, New York, USA
“Skulpturen/Grafiken: Kosuth, Long, Morris, Nonas”, Galerie Hubert Winter, Vienna, Austria
“From Minimal to Conceptual: Nauman, Nonas, Weiner”, The National Galllery of Art, Washington, D.C., USA
“Multiples 1992–1994”, Gallery 360°, Tokyo, Japan
“Site-ations”, Artists Project in association with Artistsʼ Museum Lodz, Cardiff, Wales, UK
“Drawing Painting”, Hill Gallery, Birmingham, Michigan, USA

1993
“Floor Show”, Galeriet Anders Tornberg, Lund, Sweden
“Nine artists from 14 Harrison St. Alphirst Gallery”, New York, USA
“Edward Albeeʼs Other Eye”, Hillwood Art Museum, Brookville, New York, USA
“ThomasThiel”, Galerie Andre Simoens, Knokke-Zoute, Belgium
“lʼEsplanade. Differentes Natures, Visions de lʼart contemporain”, Galerie Art 4 et Galerie de, Paris, France
“Construction In Progress IV”, Lodz, Poland
“Pieces au Sol”, Le Consortium, centre dʼart contemporain, Dijon, France
“Floor Show”, Anders Tornberg Gallery, Lund, Sweden
“Zur.Zeit Klangobjekt-Skulpturprojekt”, Kunst.Halle.Krems, Krems, Austria

1992
“Fred Sandback, Lawrence Weiner”, Lawrence Markey Gallery, New York, USA
“LagerFeuer”, Galerie Hubert Winter, Vienna, Austria
“Collection One”, Center for Contemporary Art, Ujazdowski Castle, Warsaw, Poland
Tim Hill Gallery, Birmingham, Michigan, USA
“Tegel - 92”, Bohuslans Museum, Uddevalla, Sweden
“Thomas Thiel and Richard Nonas”, Andre Simoens Gallery, Knokke-Houte, Belgium
“Vasaparken”, Ute - Inne, Stockholm, Sweden
Gallery 360 Degrees, Tokyo, Japan
Lawrence Markey Gallery, New York, USA

1991
Galerie Hubert Winter, Vienna, Austria
“From the Collection of Laurie Vogel”, Graham Gallery, Albuquerque, New Mexico, USA
“Out of Site”, P.S.1 Museum, The Institute of Contemporary Art, Long Island City, New York, USA
P.S.1 Museum, The Institute of Contemporary Art, Long Island City, New York, USA
“IIIeme Biennale de Sculpture Montecarlo 1991”, Montecarlo, Monaco
“Sites Choisis”, Niort, France
“Of Performances and Installations during the 1970s”, Mary Delahoyd Gallery, New York, USA

1990
“About Round Round About”, Galeriet Anders Tornberg, Lund, Sweden
“Hand Body House”, Ben Shahn Galleries, Wayne, New Jersey, USA
“Sculptorʼs Drawings”, L.A.Louver, Venice, California, USA
“Wanas Sculpture Park”, Knislinge, Sweden
“LʼAventure de lʼAbstraction de 1960 a 1990”, La Fondation Deutsch, Belmont-sur-Lausanne, Switzerland
“Un choix dʼArt Minimal dans la collection Panza”, Musee dʼArt Moderne de la Ville de Paris, France
“Post Minimalism 1979–1990, An extended harvest”, Genovese Gallery, Boston, Massachusetts, USA
“Works from the Seventies”, Hal Bromm Gallery, New York, USA
“Learn to Read Art: Artistsʼ Books”, Art Gallery of Hamilton, Hamilton, California, USA
“Construction in Progress”, Lodz, Poland
“Natureʼs Materials”, North Dakota Museum of Art, Grand Forks, North Dakota, USA

1989
Lawrence Markey Gallery, New York, USA
Ace Contemporary Exhibitions, Los Angeles, California, USA
“Artistʼs Furniture”, The Harcus Gallery, Boston, Massachusetts, USA
“Grounded: Sculpture on the Floor”, The University of Michigan Museum of Art, Ann Arbor, Michigan, USA
“Wanas Sculpture Park”, Knislinge, Sweden
“Museum of Contemporary Art. Permanent Collection”, Los Angeles, California, USA

1988
“With Humanity”, Mary Delahoyd Gallery, New York, USA
“Mind Over Matter”, The Rye Art Center, New York, USA
“Black in the Light”, Boston, Genovese Graphics, Massachusetts, USA
“From New York”, Ace Contemporary Exhibitions, Los Angeles, California, USA
“Private Works for Public Spaces”, Erpf Gallery, New York, USA
“Gordon Matta-Clark and Friends”, Galerie Lelong, New York, USA
“Coleccion Panza”, Centro de Arte Reina Sofia, Madrid, Spain
“The Material Image: Pure and Simple”, Elizabeth McDonald Gallery, New York, USA
World Trade Center, New York, USA

1987
“Walk On/Sit Down/GoThrough. Outdoor installation”, Socrates Sculpture Park, Long Island City, New York, USA
Craig Corneliuos Gallery, New York, USA
“Unmuzzled Ox Festival”, Attitude Art, New York, USA
“Outside/In: Socrates Sculpture Park at Columbus Circle”, City Gallery, New York, USA
“Non-objective”, Hal Bromm Gallery, New York, USA
“Second Biennial Exhibition of Prints”, Museum of Modern Art, Wakayama, Japan
“10 for 10: Celebrating Printed Matter”, The Great Hall of Cooper Union, New York, USA

1986
“Outdoor Installations”, Grant Park, Atlanta, Georgia, USA
“Architectural Elements in Contemporary Art”, Gallery 53/Smithy Artworks, Cooperstown, New York, USA
Galleria Marilena Bonomo, Bari, Italy
“Contacts/Contrasts”, Pori Art Museum, Pori, Finland
“Works”, Hoshour Gallery, Albuquerque, New Mexico, USA
“Outdoor installations”, The Mattress Factory Show, Atlanta, Georgia, USA
“Pay Attention”, Anders Tornberg Gallery, Lund, Sweden

1985
“Selected Works from the Permanent Collection”, Nassau County Museum of Art, Roslyn Heights, New York, USA
“Skouptur”, Sodra Forstadsgatan, Malmö, Sweden
“Drawing and Sculpture”, Manhattan Art, New York, USA
“A New Beginning: 1968–78”, Yonkers, The Hudson River Museum, Yonkers, New York, USA
Galleri Lang, Malmö, Sweden
Manhattan Art, New York, USA
“The Maximal Implications of the Minimal Line”, Bard College Museum, Annandale-on-Hudson, New York, USA
“Borealis 2”, Henie-Onstad Art Center, Oslo, Norway
“Ten”, University Gallery, University of Massachusetts, Amherst, Massachusetts, USA
“Process und Konstruktion: 1985 in Munich”, Munich, Germany

1984
Queens College, City University of New York, Flushing, New York, USA
“Short Stories, The Ways of Wood”, Hoshour Gallery, Albuquerque, New Mexico, USA
Galeria Zapiecek, Warsaw, Poland
Galleria Exit Krista Mikkola, Helsinki, Finland
“Artistsʼ Weapons”, Ted Greenwald Gallery, New York, USA
“Installations”, Directions on Broadway, New York, USA
“Svart Pa Vitt: Maleri, Skulptur, Techning & Grafik”, Galleriet Anders Tornberg, Lund, Sweden
“Selected Recent Acquisitions”, Weatherspoon Art Gallery, University of North Carolina, Greensboro, North Carolina, USA
“Iron-Cast”, Washington Square and Public Art Trust, Washington, D.C., USA
“Contemporary Paintings and Sculpture V: 1957–1984”, Oil & Steel Gallery, New York, USA
The Dead Blimpie Show, New York, USA
“Art on Paper 1984”, Weatherspoon Art Gallery, University of North Carolina, Greensboro, North Carolina, USA

1983
“Sculpture: The Tradition in Steel”, Nassau County Museum of Fine Art, Roslyn Harbor, New York, USA
“Iron Cast”, Pratt Manhattan Center Gallery, New York/Pratt Institute Gallery, Brooklyn, New York, USA
“The First Show: Painting and Sculpture from Eight Collections: 1940–1980”, The Museum of Contemporary Art, Los Angeles, California, USA
“Noir & Blanc + Rouge”, Hoshour Gallery, Albuquerque, New Mexico, USA
Various underground shows in illegal galleries, Poland
“When Art Becomes Book”, Annemarie Verna, Zürich, Switzerland
“Monumental Drawings by Sculptors”, Hillwood Art Gallery, C.W. Post Center, Long Island University, Greenvale, New York, USA
“New York i Linkoping”, Ostergotlands Lansmuseum, Linkoping, Sweden
“Terminal New York”, Brooklyn Army Terminal, Brooklyn, New York, USA

1982
Ibid, Stockholm, Sweden

1981
“112 Greene Street Revival”, Ben Shahn Gallery, William Paterson College, Wayne, New Jersey, USA
“Alternatives in Retrospect: An Historical Overview 1969–1975”, The New Museum, New York, USA
“William Paterson College. 4 X 7 from The Vogel Collection”, Ben Shahn Gallery, Wayne, New Jersey, USA
“Collections of the Moderna Museet Stockholm”, Palais des Beaux Arts, Brussels, Belgium
“Group Show”, Oil & Steel Gallery, New York, USA
“Konstruckcja w Procesie”, Sponsored by the Solidarity Union, Lodz, Poland

1980
“Sculpture at the Coliseum”, Organized by the Institute for Art and Urban Resources Inc., Long Island City, New York, USA
“Recent Work/Gallery Artists”, John Weber Gallery, New York, USA

1979
“Food and Frameworks”, Holly Solomon Gallery, New York, USA
“Words Words”, Museum Bochum, Germany/Genoa, Palazzo Ducale, Italy
“Procedimento-Process”, Studio la Citta, Verona/Galleria del Milione, Milan, Italy
“Drawing”, Hal Bromm, New York, USA
“Five Sculptors”, Yarlow/Salzman Gallery, Toronto, Canada
John Weber Gallery, New York, USA

1978
“Bildhauerzeichnungen”, Galerie D+C Mueller-Roth, Stuttgart, Germany
“Indoor-Outdoor Sculpture”, P.S. 1 (Project Studios One), The Institute for Art and Urban Resources Inc., Long Island City, New York, USA
“Painting & Sculpture Today 1978”, The Indianapolis Museum of Art, Indianapolis, Indiana, USA
“Sculpture”, Hal Bromm, New York, USA
“Atypical Works”, Julian Pretto Gallery, New York, USA
“Recent Works”, John Weber Gallery, New York, USA

1977
“Works from the Collection of Dorothy and Herbert Vogel”, The University of Michigan Museum of Art, Ann Arbor, Michigan, USA
“Collection in Progress: 200 or so selections from the Collection of Milton Brutten and Helen Herrick”, Moore College of Art Gallery, Philadelphia, Pennsylvania, USA
“Improbable Furniture”, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, USA
“Documenta 6”, Kassel, Germany
“Michael Goldberg/Richard Nonas/Lucio Pozzi/Lynn Umlaf”, Young Hoffman Gallery, Chicago, Illinois, USA

1976
“Travaux sur Papier (First part)”, G. Mollet-Vieville/J.P. Najar, Paris, France
“Travaux sur Papier (Second part)”, G. Mollet-Vieville/J.P. Najar, Paris, France
“Rooms P.S. 1” (Inaugural exhibition), P.S. 1 (Project Studios One), The Institute for Art and Urban Resources Inc., Long Island City, New York, USA
“Holz=Kunst-Stoff”, Staatliche Kunsthalle Baden-Baden, Germany
“New York Downtown Manhattan: SoHo”, Akademie der Künste and the Berliner Festwochen, Berlin, Germany
“Private Notations: Artistʼs Sketchbooks II”, Philadelphia College of Art, Philadelphia, Pennsylvania, USA
“A Month of Sundays”, P.S. 1 (Project Studios One), The Institute for Art and Urban Resources, Inc. Long Island City, New York, USA
“Summer Group Exhibition”, Holly Solomon Gallery, New York, USA
Hal Bromm, New York, USA
Art & Project Gallery, Amsterdam, The Netherlands
“Plastik und Zeichnung”, Hetzler + Keller, Stuttgart, Germany

1975
“Painting, Drawing and Sculpture of the ʻ60ʼs and the ʻ70ʼs from Dorothy and Herbert Vogel Collection”, Institute of Contemporary Art, University of Pennsylvania, Philadelphia/Contemporary Art Center, Cincinnati, Ohio, USA
“Artists Make Toys”, The Clocktower, The Institute for Art and Urban Resources Inc., New York, USA
“Cologne Art Fair”, Marilena Bonomo Gallery, Cologne, Germany
“Opening Group Exhibition”, Holly Solomon Gallery, New York, USA
“Word Image Number”, Bronxville, Sarah Lawrence Gallery, Sarah Lawrence College, New York, USA

1974
“Anarchitecture Group”, 112 Greene Street, New York, USA
“Questions Answers”, Sarah Lawrence College, Bronxville, New York, USA
“Discussions: Works/Words”, The Clocktower, The Institute for Art and Urban Resources Inc., New York, USA
“Painting & Sculpture Today 1974”, Contemporary Art Society, Indianapolis Museum of Art, Indiana/The Contemporary Art Center and The Taft Museum, Cincinnati, Ohio, USA
“Sculpture in the Fields”, Storm King Art Center, Mountainville, New York, USA
“Artpark 1974” (Inaugural exhibition), Artpark, Lewiston, New York, USA

1973
“Moore College of Art. Artists Books”, Philadelphia, Pennsylvania/University Art Museum, Berkeley, California, USA

1973 Biennial Exhibition: Contemporary American Art, Whitney Museum of American Art, New York, USA
“Installation of work in permanent collection”, Moderna Museet, Stockholm, Sweden
“Second Annual Contemporary Reflections 1972–73”, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, USA
“Art in Evolution”, Xerox Square Exhibit Center, Xerox Corporation, Rochester, New York, USA
“In Spaces”, Sarah Lawrence College, Bronxville, New York, USA
“Outdoor installations”, Mass ʻ73, Chicago, Illinois, USA
112 Greene Street, New York, USA
“Six Visions. Institute of Contemporary Art”, University of Pennsylvania, Philadelphia, Pennsylvania, USA
“New Sculpture: Jene Highstein/Richard Nonas” (Outdoor Installations), University of Rhode Island, Kingston, Rhode Island, USA

1972
“New Sculpture: Robert Grosvenor, Forrest Myers, Richard Nonas”, C.U.N.Y., City University Graduate Center Mall, New York, USA
“The Large Outdoor Sculpture”, Ramapo College, Ramapo, New Jersey, USA
“Six Sculptors/7,000 Square Feet”, 10 Bleecker Street, New York, USA
112 Greene Street, New York, USA
“Seven”, Penthouse Gallery, The Museum of Modern Art, New York, USA

1971
Vassar College Art Gallery, Twenty Six by Twenty Six, Poughkeepsie, New York, USA
“The Brooklyn Bridge Event”, The Institute for Art and Urban Resources Inc., The Clocktower, New York, USA
“Artist/Location” (Outdoor installations), University of Rochester, Rochester, New York, USA
Daytonʼs Gallery 12, Minneapolis, Minnessota, USA
112 Greene Street, New York, USA
Bykert Gallery, New York, USA

1970
112 Greene Street (Inaugural exhibition), New York, USA

 

Recent Large Scale Permanent Public Projects

2005
Mondsee, Austria

2003
“Permanent Outdoor Sculpture”, Rati Foundation Como, Italy

2000
“Large Permanent Stone Sculpture Overlooking Lake”, Moondsee, Austria
“Chair/Place Installation”, Emory University, Atlanta, Georgia, USA

1997
“Outdoor Sculpture: Four Granite Chairs”, Detroit Museum of Art, Detroit, Michigan, USA
“Permanent Outdoor Sculpture”, oö Landesmuseum Francisco Carolinum, Linz, Austria
“LaColonne Terminèe 3”, Permanent Installation, Wanås Sculpture Park, Knislinger, Sweden

1996
“Public Plaza” (with Gunilla Bandolin and MonikaGora), Stockholm, Sweden
“Circle of 12 granite chairs on large central plaza”, Borås, Sweden
Parc de Sculptures, Musée de Grenoble, France

1995
“Park and mall Rue de la Marine and redesigned landscape park Parc de la Marine, Urban axis consisting of Pedestrian Street”, Dunkerque, France
“Real Snakes in Imaginary Gardens”, Festival International des Jardins, Chaumont sur Loire, France
“Outdoor Steel Sculpture”, Musée de Grenoble, France

1994
“Subway Station Skarpnack”, Stockholm, Sweden

 

Public Collections 

Ackland Art Museum, The University of North Carolina, Chapel Hill, North Carolina, USA
Albright-Knox Art Gallery, Buffalo, New York, USA
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, USA
Anderson Gallery, School of the Arts, Virginia Commonwealth University, Richmond, Virginia, USA
Art Museum of South Texas, Corpus Christi, Texas, USA
Center for Contemporary Art, Ujazdowski Castle, Warsaw, Poland
The Chase Manhattan Bank, New York, USA
Cranbrook Academy, Bloomfield Hills, Michigan, USA
Detroit Institute of Arts, Detroit, Michigan, USA
Eli Luria Library, Santa Barbara City College, Santa Barbara, California, USA
Fine Arts Gallery at Wright State University, Dayton, Ohio, USA
The Guggenheim Museum, New York, USA
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, USA
Karlskrona, Sweden
The City of Kungsskrona, Sweden
Kunstmuseum, Zurich, Switzerland
The City of Lodz, Poland
Lunds Universitet, Lund, Sweden
Malmo Museum, Malmo, Sweden
Mississippi Museum of Art, Jackson, Mississippi, USA
Moderna Museet, Stockholm, Sweden
Musee en Plein Air, Paris, France
Musee d’Art Moderne de Saint-Etienne Metropole, France
Museum Sztuki, Lodz, Poland
Mondsee, Austria
The Museum of Contemporary Art, Los Angeles, California, USA
The Museum of Modern Art, New York, USA
National Gallery of Art, Washington D.C., USA
The City of Niort, France
Norman Fisher Collection at the Jacksonville Art Museum, Jacksonville, Florida, USA
The North Dakota Museum of Art, Grand Forks, North Dakota, USA
Panza Collection, Milan, Italy
Parc de Sculptures, Musée de Grenoble, France
C.W. Post Campus, Long Island University, New York, USA
Radford University, Radford, Virginia, USA
Sarah Lawrence College, Bronxville, New York, USA
Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska, USA
Skarpnack Subway Station, Stockholm, Sweden
State University of New York, Neuberger Museum Purchase, New York, USA
Stocklolm School of Economics, Stockholm, Sweden
University of North Carolina at Chapel Hill, North Carolina, USA
Walker Art Center, Minneapolis, Minnesota, USA
Wanås Sculpture Park, Wanås, Sweden
Weatherspoon Art Gallery, University of North Carolina at Greensboro, North Carolina, USA

C.O. Paeffgen: Obst- und Gemüsekisten

02.09.2014 - 01.11.2014

Details

 

 

C.O. Paeffgen

C.O. Paeffgen works and lives in Cologne, Germany.

1933
Born in Cologne, Germany

 

Solo Exhibitions

1999
Museum Ludwig, Cologne, Germany

1998
Galerie Hans Mayer, Düsseldorf, Germany

1997
Politischer Club Colonia, Cologne, Germany

1996
Galerie Maximilian Krips, Cologne, Germany

1995
Galerie Vorsetzen, Hamburg, Germany

1994
Galerie Wilbrand, Cologne, Germany

1993
Kestner-Gesellschaft, Hannover, Germany

1985
“Kunst nach 1945”, Nationalgalerie Berlin, Germany

1979
Softart, Kunsthaus Zürich, Switzerland

1970
Jetzt, Kunsthalle Köln, Cologne, Germany

1968
“14 Media”, Galerie Lichter Frankfurt, Germany

 

Collections

Artothek München, Germany
Burger Collection, Berlin, Germany
Sammlung Reinking, Hamburg, Germany
Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland, Bonn, Germany
Von der Heydt-Museum, Wuppertal, Germany

Takashi Naraha: Structure Mandala

03.07.2014 - 30.08.2014

Takashi Naraha

Takashi Naraha works and lives in Sweden.

1930
Born in Mito, Ibaragi Prefecture, Japan

 

Education

1955
Musashino Art University, Tokyo, Japan

 

Solo Exhibitions

2014
“Sculptures – Structure Mandala”, Galerie Hans Mayer, Düsseldorf, Germany

1998
Rive Gauche et Espace Marais, Galerie Denise René, Paris
Two persons exhibition, Galerie Pudelko, Bonn, Germany

1997
Musée Antoine Bourdelle, Paris, France

1995
Espace Rive Gauche et Espace Marais, Galerie Denise René, Paris, France

1994
Galerie Åklundh, Lund, Sweden

1993
Haus für Konstruktive und Konkrete Kunst (with Yuko Shiraishi and Shizuko Yoshikawa), Zürich, Switzerland

1991
Two persons exhibition, Galerie Denise René, Paris, France
Three persons exhibition, Galerie Egelund, Copenhagen, Denmark

1990
Galerie Aronowjtsch, Stockholm, Sweden

1988
Galerie Aronowitsch and Galerie Nordenhake, Stockholm, Sweden

1987
Galerie Denise René, Paris, France

1985
Galerie Denise René, Paris, France

1984
Galerie Aronowitsch, Stockholm, Sweden

1983
Two persons exhibition (with Josef Albers), Galerie Hans Mayer Denise René, Düsseldorf, Germany

1981
Galerie Aronowitsch, Stockholm, Sweden

1980
Galleri Wallner, Malmö, Sweden

1977
Galerie Aronowitsch, Stockholm, Sweden
Galleri Wallner, Malmö, Sweden

1968
Tamura Gallery, Tokyo, Japan

 

Group Exhibitions

1998
“Art Basel”, Galerie Denise René, Paris, France

1997
“FIAC”, Galerie Denise René, Paris, France

1996
“Symposium de Sculpture”, Clermont-Ferrand, France
“FIAC”, Galerie Denise René, Paris, France

1995
Haus Bill, Zumikon, Zürich, Switzerland

1992
“International Art Festival”, Minamikata, Japan
“3rd International Contemporary Sculpture Biennale”, Di Matera, Basilicata, ltaly

1988
“Olympic Sculpture Park”, Seoul, South Korea
Galerie Denise René, exhibition of Contemporary Art, La Défense, Paris, France

1986
“FIAC”, Galerie Denise René, Paris, France

1985
“Sculpture today”, Östra Götalands Museum, Linköping, Sweden
“FIAC”, Galerie Denise René, Paris, France

1984
“Höstsalongen” (Autumn Salon of Contemporary Art), Malmö Konsthall, Malmö, Sweden
“Nordic Sculpture Symposium”, Boalt, Sweden
“Nordic Open-air Sculpture Exhibition”, Municipal Park, Malmö, Sweden

1982
“Art Basel”, Galerie Denise René Hans Mayer, Basel, Switzerland

1981
Japanese American Cultural and Community Center, Los Angeles, USA
“Art Cologne”, Galerie Denise René Hans Mayer, Germany
“Sculpture Now”, International open-air Sculpture Exhibition, organized by Galerie Nordenhake, Malmö Municipal Park, Malmö, Sweden

1980
“Katachi”, Japanese Art Exhibition, Albuquerque Museum, New Mexico, USA
Ystad Museum, Ystad, Sweden
Boehm Gallery, San Marcos, California, USA

1979
“Open-air Sculpture Exhibition”, organized by Kalmar Museum, Kalmar Municipal Park, Sweden

1974
“Große Kunstausstellung”, Haus der Kunst, Munich, Germany
“Ubbeboda Sculpture Symposium”, Ubbeboda, Sweden

1973
“7th International Exhibition of Young Artists”, Seibu Department Store Gallery, Tokyo
“1st Kii Nagashima Sculpture Symposium”, Mie National Park, Japan
“Ube”, Open-Air Sculpture Exhibition, Municipal Art Museum, Ube, Japan

1972
“there”, Citizen Gallery, Yokohama, Japan

1971
“International Exhibition of Selected Young Artists”, Isetan Department Store Gallery, Tokyo, Japan

1970
“Open-air Contemporary Art Festival”, Yokohama, Japan
“Trends in Contemporary Art”, Museum of Modern Art, Kyoto, Japan

1968
“International Exhibition of Young Artists”, Seibu Department Store Gallery, Tokyo, and Musée Cernuschi, Paris, France
“4th Japan Art Festival”, Museum of Modern Art, Tokyo, Japan/Haus der Kunst, Munich, Germany
“9th Japan Contemporary Art Exhibition”, Metropolitan Museum, Tokyo, Japan

1967
“10th Shell Art Prize Exhibition”, Seibu Department Store Gallery, Tokyo, Japan
“8th Japan Contemporary Art Exhibition”, Metropolitan Museum, Tokyo, Japan
“Trends in Contemporary Art”, Museum of Modern Art, Kyoto, Japan

 

Museums

Moderna Museet, Stockholm, Sweden
Göteborgs Konstmuseum, Gothenburg, Sweden
Östra Götalands Museum, Linköping, Sweden
Lunds Konstmuseum, Lund, Sweden
Malmö Museum, Malmö, Sweden
Kristianstads Museum, Kristianstad, Sweden
Museum Gelsenkirchen, Germany
Fondation Cartier, Jouy-En-Josas, France
Olympic Sculpture Park, Seoul, South Korea
Iowa University Museum, USA
Museum of Contemporary Art, Sofia Imber, Caracas, Venezuela

 

Public Collections in Sweden 

Alfa Lava Company, Lund
Bantorget, Lund
C.C. Houses, Lund
Embassy of Sweden, Tokyo
Flygfältsbyrån, Gothenburg
HSB Riksförbund, Västerås
Karlshamn Harbour
Karlshamns Lasarett
Landstinget (county council), Uppsala
Lastageplatsen, Kristianstad
Lund University Art Collection, Lund
By the Obbolabron, Umeå
Östra Göinge Kommun, Broby
Stora Nygatan, Gothenburg
Tetra Pak Company, Lund
Umeå Residence Area

Bill Beckley: The Accidental Poet – Works from the Seventies

29.04.2014 - 19.06.2014

Details

I was sitting alone in a restaurant. It was my birthday. "You can´t have your cake and eat it too," came to my mind. This raised the obvious question of why anyone would have the double desire of having and eating a cake. Is there really a feeling of loss as it is swallowed? I ordered a cake trying to resolve this question. The waitress delivered it. It was marble cake with white icing. Only two weeks before I had been in Rome. I stayed in a hotel near the Pantheon. The Pantheon is a white circular shaped building made of marble, with a dome like top. It was build for the Roman Gods but later used as a Christian Church. I had not traveled alone, and the memories of the many evenings we spent together dining in the restaurants came back to me as I sat there eating at the empty table.

Bill Beckley

Bill Beckley lives and works in New York.

1946
Born in Hamburg, Pennsylvania, USA

 

Education

1977
Kutztown State University, B.F.A., Kutztown, Pennsylvania, USA

1970
Tyler School of Art, M.F.A., Philadelphia, Pennsylvania, USA

 

Awards/Prizes/Grants/Fellowships

1997
Pollock-Krasner Grant

1986
New York Council of the Arts

1979
National Endowment of the Arts

1976
New York Council of the Arts

1973
New York Council of the Arts

 

Solo Exhibitions

2014
“The Accidental Poet – Works from the Seventies”, Galerie Hans Mayer, Düsseldorf, Germany

2013
“Retrospective”, Galerie Hans Mayer, Düsseldorf, Germany
“Flag Attempts”, Galerie Hans Mayer, Art Basel, Switzerland

2011
Rosenbaum Contemporary Boca Raton, Florida, USA
112 Greene Street Show 1970–1973, James Solomon Gallery, New York, USA
“P420 Arte contemporanea e libri”, Bologna, Italy
“Talk at the National Arts Club”, New York City (for Anthony Haden Guest), USA
“Narration works of 70” by Bill Beckley, Peter Hutchinson, and Franco Vaccari, Alternative Histories, Exit Art, New York, USA
Galerie Hans Mayer, Düsseldorf, Germany
Sammlung Hoffmann, Berlin, Germany

2010
Galerie Hans Mayer, Düsseldorf, Germany
“Etcetera”, Tony Shafrazi Gallery, New York, USA
Galerie Hans Mayer, ARCO Madrid, Spain
ArteFiera, Studio Trisorio, Napoli/Rome, Italy
Galerie Hans Mayer, Art Basel Miami Beach, USA
Rosenbaum Contemporary, Art Basel Miami Beach, USA

2009
Galerie Hans Mayer, Düsseldorf, Germany
Studio Trisorio, Naples, Italy
Studio Trisorio, Rome, Italy

2008
Galerie Hans Mayer, Düsseldorf, Germany
“Ping-Pong Dialogues”, Chelsea Space, London, UK
Rosenbaum Contemporary Gallery Center, Florida, USA

2007
Galerie Hans Mayer, Düsseldorf, Germany
Park Ryu Sook Gallery, Korea
Bruna Soletti Gallery, Milan, Italy
Dorfman Projects, NYC, New York, USA

2006
Park Ryu Sook Gallery, Korea

2004
Robert McClain Gallery, Houston, Texas, USA
Studio Trisorio, Naples, Italy
Studio Trisorio, Rome, Italy

2003
Galerie Hans Mayer, Düsseldorf, Germany
Gallery Park Ryu-Sook, Seoul, South Korea

2001
Tony Shafrazi Gallery, (Fourteen Stations) New York City, USA
“New works”, Galerie Hans Mayer, Berlin, Germany

2000
“Selected works 1970–1999”, John Gibson Gallery, New York City, USA

1999
Anouk Taché and Carole Lévy Gallery, Brussels, Belgium

1998
Galerie Hans Mayer, Düsseldorf, Germany
Galeria Milano, Milano, Italy
Galeria Trisorio, Naples, Italy

1997
John Gibson Gallery, New York, USA

1996
Ace Gallery, Los Angeles, USA

1995
“Five Easy Pieces”, Ace Gallery, New York City, USA

1994
Galerie Hans Mayer, Düsseldorf, Germany
Foundation Chateau de Jau, France

1993
Galeria Pedro Oliveira, Porto, Portugal

1992
“On The Road To Ra” (performance), American Opera Projects, New York City, USA
Galleria Trisorio, Naples, Italy

1991
John Gibson Gallery, New York City, USA
“Drawings”, Ace Contemporary Exhibitions, Los Angeles, USA

1990
Galerie Daniel Templon, Paris, France

1989
Galleria Milano, Milan, Italy
Studio G-7, Bologna, Italy

1988
Ace Contemporary Exhibitions, Los Angeles, USA

1987
Tony Shafrazi Gallery, New York City, USA
Galerie Hans Mayer, Düsseldorf, Germany

1986
Galerie Daniel Templon, Paris, France
John Gibson Gallery, New York City, USA
Galleria Trisorio, Naples, Italy

1984
Freidus/Ordover Gallery, New York City, USA
“Retrospective”, Städtisches Museum, Mönchengladbach, Germany

1983
John Gibson Gallery, New York City, USA
Galerie Hans Mayer, Düsseldorf, Germany

1982
Studio Canaviello, Milan, Italy
Bonlow Gallery, New York City, USA

1981
Galerie Daniel Templon, Paris, France
Marian Desson Gallery, Chicago, USA
International Center of Photography, New York City, USA
Annina Nosei Gallery, New York City, USA

1980
Nigel Greenwood Gallery, London, UK
Galerie Loyse Oppenheim, Geneva, Switzerland

1979
Galerie Vera Munro, Hamburg, Germany
Nigel Greenwood Gallery, London, UK
Galerie Denise Rene, Hans Mayer, Düsseldorf, Germany

1978
Museum of Modern Art, New York City, USA
Studio G7, Bologna, Italy
Galerie Denise Rene, Hans Mayer, Düsseldorf, Germany
Art in Progress, München, Germany

1977
Galerie Daniel Templon, Paris, France
Galerie Denise Rene, Hans Mayer, Düsseldorf, Germany
Nigel Greenwood Gallery, London, UK

1976
Galleria dʼAllesandro, Ferranti, Rome, Italy
John Gibson Gallery, New York City, USA
Galleria Lucio Amelio, Naples, Italy

1975
Galerie Yvon Lambert, Paris, France
Galerie Patrick Verelst – Marc Poitier dit Caulier, Antwerp, Belgium
Performance, Steinway Hall, New York City, USA
Galleria Francoise Lambert, Milan, Italy
Gallery 20, Amsterdam, Netherlands

1974
Gallery 20, Amsterdam, Netherlands
Francoise Lambert, Milan, Italy
John Gibson Gallery, New York City, USA

1973
John Gibson Gallery, New York City, USA
Nigel Greenwood Gallery, London, UK
Galerie Konrad Fischer, Düsseldorf, Germany

1972
Performance, 98 Greene Street, Holly Solomon, New York City
112 Greene Street Gallery, New York City
Gallery 20, Amsterdam, Netherlands
Performance and installation, Galerie Rudolf Zwirner, Köln, Germany
Galleria Francoise Lambert, Milan, Italy

1971
93 Grand Street, organized by Willoughby Sharp and Avalanche Magazine, New York City, USA

1969
Wabash Transit Gallery, Chicago Art Institute, Illinois, USA

 

Group Exhibitions

2013
Group Show, Galerie Hans Mayer, Düsseldorf, Germany
“Color – An exhibition of works by Bill Beckley”, Via Lewandowsky, Guillaume Bruère and Rebecca Llanos, Andrae Kaufmann Gallery, Berlin, Germany
Group Show, Friedman Benda Gallery, Chelsea, New York, USA

2011
“Narration works of 70” by Bill Beckley, Peter Hutchinson and Franco Vaccari, P420 Arte contemporanea e libri, Bologna, Italy
Rosenbaum Contemporary, Boca Raton, Florida, USA

2010
“Alternative Histories”, Exit Art, New York, USA

2004
“Behind the Facts, 1968–1974”, Miro Foundation, Barcelona, Spain
“Behind the facts, 1968–1974”, Servalles Museum, Porto, Portugal
“Behind the Facts, 1968–1974”, Miro Foundation, Kassel, Germany
“Four Artists”, Dorfman Projects New York, USA

2002
“Made in USA: Keith Haring, Robert Longo, Kenny Scharf, Bill Beckley”, Ludwig Galerie, Schloss Oberhausen, Germany
Art Downtown, New York, USA

“1968–1977, Lʼart en cause”, Musée dʼart Contemporain de Bordeaux, France

2000
“Critic as Grist”, White Gallery, New York, USA
“Narrative”, Studio G7, Bologna, Italy
Sammlung Hoffman, Berlin, Germany
Daimler-Benz collection, Berlin, Germany

1999
Sammlung Falckenberg, Museum der bildenden Künste, Leipzig, Germany
“17 Contempory Artists from America, Italy and México”, The Menile Collection, Texas, USA
“Heroines and Heros”, Cynthia Broan Gallery, New York, USA
“Americans in France”, The Fish Market, Perpignan, France

1998
“Fotoz”, Siqueiros Koll Gallery, Los Angeles, USA
“Fotoz”, Spiral Lounge, New York, USA
“Project Plans”, John Gibson Gallery, New York, USA
“Acts of Faith”, Abraham Lubelski Gallery, New York, USA

1997
“LʼArte in Faccia”, Associazione Nazionale DʼArte Moderna, Milan, Italy
“Twentieth Anniversary Exhibition”, Chateau de Jau, Cases de Pene, France
“Inaugural Exhibition”, Hoffmann Collection, Berlin, Germany
“Numbers”, Kunstmuseum Stuttgart, Germany
“The @ Show”, Satellite Gallery, Long Island City

1996
“Artistʼs Photographs”, John Gibson Gallery, New York, USA
“Narrative Art”, Palazzo Rasponi Murat, Ravenna, Italy

1995
“Narrative Art”, Studio G7 Bologna, Italy

1994
“Conceptual Photographs”, John Gibson Gallery, New York, USA
“Venticinquesimo”, Studio dʼArte Cannaviello, Milan, Italy

1993
Collection of Vicky Remy, Musee dʼArt Modern, St. Etienne, France

1992
“The Seventies”, John Gibson Gallery, New York, USA

1991
“Buchstäblich”, Von der Heydt-Museum, Wuppertal, Germany
“Home Show”, sponsored by Pat Hen Gallery, New York City, USA
“Group Show”, Elysium Art Source, New York City, USA

1990
“American Express”, John Gibson Gallery, New York, USA
“Aquarian Artists”, Fine Arts Center, Kingston, Rhode Island, USA

1989
“Image World: Art and Media Culture”, Whitney Museum of American Art, New York, USA
“Annual 7”, Mandeville Gallery, University of California, San Diego, USA
“Words”, Tony Shafrazi Gallery, New York, USA
“Text and Photograph”, John Gibson Gallery, New York, USA
“Micro-Sculpture Show”, University of Rhode Island, USA

1988
“This is Not a Photograph”, Akron Art Museum, Akron, Ohio, USA
“This is Not a Photograph”, The Chrysler Museum, Norfolk, Virginia, USA
“Large Scale Photography”, Los Angeles County Museum, L.A., California, USA
“Ten Years of Collecting, 1976–86”, Edward Downe Collection, Wellesley College Museum, Massachusetts, USA

1987
“This is Not a Photograph”, The John and Mable Ringling Museum of Art, Sarasota, Florida, USA

1986
“New Painting and Sculpture”, Indianapolis Museum, Indiana, USA

1985
“A New Beginning”, Hudson River Museum, New York, USA

1984
“Collage Expanded”, School of Visual Arts Museum, New York City, USA
“Sex Show”, Cable Gallery, New York City, USA
“Plastic”, Miriam Perle Gallery, New York City, USA

1983
“Rupture, pas Rupture?”, Creation Art Press, Centre Culturel de Paris, France
“Kunst mit Photographie”, Neue Nationalgalerie, Berlin, Germany
“Kunst mit Photographie”, Kölnischer Kunstverein, Köln, Germany
“Kunst mit Photographie”, Münchner Stadtmuseum, München, Germany
“Kunst mit Photographie”, Kunsthalle zu Kiel, Germany

1981
“A Seventies Selection”, Miami Art Museum, Ohio, USA
“Alternatives in Retrospect”, The New Museum, New York City, USA

1980
“Pier and Ocean”, Hayward Gallery, London, UK
Rijksmuseum Kröller-Müller, Otterlo, Netherlands
“Photographic Art”, Museum of Modern Art, Paris, France

1978
“Whitney Biennial Exhibition”, New York City, USA
“Story Art”, Heidelberger Kunstverein, Bonner Kunstverein, Krefelder Kunstverein, Germany

1978
“American Story Art”, Contemporary Art Museum, Houston, Texas, USA
“American Story Art”, Contemporary Art Center, New Orleans, USA
“American Story Art”, Art Gallery, Winnipeg, USA
“American Story Art”, University of California, Santa Barbara and Berkley, USA

1977
“The Surrealist Heritage”, organized by Sam Hunter, Clark Institute, Williamsberg, USA
“Documenta 6”, Kassel, Germany

1976
“Narrational Imagery: Beckley, Rusch, Warhol”, University of Massachusetts, Amhurst, USA
“Biennale di Venezia”, Venice, Italy
“Sequenced Photographs”, University Art Museum, Austin, Texas, USA
“Sequenced Photographs”, San Francisco Art Museum, California, USA
“Sequenced Photographs”, Broxtan Art Gallery, Los Angeles, California, USA

1975
“Camera Art”, Lund Kunsthalle, Sweden
“Sequenced Photographs”, University of Maryland Gallery, Maryland, USA
“Toys”, The Clocktower, New York City, USA
“Report From Soho”, Grey Art Gallery, New York City, USA
“Word, Image, Number”, Sarah Lawrence Gallery, New York City, USA
“Paris Biennale”, Paris, France

1974
“Narrative 2”, John Gibson Gallery, New York City, USA
“Photographic Art”, Flash Art, Milan, Italy
“Verbal Visual 3”, John Gibson Gallery, New York City, USA
“Narrative Art”, Studio dʼArte Canaviello, Rome, Italy
“Art and Architecture”, Royal College of Art, London, UK

1973
“7”, Museum of Modern Art, New York City, USA
“Story”, John Gibson Gallery, New York City, USA
“Xerox Show”, Rochester, New York, USA
“Richard Fonke Gallery”, Gent, Belgium
“Contemporanea”, Rome, Italy
“Three Game Installations”, 112 Greene St., April, New York, USA

1972
“Spaces”, organized by Vito Acconci, School of Visual Arts, New York City, USA
“Information Show”, Museum of Modern Art, New York, USA

1971
“112 Greene St. Installation”, April, New York City, USA
“112 Greene St. Installation”, January, New York City, USA
“Projects Pier 18”, organized by Willoughby Sharp, Museum of Modern Art, New York City, USA

1970
“112 Greene Street”, December, organized by R. Ferrer, J. Lew and A. Saret, New York City, USA

1969

“Untitled”, organized by Italo Scanga, Cheltenham, Pennsylvania, USA
“Art in the Mind”, Allen Memorial Art Museum, Oberlin, Ohio, USA

Tony Oursler: Obscura

24.03.2014 - 23.04.2014

Details

Oursler presents Obscura, which consists of projections of eyes onto spheres of varying dimensions. This iteration is newly developed for Hans Mayer Gallery, and includes numerous new video elements shot especially for the exhibition. The Obscura is the manifestation of an ongoing project in Oursler’s oeuvre, addressing the position of the viewer in relation to the spectacle of current pop cultural viewing trends. The artist explores our relationship to multimedia screens, including televisions, computers, smart phones, and cinema, as his subject matter for this large scale installation. Oversized representations of eyes are formed by projecting pre-recorded images onto large fiberglass spheres, which are suspended in space as well as spread throughout the gallery’s walls and floor. Each depiction becomes a macro portrait of a moment of consumption, as the transfixed eye reveals the off screen focus of its gaze in a small reflection onto the surface of the cornea. On each eye clues to the specific content of the viewers fascination can be seen, for example the eyes are variously viewing; surfing the internet, watching horror movies, science fiction, nature films, computer graphics, weather system, social media, etc. These tiny reflections within the eyes are accompanied by a distant soundtrack, which pervades the installation.

The artist has equated the anatomical apparatus of the eye as the human embodiment of optical systems, such as the camera obscura. Within this installation the dilation and constriction of the pupil and iris become an extension of that technological system and are emblematic of our deeply human need to consume unending steams of images and narratives. The position of the visitor is highlighted as they move through this constellation of eyes, forming a recursive and voyeuristic loop. Thematically the artist highlights the dilemma of technological interconnectivity, which allows instant communication and gratification, that leaves the participant connected yet somehow isolated. Oursler began his exploration of eyes in 1995, and has continued to rework and expand upon the themes and technologies presented in this series.

Tony Oursler

Tony Oursler works and lives in New York, USA.

1957
Born in New York, USA

 

Education

1979
California Institute of the Arts, B.A.

 

Solo Exhibitions

2016
“pU3\*c”, Galerie Hans Mayer, Düsseldorf, Germany
“TC: The Most Interesting Man Alive”, Chrysler Museum, Norfolk, Virginia, USA
“PriV%te”, Lehmann Maupin Gallery, Hong Kong, China

2015
“Cosa mentale, Imaginaries of Telepathy of the 20th-Century Art”, Centre Pompidou-Metz, France
“Classifier Cascades”, Bernier Eliades Gallery, Athens, Greece
“La Sucrière”, Biennale de Lyon, France
“Imponderable”, Luma Foundation, Les Forges, Parc des Ateliers, Arles, France
Lehmann Maupin Gallery, New York, USA
“Influence Machine”, Blinc Festival Adelaide, Pinky Flats, Adelaide, Australia
“template/variant/friend/stranger”, Lisson Gallery, London, United Kingdom

2014
“Obscura”, Galerie Hans Mayer, Düsseldorf, Germany
“Phantasmagoria”, Musee des Arts Contemporains de la Federation Wallonie-Brussels, Hornu, Belgium
National Gallery of Korea, Seoul, South Korea
“X ERGO Y”, Stedelijk, Amsterdam, The Netherlands
“I/O Underflow”, Oude Kerk, Amsterdam, The Netherlands
“Influence Machine”, Wolverhampton Art Gallery, Wolverhampton, United Kingdom
“Passe-Partout”, Baldwin Gallery, Aspen, Colorado, USA
“Vox Vernacular”, New York Public Library, New York, USA
“Innesti Psciotici”, Galleria In Arco, Torino, Italy
“1 plus 1 equals 1”, Musee d’art Contemporain Montreal, Montreal, Quebec, Canada
“A Collective Invention: Photographs at Play”, Morgan Library, New York, USA

2013
Albert Baronian, Brussels, Belgium
Musée des Arts Contemporains del la Fédération Wallonie, Hornu, Belgium
Artsonje Center, Seoul, South Korea
Galeria Leme, Sao Paulo, Brazil
“Phobic/WhiteTrash”, JMG Galerie, Paris, France
“UFOs and Effigies”, Arthur Ross Architecture Gallery, Graduate School of Architecture, Columbia University, New York, USA
“agentic iced etcetera”, Pinchuk Art Center, Kiev, Ukraine
“Little Worlds”, Honolulu Museum of Art, Hawaii, USA
“Agentic Iced Etcetera”, Pinchuk Art Centre, Kiev, Ukraine
“Tony Oursler: hopped (popped)”, Edward Hopper House, Nyack, New York, USA

2012
“Face to Face”, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
ARoS Aarhus Kunstmuseum, Aarhus, Denmark
313 Gallery, Seoul, South Korea
Contemporary by Angela Li, Hong Kong, China
ArtSonje Center, Seoul, South Korea

2011
JGM. Galerie, Paris, France
“Open Obscura”, Padiglione d’Arte Contemporanea PAC, Milan, Italy

2010
“Vertical Loop Task”, Baldwin Gallery, Aspen, Colorado, USA
Lehmann Maupin, New York City, USA
“Autochtonous too high”, Le Carré, scène nationale, Chateau Gontier Oi Futuro, Rio de Janeiro, Brazil
“Peak”, Lehmann Maupin, New York, USA
“The Uncanny Valley”, Adobe Museum of Digital Media
“On Off”, Jensen Gallery, Auckland, New Zealand
“Number 7, Plus or Minus 2”, Gallery Faurschou, Beijing, China

2009
Gallery Paule Anglim, San Francisco, California, USA
Galerie Baronian-Francey, Brussels, Belgium
“Gaze Heuristic (with Droll)”, Galleria in Arco, Turin, Italy
“Gallery Paule Anglim”, San Francisco, California, USA
“Cell Phones Diagrams Cigarettes Searches and Scratch Cards”, Metro Pictures Gallery, New York, USA
“50 Shilling”, Galerie Steinek, Vienna, Austria
“Void or Everything Ever Wanted”, Luminato Festival, Toronto, Canada
“Vampiric Battle”, Mattress Factory, Pittsburgh, Pennsylvania, USA
“Lock 2,4,6”, Kunsthaus Bregenz, Bregenz, Austria
“Five Take Radius”, Clocktower, New York, USA
“Haze or Transparency with Friends and Colors”, AGO, Toronto, Canada

2008
“Trunk Mask Frame Hutchet Crutch Queen”, Galeria Soledad Lorenzo, Madrid, Spain
“Tony Oursler: HIGH” Lisson Gallery, London, UK
“White Night”, Paris, France
“NixAlienClimaxCloudAxe”, House of Photography, Moscow, Russia
“St. Roch”, KK Projects, New Orleans, Louisiana, USA
“Project for Physic Garden”, London, UK
“AWGTHTGTWTA”, New York, USA
“Horizon Scander Jeu”, Gare du Nord, Paris, France
Jensen Gallery, Auckland, New Zealand
“Project for Land and Beach”, Gibbs Farm, New Zealand
“Mirada Pensante Canary Islands Tour”, El Tanque Santa Cruz de Tenerife/La Regenta, Las Palmas de Gran Canaria/Centro Juan Ismael, Fuerteventura/Instituto de America, Granada, Spain

2007
“Ooze” Lehmann Maupin, New York, USA
“Dum-Dum, Metalbreath, Wadcutter”, Galleria Emi Fontana, Milan, Italy
“Recent Works”, Galerie Forsblom, Helsinki, Finnland
“Phobos”, Bernier/Eliades, Athens, Greece
Gallery Paule Anglim, San Francisco, California, USA

2006
“Monsters”, Les editions Take Five et Simon Studer Art, Genève, Switzerland
“Blue Invasion”, Hyde Park North, Sydney, Australia
“Sound Digressions in Seven Colours”, Neyhaus, New York, USA
“Thought Forms”, Metro Pictures, New York, USA
“Good Vibrations: Visual Arts and Rock Music”, Palazzo delle Papesse, Sienna, Italy
“Spaced”, Margo Levin Gallery, Los Angeles, California, USA
“Disposifs”, Kunstforeningen GL Strand, Copenhagen, Denmark
Galeria IN ARCO, Turin, Italy
“Perfect Partner”, Montclair, New Jersey, USA

2005
“Seven Months of My Aesthetic Education (Plus Some)”, Metropolitan Museum of Art, New York, USA
“Dispositifs”, Musée de Jeu de Paume, Paris/Domus Atrium, Salamanca/City Art Museum, Helsinki/GL Strand, Cophenhagen
“Blue Invasion”, Hyde Park, Sydney, Australia
Tennis Palace at the Helsinki City Art Museum, Helsinki, Finland

2004
Bernier Elaiades, Athens, Greece
Margo Levin Gallery, Los Angeles, California, USA
“Blob”, Galeria Soledad Lorenzo, Madrid, Spain
Lehmann Maupin, New York, USA
“Unk”, Aarhus Kunsthaus, Aarhus, Germany
Studio, Musée d’Orsay, Paris, France
Margo Leavin Gallery, Los Angeles, California, USA
“Blob”, Galeria Soledad Lorenzo, Madrid, Spain
“Braincast”, Seattle Public Library, Seattle, Washington, USA
“PHOBOS”, Bernier Eliades, Athens, Greece

2003
Metro Pictures Gallery, New York, USA
Jensen Gallery, New Zealand
Lisson Gallery, London, UK
Paula Anglum, San Francisco, California, USA
Metro Pictures, New York, USA
Jean Bernier Gallery, Athens, Greece
Jensen Gallery, Auckland, New Zealand

2002
“TDrawings”, Lehmann Maupin, New York, USA
“Luftmetall”, Galerie Hans Mayer, Düsseldorf, Germany
“Shock-Rock”, Gräflicher Kurpark Driburg, Garten Landschaft Ostwestfalen-Lippe, Germany
“Station”, Magasin 3 Stockholm Konsthall, Stockholm, Sweden
“The Influence Machine”, Magasin 3 Projekt, Stockholm, Sweden
“Parallel Lines”, Studio d’Arte Raffaelli, Trento, Italy
Galleria IN ARCO, Torino, Italy
Museo Arte Contemporanea di Roma, Italy
Galerie H.S. Steinek, Vienna, Austria
“Station”, Magasin 3, Stockholm Konsthall, Stockholm, Sweden
“Drawings, CD-ROM, Installation, Videotapes”, Pei Ling Chan Gallery and Garden for the Arts, Savannah College of Art and Design, Savannah, Georgia, USA

Museo d’Arte Contemporanea, Roma, Italy

2001
Galerie Ghislaine Hussenot, Paris, France
Henry Art Gallery, Seattle, Washington, USA
IVAM, Centre del Carme, València, Spain/Centro Cultural de Belém, Lisbon, Portugal/KoldoMitxelena Kulturenea, Donosti-San Sebastián, Spain
Ghislaine Hussenot, Paris, France
“Flucht”, Kunsthaus Bregenz, Austria
“Antennae Pods Transmissions”, Metro Pictures, New York, USA
Institut Valencià D’Art Modern, Valencia, Spain
Newcomb Gallery, Tulane University, New Orleans, Lousiana, USA
“Flucht”, Kunsthaus Bregenz, Bregenz, Austria
Galerie Joan Prats, Barcelona, Spain

2000
“Introjection: Tony Oursler”, Houston Contemporary Arts Museum, Texas, USA
“Sulfer, Glass, Silicon”, 1000 Eventi, Milan, Italy
“Blue Transmission”, Lisson Gallery, London, UK
“Introjection: Tony Oursler”, LA MoCA, Los Angeles, California, USA
“The Influence Machine”, The Becks/Artangel Commission, Soho Square, London, UK
Galerie H.S. Steinek, Vienna, Austria
“The Empty Cabinet”, Henry Art Gallery, University of Washington, Seattle, Washington, USA
University ArtGallery, University of California, San Diego, California, USA
Bernier/Eliades, Athens, Greece
Margo Leavin Gallery, Los Angeles, California, USA
“The Darkest Color Infinitely Amplified”, The Whitney Museum of American Art, New York, USA
EVOL, Sammlung Goetz, München, Germany

1999
Malmö Konsthall, Malmö, Sweden
“Introjection: Tony Oursler”, Williams College Museum of Art/Contemporary Art Museum Houston, Texas, USA
Ujazdowski Castle, Warsaw, Poland
Tel Aviv Museum of Art, Tel Aviv, Israel
“Introjection: Tony Oursler mid-career survey, 1976–1999”, MASS MoCA, North Adams, Massachussetts/Williams College Museum of Art, Williamstown, Massachussetts/Contemporary Arts Museum, Houston, Texas/Los Angeles Museum of Contemporary Art, California/Des Moines Art Center, Des Moines, Iowa, USA
Galerie Biedermann, München, Germany

1998
“1000 eventi”, Milan, Italy
Kunstverein Hannover, Germany
“The Poetics Project: 1977–1997”, in collaboration with Mike Kelley/Barcelona version: Lehmann Maupin
Metro Pictures, New York, USA
“Directions – Tony Oursler: Video Dolls with Tracey Liepold”, Hirshhorn Museum & Sculpture Garden, Washington, D.C., USA
“Videotapes, Dummies, Drawings, Photographs, Viruses, Heads, Eyes, & CD-ROM”, Galeria Soledad , Lorenzo, Madrid, Spain/Galleria 1000 Eventi, Milan, Italy/Kunstverein Hannover, Hannover, Germany/Malmö Konsthall, Malmö, Sweden

1997
“Judy”, ICA, Philadelphia, Pennsylvania, USA
Margo Leavin Gallery, Los Angeles, California, USA
“Skulpturenprojekte”, Münster, Germany
Museum of Contemporary Art, Bordeaux, France
Manchester City Art Galleries, UK
Aspen Art Museum, Aspen, Colorado, USA
Musée d’art contemporain de Bordeaux, Bordeaux, France/Salade Exposiciones Rekalde, Bilboa, Spain
Gallery Paul Anglim, San Francisco, California, USA
Galerie Biedermann, München, Germany
Gallery Koyanagi, Tokyo, Japan
“Der menschliche Fator—Das Individuum im Spiegel der zeitgenossischen Kunst”, Hypo Bank, Luxembourg City, Luxembourg/Kunsthandel Achenbach, Düsseldorf, Germany
The Video Room, White Columns, New York, USA
“Videoskulpturen”, Galerie Franck & Schulte, Berlin, Germany

1996
Lisson Gallery, London, UK
Metro Pictures, New York, USA
Museum of Contemporary Art, San Diego
Van Abbemuseum, Eindhoven, The Netherlands
Jean Bernier, Athens, Greece
Centre Georges Pompidou, Paris, France

1995
RUM, Malmö, Sweden
Centre d’Art Contemporain, Geneva, Switzerland
“Video Installations, Objects, Watercolours”, Musee des Artes Modernes et Contemporains, Strasbourg, France
Galerie, Graphisches Kabinett, Wiener Secession, Wien, Austria
“Hysterical”, Atle Gerhardsen, Oslo, Norway
“System for Dramatic Feedback”, Portikus Frankfurt, Germany/Les Musées de la Ville de Strasbourg, Strasbourg, France/Centre d’Art Contemporain, Geneva, Switzerland/Stedlijk Van Abbemuseum, Eindhoven, The Netherlands
“Video Installations, Objects, Watercolors”, Musée d’Art Moderne et Contemporain, Strasbourg, France
Galerie Ghislaine Hussenot, Paris, France
“Ouvres Récentes”, Galeria Soledad Lorenzo, Madrid, Spain
Galeria Soledad Lorenzo, Madrid, Spain

1994
Lisson Gallery, London, UK
Jean Bernier Gallery, Athens, Greece
“Dummies, Flowers, Altars, Clouds and Organs”, Metro Pictures, New York, USA
“Recent Video Works”, The Contemporary Museum, Honolulu, Hawaii, USA
Linda Chathcar Gallery, Santa Monica, California, USA

1993
“Phobic/White Trash”, Centre d’Art Contemporain, Geneve, Switzerland/Kunstwurke, Berlin, Germany
Andrea Rosen Gallery, New York, USA
The Living Room, San Francisco, California, USA
IKON Gallery, Birmingham/Bluecoat Gallery, Liverpool, UK

1992
“F/X Plotter, 2 Way”, Kijkhuis, Den Haag, The Netherlands
“Station Project” (with James Casebere), Kortrijk (Railway Station), Belgium
The Space, Boston, Massachusetts, USA
The Knitting Factory, New York, USA

1991
Diane Brown Gallery, New York, USA
“Dummies, Hex Signs, Watercolours”, The Living Room, San Francisco, California, USA
The Pacific Film Archives, San Francisco, California, USA
The Cinematheque, San Francisco, California, USA

1990
Hallwalls, Buffalo, New York, USA
Diane Brown Gallery, New York, USA
The Kitchen, New York, USA
“On Our Own”, The Segue Gallery, New York, USA

1989
The Walker Art Center, Minneapolis, Minnesota, USA
Boston Film/Video Foundation, New York, USA
“A Scene”, P.S.1, New York, USA
“Complete Works”, The Kitchen, New York, USA
Soho TV M/T Channel 10, New York, USA
The Kitchen, New York, USA
“Relatives” (video/performance in collaboration with Constance DeJong), The Kitchen, New York/Rockland Center for the Arts, West Nyak, New York/Seattle Arts Museum, Washington/Mikery Theatre, Amsterdam/ECG-TV Studios, Frankfurt, Germany
“Drawings, Objects, Videotapes”, Delta Gallery, Düsseldorf, Germany
Folkwang Museum, Essen, Germany
Collective for Living Cinema, New York, USA
Museum für Gegenwartskunst, Basel, Switzerland
Bobo Gallery, San Francisco, California, USA

1988
“Tony Oursler’s Works”, Le Lieu, Québec City, Canada
“Constellation: Intermission”, Diane Brown Gallery, New York, USA
Western Front, Vancouver, Canada
“Tony Oursler and Constance Dejong”, LACPS/EZTV, Los Angeles, California, USA

1987
The Kitchen, New York, USA

1986
“Spheres of Influence”, Centre Georges Pompidou, Paris, France
New Langton Arts, San Francisco, California, USA
Nova Scotia College of Art and Design, Nova Scotia, Canada
Boston Film/Video Foundation, Boston, Massachusetts, USA

1985
Kijkhuis, Den Haag, The Netherlands
Schule für Gestaltung, Basel, Switzerland
The American Center, Paris, France
Kunst Delft, Delft, The Netherlands
ELAC, Espace Lyonnais d’Art Contemporain, Lyon, France
Schule fur Gestaltung, Basel, Switzerland

1984
Anthology Film Archives, New York, USA
“L-7, L-5”, The Kitchen, New York, USA
David Mo Gallery, New York, USA
The Kitchen, New York, USA

1983
“La Mamelle”, San Francisco, California, USA
“My Sets”, Media Study, Buffalo, New York, USA
“Son of Oil”, A Space, Toronto, Canada
“LACE-Panic House”, Los Angeles, California, USA
“X Catholic” (performance in collaboration with Mike Kelley), Beyond Baroque, Los Angeles, California, USA

1981
University Art Museum, University of California, Berkley, California, USA
“Video Viewpoints”, Museum of Modern Art, New York, USA
The School of the Art Institute of Chicago, Chicago, Illinois, USA

 

Group Exhibitions

2013
“Disembodied”, Cleveland Museum of Art, Cleveland, Ohio, USA
“Mike Kelley”, Centre Georges Pompidou, Paris, France
“Strawberry Ecstasy Green,” Espace Louis Vuitton, Venice, Italy
“The Poetics Project”, Centre Pompidou, Paris, France
“The Influence Machine”, Tate Modern, London, UK
“Crossed Circuits; Norte Sul Leste Oeste”, Museu de Arte Moderna, Sao Paulo, Brazil

2012
“The Royal Family”, Hayward Gallery Project Space, London, UK
“Glasstress New York: New Art from the Biennale di Venezias”, The Museum of Art and Design, New York, USA

2011
“Paradise Lost”, Istanbul Modern, Istanbul, Turkey
“Off the Wall/Fora da Parede”, Museu Serralves, Museu de Arte Contemporânea, Porto, Portugal
“The view from a Volcano – The Kitchen’s Soho Years, 1971–85”, The Kitchen, New York City, USA
“CLAP”, Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, New York, USA
“The Royal Family”, Hayward Gallery, London, UK
“Blink! Light, Sound & the Moving Image”, Denver Art Museum, Denver, Colorado, USA
“Let the Healing Begin”, IMA Institute of Modern Art, Brisbane, Australia
“Anonyme Skulpturen. Video und Form in der zeitgenössischen Kunst”, Galerie im Taxispalais, Innsbruck, Austria
“Nothing in the World but Youth”, Turner Contemporary Gallery, Margate, UK
“Night Scented Stock”, Marianne Boesky Gallery, New York, USA
“Glasstress”, 54th Biennale di Venezia, Venice, Italy
“The Way We Are Now: Selections from the 21st Century Collection”, Cincinnati Art Museum, Cincinnati, Ohio, USA
“Unreal”, Vancouver Art Gallery, Vancouver, Canada

2010
“Fourteen Again”, Chelsea Art Museum, New York, USA
“Julia Stoschek Collection – I want to see how you see”, Haus der Photographie, Deichtorhallen Hamburg, Germany
“C’est la vie! Vanités de Caravage à Damien Hirst”, Musée Maillol, Fondation Dina Vierny, Paris, France
“Spazio. The Scene and the Imaginary”, Museo nazionale delle arti del XXI secolo, Rome, Italy
“Things evoke feelings”, CSW Centrum Sztuki Wspolczesnej/Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
“Corso. Werke der Sammlung Essl im Dialog”, Essl Museum, Klosterneuburg, Austria
“11. Triennale Kleinplastik – Larger Than Life – Stranger Than Fiction”, Triennale Kleinplastik Fellbach, Fellbach, Germany
“Dessins contemporains/Collection Florence et Daniel GUERLAIN”, Musée des Beaux-Arts et d’Archéologie de Besançon, France
“Off the Wall Part 1: Thirty Performative Actions”, The Whitney Museum of American Art, New York, USA
“Ordinary Madness”, Carnegie Museum of Art, Pittsburgh, Pennsylvania, USA
“Five in Istanbul: A Selection of Artists from Lehmann Maupin Gallery”, Borusan Muzik Evi, Istanbul, Turkey
“The Rhythm of Istanbul”, AKBank Sanat, Istanbul, Turkey
“Il Trucco e le Maschere”, Byblos Gallery, Verona, Italy
Centro Cultural Oi Futuro, Rio de Janeiro, Brazil
“C’est la Vie! Vanités – De Pompéï à Damien Hirst”, Musée Maillol, Paris, France

2009
“Huésped”. Museo Nacional de Bellas Artes , Buenos Aires, Argentina
“Art and Electronic Media”, Bitforms Gallery, New York, USA
“Surrealism and Contemporary Art: Subversive Spaces”, Compton Verney, Warwickshire, UK
“Animated”, Centre d’Art Bastille, Grenoble, France
“SONIC YOUTH etc.: Sensational Fix”, Malmö Konsthall, Malmö, Sweden
“UNDERWATER”, Western Bridge, Seattle, Washington, USA
“Lisson Presents 3/29 Bell Street”, Lisson Gallery, London, UK
“Histoires à l“ère numérique. Werke aus der Sammlung”, Espace Multimédia, Gantner, Basel, Switzerland
“Plastic Culture: Legacies of Pop 1986–2008”, Harris Museum and Art Gallery, Preston, Lancashire, UK
“XIV. Quadriennale di Roma”, Quadriennale di Roma, Rome, Italy
“Subversive Spaces: Surrealism and Contemporary Art”, Whitworth Art Gallery, Manchester, UK/Kunsthalle Düsseldorf, Germany
“Boule to Braid”, Lisson Gallery, London, UK

2008
”La vidéo, un art, une histoire 1965–2007”, Musée Fabre, Montpellier, France
“Listen Darling… The World is Yours”, Ellipse Foundation, Alcoitão, Portugal
“Anatomie | les peaux du dessin – collection Florence et Daniel Guerlain, FRAC, Amiens, France
“Sympathy for the Devil: Art and Rock and Roll Since 1967”, Musée d’art contemporain de Montréal, Montreal, Canada
“Sonic Youth etc. – Sensational Fix”, Museum für moderne und zeitgenössische Kunst , Bolzano, Italy
“Julia Stoschek Collection: Destroy, she said”, PinchukArtCentre, Kiev, The Ukraine
“Keine Angst”, Kunstverein Ludwigshafen, Germany
“PORTRAIT”, Galerie Hübner & Hübner, Frankfurt am Main, Germany
“My Favourite Things Vol.1”, Fotografisk Center, Copenhagen, Denmark
“Order. Desire. Light. An exhibition of contemporary drawings”, Irish Museum of Modern Art, Dublin, Ireland
“SONIC YOUTH etc. – SENSATIONAL FIX”, International Space for Emerging Arts, Saint-Nazaire, France
“Call it what you like”, Collection Rik Reinking, Kunst Centret Silkeborg Bad, Silkeborg, Denmark
“New Sculptures“, Galerie Forsblom, Helsinki, Finnland
“Lost Paradise – Der Blick des Engels”, Zentrum Paul Klee, Bern, Switzerland
“Punk. No One is Innocent”, Kunsthalle Wien, Vienna, Austria
“Hovedutstillinger”, Rogaland Museum of Fine Arts, Stavanger, Norway
“Tele Mondo” Le Parvis, scène nationale Tarbes Pyrénées, Ibos, France
“The Morning After“,Videoarbeiten der Sammlung Goetz, Neues Museum Weserburg, Bremen, Germany
“20/20”, Jensen Gallery, Auckland, New Zealand
“Good Doll, Bad Doll”, Armory Center for the Arts, Pasadena, California, USA
“The Cinema Effect: Illusion, Reality, and the Moving Image Part I: Dreams, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA
“Grensetilstander – internasjonal samtidskunst fra 1990” tallet - Sørlandets Art Museum, Kristiansand, Norway
“Looking at Music”, Museum of Modern Art, New York, USA
“California Video”, J. Paul Getty Museum, Los Angeles, California, USA
“Slightly Unbalanced”, Chicago Cultural Center, Chicago, Illinois, USA/Museum London, London
Canada/Huntington Museum of Art, Huntington, West Virginia, USA/Rodman Hall Arts Center, St. Catharines, Canada/Paul and Lulu Hillliard University Art Museum, Lafayette, Louisiana, USA/Joel and Lila Harnett Museum of Art, Richmond, Virginia, USA

2007
“J”embrasse Pas”, Collection Lambert En Avignon, France
“Pompidou Centre New Media 1965–2003”, Museu Nacional De Arte Contemporanea, Museu do Chiado, Lisbon, Portugal
“Borderlines”, Kunstmuseum, Bergen, Norway
“Theater without Theater”, Museum of Contemporary Art, Barcelona, Spain/Walker Art Center, Minneapolis, Minnesota, USA
“Contemporary, Cool and Collected”, Mint Museum of Art, Charlotte, North Carolina, USA
“Mask”, James Cohan Gallery, New York/NY Playback/Musée d’Art Moderne de la Ville de Paris, France
“Don’t Look”, Davis Museum and Cultural Center, Wellesley, Massachusetts, USA
“Chelsea to Caochangdi”, Chambers Fine Art, Beijing, China
“To Be Continued…Magasin 3”, Stockholm, Sweden
“Her (his)tory”, Museum of Cycladic Art, Athens, Greece
“Panic Attack! Art in the Punk Years”, Barbican Art Gallery, London, UK
“Inaugural Exhibition: Wrestle”, Hessel Museum of Art, Bard College, Annandaleon, Hudson, New York, USA
“Rockín Roll Vol. I”, Metro Pictures, New York, USA
Norrköpings Museum of Art, Norrköping, Sweden
“Passion for Art”, Essl Museum of Contemporary Art, Klosterneuburg, Austria
“Sympathy for the Devil: Art and Rock and Roll Since 1967”, Museum of Contemporary Art, Chicago, Illinois, USA

2006
“Don’t Trust Anyone Over 30” with Dan Graham and Rodney Graham, Whitney Biennal, Whitney Museum of American Art, New York, USA
“Into me/Out of me”, KW Institute for Contemporary Art, Berlin, Germany
“On/Off”, FRAC Lorraine, France
“Open House”, The Ellipse Foundation: Contemporary Art Collection, Lisbon, Portugal
“Super Vision”, Institute of Contemporary Art, Boston, Massachusetts, USA
“New York New York: Fifty Years of Art”, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco

2005
“Guardami, Percezione del Video”, Palazzo Delle Papesse, Centro Arte Contemporanea, Siena, Italy
“Perfect Partner”, with Kim Gordon, Barbican, London, UK

2004
“100 Artists See God”, The Jewish Museum, San Francisco and Laguna Art Museum, USA
“OMA AMO”, Neue Nationalgalerie, Berlin/Kunsthal, Rotterdam, The Netherlands
“DeJong, Oursler, Zansky Installations”, Rockland Center for the Arts, New York, USA
“Lonely Planet”, Contemporary Art Center, Art Tower Mito, Ibaraki-ken, Japan
“Videodreams: Between the Cinematic and the Theatrical”, Kunsthaus Graz, Austria
“North Fork/South Fork: East End Art Now”, Parish Art Museum, Southampton, Long Island, New York, USA
“An Exhibit and Private Auction”, Marianne Boesky Gallery, New York, USA
“At years end, rethinking The Family of Man”, De Appel, Amsterdam, The Netherlands
“The Print Show”, Exit Art, New York, USA
“A fripon Fripon et Demi”, Collection Lambert en Avignon, Avignon, France
“Bodily Space”, Albright-Knox Gallery, Buffalo, New York, USA
“Freud –The Creative Analysis of Analysis”, University of Connecticut, Storrs, Connecticut, USA
“Loachim Plum Collection”, Museum Kurhaus Kleve, Kleve, Germany
“Making Visible”, Gallery Faurschou, Copenhagen, Denmark
“Disparities & Deformations – Our Grotesque”, 5th International Site Santa Fe Biennial, Santa Fe, New Mexico, USA
“Landscape and Memory”, Centro Atlántico de Arte Moderno, Grand Canaria, Spain
Metro Pictures, New York, USA
“Visions of America, Contemporary Art from the Essl and Sonnabend Collection”, Kunst der Gegenwart, Vienna, Austria
Galeria Soledad Lorenzo, Madrid, Spain

2003
“Mystic”, Massachusetts College of Art, Boston, Massachusetts, USA
“videoMIX”, Arario Gallery, Cheonan-city, South Korea
“Drawings”, Metro Pictures, New York, USA
“Yanomami: Spirit of the Forest”, Fondation Cartier pour l’Art Contemporain, Paris, France
“Video +”, Carl Solway Gallery, Cincinnati, Ohio, USA
“The Poetics Project: 1977–1997”, Barbican Center, London, UK
“Skin: Contemporary Views of the Human Body”, Jacksonville Museum of Modern Art, Jacksonville, Florida, USA
“Mystic”, Sandra and David Bakalar Gallery, Massachusetts College of Art, Boston, Massachusetts, USA
“La Vista Y La Visión”, Institute Valencia d’Art Modern, Valencia, Spain
“Fast Forward”, Media Art Sammlung Goetz, KZM, Karlsruhe, Germany
“Art, Lies, and Videotape: Exposing Performance”, Tate Liverpool, Liverpool, UK
“Lux”, Andrew Jensen Gallery, Auckland, New Zealand/Mark Hutchins Gallery, Wellington, New Zealand

2002
“Hautnah: Die Sammlung Goetz”, Museum Villa Stuck, München, Germany
“Parole”, Galleria Civica di Arte Contemporanea, Trento, Italy
“Slow Motion”, Ludwig Forum für internationale Kunst, Aachen, Germany
“Station”, Magasin 3 Stockholm Konsthall, Stockholm, Sweden
“Heart of Glass”, Crafts Council Gallery, London, UK
“lehmann Maupin”, 540 West 26 Street, July 2002, New York, USA
“M_ARS. Art and War”, Neue Galerie Graz, Graz, Austria
“VideoMix”, Arario Gallery, Korea
“Galeria Soledad Lorenzo, Madrid, Spain
“The poetics Project 1977–1997”, Multi-media installation, Barbican Center, London, UK
“Contemporary Collecting: New Art for Manchester”, Manchester Art Gallery, UK
“Yanomami, l”esprit de la foret”, Fondation Cartier pour l”art contemporain, Paris, France
“Hommage an Rudolf Schwarzkogler”, Galerie Krinzinger, Vienna, Austria
“On Perspective”,Galleri Faurschou, Copenhagen, Denmark
“The First Decade-Video From the EAI Archives”, Museum of Modern Art, New York, USA
“The Uncanny”, Vancouver Art Gallery, Vancouver, Canada
Metro Pictures, New York, USA
“Vue De Près/Close Up”, Cuchifritos, New York, USA
“Portrait as Performance”, Hand Workshop Art Center, Richmond, Virginia, USA
“New York Renaissance–Masterworks From the Whitney Museum of American Art”, Palazzo Reale, Milan, Italy
Garten Landschaft Ostwestfalen-Lippe, Gräflicher Kurpark Driburg, Driburg, Germany
“Los Exceosos de la Mente”, Centro Andaluz de Arte Contemporáneo, Seville, Spain
“Ce Qui Arrive”, Fondation Cartier Pour L’Art Contemporain, Paris, France
“Cardinales”, Museo de Arte Contemporánea de Vigo, Vigo, Spain
“Video Acts”, P.S.1 Contemporary Art Center, Long Island City, New York/Institute of Contemporary Arts, London, UK
“Body Electric: Video Art and the Human Body”, Cheekwood, Nashville, Tennessee, USA
“Life, Death, Love, Hate, Pleasure, Pain”, Museum of Contemporary Art, Chicago, Illinois, USA

2001
“Ghost”, Ciocca Arte Contemporanea/Claudia Gian Ferrari Arte Contemporanea, Milan, Italy
“Black Box: The Dark Room in Art”, Museum of Fine Arts, Berne, Switzerland
“Tony Oursler, Mike Kelly, Jim Shaw”, Galerie Biedermann, München, Germany
“Switch”, Musée départemental d’art contemporain de Rochechouart, Limousin, France
“Electronic Maple: Human Language and Digital Culture in Contemporary Art”, New York, USA
Center for Media Arts, New York, USA
“Wechseltrom – Alternating Current”, Sammlung Hauser und Wirth in der Lokremise St. Gallen, Switzerland
“Das innere Befinden”, Kunstmuseum Liechtenstein, Liechtenstein
“God is in the Details”, Centre for Contemporary Art, Geneva, Switzerland
“Memento Mori”, Galerie Jérome de Noirmont, Paris, France
“Get Together: Art as Teamwork”, Kunsthalle Wien, Austria
“Artcité: when Montréal Turns into a Museum”, Museum of Contemporary Art, Monréal, Canada
“A Contemporary Cabinet of Curiosities – Selections from the Vicki and Kent Logan Collection”, Oliver Art Center, California College of the Arts, Oakland, California, USA
“Televisions”, Kunsthalle Wien, Vienna, Austria
“I Need You to Be There”, Center for Curatorial Studies, Bard College, Annandale-on Hudson, New York, USA
“Heart of Glass”, Queens Museum of Art, Queens, New York/The Crafts Council, London, UK
“Collaborations with Parkett: 1984 to Now”, Museum of Modern Art, New York, USA
“I’m Not Here: Constructing Identity at the Turn of the Century”, Susquehanna ArtMusuem, Harrisburg, Pennsylvania, USA
“Recent Acquistions”, Rockford Art Museum, Rockford, Illinois, USA
“Lateral Thinking: Art of the 1990’s”, Museum of Contemporary Art, San Diego, California/Colorado Sprigs Fine Art Center, Colorado Springs, Colorado/Hood Museum, Dartmouth University, Hanover, New Hampshire/Dayton Art Institute, Dayton, Ohio, USA
“Outside of the Box”, Contemporary Art Museum, University of South Florida, Tampa, Florida, USA
“Off The Grid: Works on Paper”, Lehmann Maupin Gallery, New York, USA

2000
“Appearance”, Galleria d’Arte Moderna Bologna, Italy
“The Anagrammatical Body”, Centre for Art and Media Technology Karlsruhe, Germany
“Mike Kelly/Tony Oursler”, Centre Pompidou, Paris, France
“Heaven”, Tate Liverpool, Liverpool, UK
“Wanas 2000”, Wanas Foundation, Knislinge, Sweden
“Film/Video Works – Lisson Gallery at 9 Keane Street”, Lisson Gallery, London, UK
“Sinn + Sinnlichkeit – Körper und Geist des Bildes”, New Museum Weserburg, Weserburg, Switzerland
“Media City, Seoul 2000”, Contemporary Art and Technology Biennial, Seoul, South Korea
“Spectacular Bodies – The Art and Science of the Human Body from Leonardo to now”, Hayward Gallery, London, UK
“Hitchcock et l’art: coïncidences fatales”, Musée des beaux-arts, Montréal, Canada
“Ich ist atwas Anderes (I is Another)”, Kunstsammlung, Düsseldorf, Germany
“Moving Pictures”, Real Art Ways, Hartford, Connecticut, USA
“Bizzaro World”, Cornell Fine Arts Museum, Rollins College, Winter Park, Forida, USA
“Blurring Boundaries: Installation Art 1969–1996”, San Jose Museum of Art, San Jose, California, USA
“Presumed Innocent”, Musée d’art Contemporain de Bordeaux, France
“Head Over Heels into the Millenium”, Musée d’art Contemporain de Montréal, Canada
“Limited and Unlimited Editions”, Artists Space, New York, USA
“Exorcism/Aesthetic Terrorism”, City Collection Rotterdam, The Netherlands
“Présumés innocents – L’art contemporain et l’enfance”, Musée d’Art Contemporain de Bordeaux, France
Metro Pictures, New York, USA
“Illuminations”, Auckland Art Museum, Chapel Hill, North Carolina, USA
“American Art Today: Fantasies & Curiosities”, Art Museum at Florida International University, Miami, Florida, USA
“00”, Barbara Gladstone Gallery, New York, USA
“WildLife”, Reynolds Gallery, Richmond, Virginia, USA
Officine Senza Nome, Polilab 2000, Terracino, Italy
“Long days”, longer nights, Galapagos Art & Performance Space, Brooklyn, New York, USA
“Hitchcock and Art: Fatal Coincidences”, The Montréal Museum of Fine Arts, Montréal, Canada/Centre Georges Pompidou, Paris, France
“Collecting Ideas: Works from the Polly and Mark Addison Collection”, Denver Art Museum, Denver, Colorado, USA

1999
“Tony Oursler, Dirk Reinartz”, Malmö Konsthall, Sweden
“I love New York”, Museum Ludwig, Köln, Germany
“Heaven: An Exhibition That Will Break Your Heart”, Kunsthalle Düsseldorf, Germany/Tate Gallery, Liverpool, UK
“Wände/Wall Works”, Museum Villa Stuck, München, Germany
“U.S. To Art 1950–2000”, Studio Casoli, Milano, Italy
“The Edge of Awareness – Al Limite Della Coscienza”, Triennale di Milano, Milano, Italy
“Sammensatt – Composite”, Museet for Samtidskunst, National Museum of Contemporary Art, Oslo, Norway
“Double Lives”, Institut de Cultura de Barcelona, Spain
“Video Cult/ures”, Center for Art and Media, MfCA, Karlsruhe, Germany
“American Century”, Whitney Museum of American Art, New York, USA
“Skin”, Deste Foundation Center for Contemporary Art, Athens, Greece
“Triennale Exhibition: Sentiment of the Year 2000”, Triennale di Milano, Milan, Italy
“Millennium My Eye!”, Musée d’art Contemporain de Montréal, Canada
“6th International Istanbul Biennial”, Istanbul Foundation for Culture and Arts, Istanbul, Turkey
“Drawn by…”, Metro Pictures, New York, USA
“Rewind to the Future”, Bonner Kunstverein, Bonn, Germany
“Salome: Images of Women in Contemporary Art”, Castle Gallery, New Rochelle, New York, USA
“Collectors Collect Contemporary: 1990–1999”, Institute of Contemporary Art, Boston, Massachussetts
“Heaven”, Kunsthalle Düsseldorf, Germany
“Der Anagrammatische Körper”, Jahresmuseum, Mürzzuschlag, Austria/ZKM Medientheater, Karlsruhe, Germany
“I’m Not Here”, Susquehanna Art Museum, Harrisburg, Pennsylvania, USA
“Life Cycles”, Galerie für Zeitgenössische Kunst, Leipzig, Germany

1998
“Electronically Yours”, National Portrait Gallery, London, UK
Kunstverein Hannover, Germany
“Reservate der Sehnsucht/Zones of Desire”, Kulturbüro Stadt, Dortmund, Germany
“Video: Tony Oursler, Bruce Naumen, Sam Taylor-Wood”, San Francisco Museum of Modern Art, San Francisco, California, USA
“Sao Paulo Biennale XXIV”, São Paulo, Brazil
Gian Enzo Sperone, Milan, Italy
“Presumed Innocence”, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, USA
“The Secret Life of Clothes”, The Nishinippon, Fukuoka, Japan
“Mysterious Voyages”, Contemporary Museum, Baltimore, Maryland, USA
“Exterminating Angel”, Galerie Ghislaine Hussenot, Paris, France
“Spectacular Optical”, Thread Waxing Space, New York, USA
“Pop Surrealism”, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, USA
“Avatar”, De Oude Kerk, Amsterdam, The Netherlands
“Bathroom”,Thomas Healy Gallery, New York, USA
“mächtig gewaltig: Internationale Videokunst”, ACC Galerie Weimar, Germany
“German Connections and Contradictions: Modern and Contemporary Art from Atlanta Collections”, Michael C. Carlos Museum, Emory University, Atlanta, Georgia, USA
“From Figure to Floor: Sculpture in the Twentieth Century, Milwaukee Art Museum, Milwaukee, Wisconsin, USA
“Emotion”, Deichtorhallen, Hamburg, Germany
“I Love New York”, Museum Ludwig, Köln, Germany
“Bowie”, Rupert Goldsworthy Gallery, New York, USA
“Escenes de L’Imaginari: Festival internacional de Teatre visual i de Titelles de Barcelona XXV. aniversari”, Institut del Teatre, Barcelona, Spain

1997
“Whitney Biennale”, New York, USA
“Anatomy of Space and Time”, Kobe Fashion Museum, Japan
“Gothic”, ICA, Boston, Massachusetts, USA
“Made in France”, Centre Georges Pompidou, Paris, France
“Video Positive”, Liverpool and Manchester, UK
“Scream and Scream Again, Film in Art”, Museum of Contemporary Art, Helsinki, Finnland
Paule Anglim Gallery, San Francisco, USA
Capc Musée d’art Contemporain, Bordeaux, France
“Künstlerlnnen, 50 Positionen”, Kunsthaus Bregenz, Vienna, Austria
“Technological drift”, Lawing, Houston, Texas, USA
Tokyo Koi Nagi Gallery, Tokyo, Japan
“Poetics Project 1977–1997” with Mike Kelley, Documenta X, Kassel, Germany
“Skulptur Projekte”, Münster, Germany
“The Body”, The Art Gallery of New South Wales, Sydney, Australia
Museum of Contemporary Art, Tokyo, Japan
“The Digital Video Wall”, Rockefeller Center, New York, USA
“M.A. Thesis Exhibition”, Center For Curatorial Studies, Bard College, Annandale-on-Hudson, New York, USA
“Engel: Engel”, Kunsthalle Wien, Vienna, Austria/Galerie Rudolfinum, Prague, Czech
“Republic* Identité”, Institut d’Art Contemporain, Geneva, Switzerland
SITE Santa Fe, Santa Fe, New Mexico, USA
Barbara Krakow Gallery, Boston, Massachusetts, USA
“Installations/Projects”, P.S. 1 Contemporary Art Center, Long Island City, New York, USA
“World Wide Video Festival”, Stedilijk Museum, Amsterdam, The Netherlands
“Patrick Painter”, Santa Monica, California, USA
“Zones of Disturbance, steirischer herbst 97”, Graz, Austria
“der Menschliche Faktor – Das Individuum im Spiegel zeitgenossischen Kunst”, Hypobank International S.A., Luxembourg City, Luxembourg
The Eli Broad Family Foundation, Santa Monica, California, USA

1996
“Never Walk Home Alone”, The Photographers Gallery, London, UK
“Elsewhere”, Galerie Froment & Putman, Paris, France
“Scream and Scream Again”, MOMA, Oxford, UK
“Moving Structures”, Lehmann Maupin, New York, USA
“New Persona/New Universe”, Stazione Leopolda, Florence, Italy
“Being and Time, the emergence of video projection”, Albright Knox Art Gallery, Buffalo, New York, USA
“Portrett”, National Museum of Contemporary Art, Oslo, Norway
“Hide and Seek”, The Jerusalem Foundation, Israel
“ID, An international survey on the notion of identity in contemporary art”, Stedelijk
van Abbemuseum, Eindhoven, The Netherlands
“Altered and Irrational”, Whitney Museum of American Art, New York, USA
“Sex & Crime: On Human Relationships”, Sprengel Musem, Hannover, Germany
“Young Americans: New American Art in the Saatchi Collection”, Saatchi Gallery, London, UK
“Phantasmagoria”, Museum of Contemporary Art, Sydney, Australia
“10th Biennale of Sydney”, Sydney, Australia
“Sampler 2”, David Zwirner, New York, USA
“Empty Dress”, The Rubelle & Norman Schafler Gallery, Pratt Institute, Brooklyn, New York, USA
“Kingdom of Flora”, Shoshana Wayne Gallery, Santa Monica, California, USA
“Human Technology”, Revolution, Ferndale, Michigan, USA
Metro Pictures, New York, USA
Lisson Gallery, London, UK
“Tomorrow”, Rockland Center for the Arts, West Nyack, New York, USA
The Cincinnati Art Museum, Cincinnati, Ohio, USA
“New York Unplugged II”, Gallery Cotthem, Knokke-Zoute, Belgium
“Radical Images”, 2nd Austrian Triennial on Photography, Neue Galerie am Landesmuseum, Austria
“Matthew Barney, Tony Oursler, Jeff Wall”, Sammlung Goetz, München, Germany
Cranbrook Art Museum, Bloomfield Hills, Michigan/Portland Art Museum, Portland, Oregon/Contemporary Arts Museum, Houston, Texas, USA
Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA
“The Red Gate”, Whitney Museum of American Art, New York, USA/Museum van Hedendaagse Kunst, Ghent, Belgium
“The Scream”, The Nordic Arts Centre, Helsinki, Finland/Arken Museum of Modern Art, Ishoj, Denmark
“Face Value: American Portraits”, The Parrish Art Museum, South Hampton, New York, USA
“Intermission”, Basilico Fine Arts, New York, USA
“ID”, Van Abbemuseum, Eindhoven, The Netherlands

1995
“Ars 95”, Museum of Contemporary Art, Helsinki, Finland
“The Message is the Medium: Issues of Representation in Modern Technologies”, Castle Gallery, College of New Rochelle, New York, USA
“Zeichen & Wunder”, Kunsthaus Zürich, Switzerland/Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
“Entre Acte 1”, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands
“Fetishism”, Brighton Museum and Art Galleries, UK
“Fantastic Prayers”, (collaboration with Constance DeJong and Stephen Vitiello), DIA Center for thr Arts, Rushmore Festival, New York, USA
“Inside Out: Psychological Self-Portraiture”, The Aldrich Musseum of Contemporary Art, Connecticut, USA
“Trust”, Tramway, Glasgow, Scotland
“Man & Machine: Technology Art”, Dong-Ah Gallery, Seoul, Korea
“Configura 2 – Dialog Der Kulturen – Erfurt 1995”, Erfurt, Germany
“Immagini in Prospettive”, Zerynthia, Rome, Italy
“L”Effect Cinéma”, Musée d’Art Contemporain de Montréal, Canada
“Auto Reverse”, Saint-Gervais and Centre Européen de la Culture, Geneva, Switzerland
Mendelson Gallery, Pittsburgh, Pennsylvania, USA
“Passions Privées”, Museé d’Art Moderne de la Ville de Paris, France
“Le Printemps de Cahors”, la Compagnie des Arts, Cahors, France
“Playtime: Artists and Toys”, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA
“Video Spaces: Eight Installations”, The Museum of Modern Art, New York, USA
“1995 Carnegie International”, Carnegie Museum of Art, Pittsburgh, Pennsylvania, USA
“3e Biennale de Lyon”, France

1994
Galleria Galliani, Genova, Italy
“Beeld”, Museum van Hedendaagse, Citadelpark, Gent, Belgium
“A Sculpture Show”, Marian Goodman Gallery, New York, USA
“Tony Oursler and John Kessler”, Salzburg Kunstverein, Salzburg, Austria
“The Laugh of #12”, Fort Asperen, Acquoy, The Netherlands/Galleria Galliani, Genoa, Italy
“The Figure”, The Lobby Gallery, Deutsche Bank, New York, USA
Metro Pictures, New York, USA
Laura Carpenter Fine Art, Santa Fe, New Mexico, USA
“Home Video Redefined: Media, Sculpture and Domesticity”, Center of Contemporary Art, Miami, Florida, USA
“Light”, ARTprop, New York, USA
“Medienbiennale 94”, Minima Media, Leipzig, Germany
“Heart of Darkness”, Kroller Müller Museum, The Netherlands

1993
“Love Again”, Kunstraum Elbschloss, Hamburg, Germany
“3rd International Biennale in Nagoya-Artec“93”, Nagoya City Art Museum, Japan
“Privat”, Gallery F-15, Oslo, Norway

1992
“Documenta 9”, Kassel, Germany
“Station Project”, Kortrijk Railway Station, Kortrijk, Belgium

1991
“New York Time Festival”, Museum van Hedendaagse Kunst, Gent, Belgium
“Triune”, Bluecoat Gallery, Video Positive Festival, Liverpool, UK

1990
“The Technological Muse”, Katonah Museum of Art, Katonah, New York, USA
“Tendance Multiples, Vidéo des Années 80”, Centre Georges Pompidou, Paris, France
“Video/Objects/Installations/Photography”, Howard Yezerski Gallery, Boston, Massachusetts, USA
“Video Transforms Television – Communicating Unease”, New Langton Arts, San Francisco, California, USA

1989
“World Wide Video Festival”, Den Haag, The Netherlands
“Biennial Exibition”, Whitney Museum of American Art, New York, USA
“Video Sculpture 1963–1989”, Kölnischer Kunstverein, Köln, Germany
“XII Salso Film & TV Festival”, Salsomaggiore, Italy
“Masterpieces”, Stadtgarten, Köln, Germany
“Nepotism”, Hallwalls, Buffalo, New York, USA
“Video and Language”, Museum of Modern Art, New York, USA
“Sanity is Madness”, The Artists Foundation Gallery, Boston, Massachusetts, USA
“World Wide Video Festival”, Den Haag, The Netherlands

1988
“The BiNational”, Institute of Contemporary Art, Museum of Fine Arts, Boston, Massachusetts, USA
“Film Video Arts, 17 Years”, Museum of Modern Art, New York, USA
“Twilight, Festival Belluard 88 Bollwerk”, Fribourg, Switzerland
“2nd Videonale”, Bonn, Germany
“New York Dagen”, Kunstichting, Rotterdam, The Netherlands
“Videografia”, Barcelona, Spain
“Varitish”, Korea
“New York Musikk”, Oslo, Norway
“Festival International du Nouveau Cinema et de la Vidéo”, Montreal, Canada
“Replacement”, LACE, Los Angeles, California, USA
“Interfermental 7”, Hallwalls, Buffalo, New York, USA
“Serious Fun Festival”, installation for Alice Tully Hall, Lincoln Center, New York, USA

1987
“L“époque, la mode, la morale, la passion”, Centre Georges Pompidou, Paris, France
“Aspects of Media: Video”, Department of Video/Art Advisory Service of the Museum of Modern Art for Johnson & Johnson, New York, USA
“Japan 1987”, Television and Video Festival, Spiral, Tokyo, Japan
“Documenta 8”, Kassel, Germany
“Schema”, Baskerville + Watson Gallery, New York, USA

1984
“The Luminous Image”, Stedjelijk Museum, Amsterdam, The Netherlands

1983
“X Catholic”, Beyond Baroque, Los Angeles, California, USA

 

Videos

2004
“Commu”, Seattle Public Library, Seattle, Washington

2000
“The Influence Machine”, The Becks/Artangel Commission

1992
“Toxic Detox”, (in collaboration with Joe Gibbons)
“Triptych: Model Release” (with Constance DeJong)
“Paranoid Schozoid Position” (with Kim Gordon)
“Test” (with Karen Finley)

1991
“Kepone”, 10 Min.

1990
“Tunic (for Karen)”, (in collaboration with Sonic Youth), 6 Min.

1988
Diane Brown Gallery

“ONOUROWN”, (Collaboration with Joe Gibbons), 47 Min.
“Joy Ride TM”, (in collaboration with Constance DeJong)

1987
“Sucker”, 5 Min.

Belgium Radio and Television
The Western Front of Vancouver and Los Angeles Contemporary Exhibitions

1986
Centre Georges Pompidou, Paris, France
“Diamond the 8 Lights: Sphères d’Influence”, 55 Min.

1985
“Sphères d’influence”, 45 Min., Farbe

1984
“EVOL”, 30 Min.

1983
“Spinout”, 17 Min.
“Theme Song from Si Fi”, 5 Min.
“Rome Hilton”, 2 Min.
“My Class”, 12 Min., Farbe

1982
“Son of Oil”, 18 Min., Farbe

1981
“Grand Mal”, 23 Min. Farbe

1979
“Diamond Head”, 25 Min., s/w
“Selected Shorts”, 20 Min.
“The Rosery Finger of Dawn”, 10 Min., Farbe
“The Loner”, 32 Min., Farbe

1978
“Life”, 10 Min., s/w
“Good Things + Bad Things”, 10 Min., s/w

1977
“The Life of Phillis”, 55 Min., s/w

1976
“Joe, Joe’s Transsexual Brother and Joe’s Woman”, 25 Min., s/w

 

Performances

1994
Dia Centre for the Arts with Constance de Jong and Steven Vitiello

 

Public Collections

 

Aarhus Kunstmuseum, Denmark
Ackland Art Museum, Chapel Hill, North Carolina, USA
Albright Knox Art Gallery, Buffalo, New York, USA
Arken Museum for Modern Art, Denmark
Broad Art Foundation, Los Angeles, California, USA
CAPC Musée d’art Contemporain de Bordeaux, Bordeaux, France
Carnegie Museum of Art, Pittsburgh, Pennsylvania, USA
Fondation Cartier pour l’Art Contemporain, Paris, France
Centre Georges Pompidou, Paris, France
Cincinnati Art Museum, Cincinnati, Ohio, USA
Cleveland Museum of Art, Cleveland, Ohio, USA
DePont Foundation for Contemporary Art, Tilburg, The Netherlands
Des Moines Art Center, Des Moines, IA
Eli Broad Family Foundation, Los Angeles, California, USA
Ellipse Foundation of Contemporary Art, Cascais, Portugal
Goetz Collection, München, Germany
Hammer Museum, Los Angeles, California, USA
Hara Museum, Tokyo, Japan
Hirshhorn Museum and Scu
lpture Garden, Washington, D.C., USA
JB Speed Museum, Louisville, Kentucky, USA
Joslyn Art Museum, Omaha, NE
Los Angeles County Museum of Art, Los Angeles, California, USA
Magasin 3, Stockholm, Sweden
Milwaukee Art Museum, Milwaukee, Wisconsin, USA
Modern Art Museum of Fort Worth, Fort Worth, Texas, USA
Musée d’Art Contemporain de Montréal, Montréal, Canada
Musée d’Art Contemporain, Lyon, France
Museu d’Art Contemporani, Barcelona, Spain
Museum der Kulturen, Basel, Switzerland
Museum of Contemporary Art, Chicago, Illinois, USA
Museum of Contemporary Art, Helsinki, Finland
Museum of Contemporary Art, San Diego, California, USA
Museum of Modern Art, New York, USA
Museum Ludwig, Köln, Germany
National Museum of Osaka
Osaka, Japan
Orange County Museum of Art
Newport Beach, California, USA
Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA
San Francisco Museum of Modern Art, San Francisco, California, USA
Saatchi Collection, London, UK
Staatsgalerie Moderner Kunst, München, Germany
Tate Modern, London, UK
Van Abbemuseum, Eindhoven, The Netherlands
Virginia Museum of Fine Arts, Richmond, VA
Whitney Museum of American Art, New York, USA
Williams College Museum of Art, Williamstown, Massachusetts, USA
ZMK/Center for Art & Media, Karlsruhe, Germany

Liam Gillick: Complete Bin Development

10.01.2014 - 10.03.2014

Details

Liam Gillick (*1964 in Aylesbury, England) is one of the most prominent and important figures to have emerged in international contemporary art since the mid-1990s. The diverse forms of his art — ranging across sculpture, installation, film-making, writing, music and other, widely varied, collaborative projects — often allude to pivotal moments in the history of modern and postmodern art. In particular, the profound, dual influence of minimalism and conceptualism is evident both in his recurrent sculptural use of sleek modular forms (strictly colour-coded based on the RAL system) and in his continued commitment to more ‘dematerialized’ modes of practice (his many texts and talks are, for example, understood as integral elements of his art). Crucially, however, Gillick’s references to prior forms of progressive art are always situated in relation to other vital co-ordinates for understanding the place of art within contemporary culture. Questions of economy, labour and social organisation are ongoing pre-occupations. So, the precisely calibrated use of plexiglass and alumunium in a Liam Gillick sculpture might recall minimalism’s ‘specific objects’, but these materials are also employed on the basis of other associations — as, for example, the main components of riot shields or corporate signage. Gillick’s work brings apparently contradictory meanings into renewed proximity, thus repeatedly testing — and troubling — the terms and expectations of art within contemporary capitalism.

Complete Bin Development is a sequence of towered structures, which comprise of a series of open frameworks in a series of permutations. The work relates to the research into possible permutations available within car body production just prior to the introduction of completely automated production systems. At the same time the works are abstractions in their own right. The height of each stack is only limited by standard engineering rules. Each work can be constructed from any number of permutations of the wall structures. The works can be sited in exterior or interior locations. Any number of stacks can be located near each other -always separated by at least 1.50m.

The abstract structure always finds form as a relational backdrop to other activities, terrains and interactions. By destroying the abstract via making it concrete, the ambient and the temporary are heightened and become an enduring associative abstraction that replaces the lack in the artwork. The abstraction that is produced by abstract art is not a reflection of the abstraction at the start of the process. The making of a concrete structure produces further abstraction – the art object in this case is merely a marker or waypoint towards new abstraction.

Liam Gillick has had many solo exhibitions including From 199A to 199B: Liam Gillick, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York, 2012. Museum Stzuki, Lodz, Poland, 2011. One long walk… Two short piers…, Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany, 2010. How will you behave: A kitchen cat speaks, German Pavilion, Venice Biennale, Venice, 2009. Three Perspectives and a Short Scenario, Kunsthalle Zurich, Zurich, 2008, travelling to Witte de With, Rotterdam, The Netherlands, 2008. A short text on the possibility of creating an economy of equivalence, Palais de Tokyo, Paris, France, 2005. Selected group exhibitions include: Liam Gillick and Lawrence Weiner: A Syntax of Dependency, M HKA Museum van Hedendaage Kunst Antwerpen, Antwerp, Belgium, 2011. 8th Shanghai Biennale, Shanghai, China, 2010. The one hundred and sixty‐third floor, Museum of Contemporary Art, Chicago, 2009 and The Shapes of Space, Guggenheim Museum, New York, 2007. Gillick presented Creative Disruptions in the Age of Soft Revolutions at the Bampton Lecture Series, Columbia University, New York, 2013. Liam Gillick publishes texts that function in parallel to his artwork including: Proxemics (Selected writing 1988-2006), JRP-Ringier (2007). Factories in the Snow by Lilian Haberer, JRP- Ringier (2007). Meaning Liam Gillick, MIT Press (2009). Allbooks, Book Works, London (2009).

Duesseldorf, January 2014

Liam Gillick

Liam Gillick lives and works in London and New York.

1964
Born in Aylesbury, UK

 

Education

1984
Goldsmiths College, University of London, B.A. (with honours)

1983
Hertfordshire College of Art

 

Awards/Prizes/Grants/Fellowships

2008
Vincent Award Nomination, Stedelijk Museum, Amsterdam, The Netherlands

2002
Turner Prize Nomination, Tate, London, UK

1998
Paul Cassirer Kunstpreis, Berlin, Germany

 

Solo Exhibitions

2014
Esther Schipper, Berlin, Germany
“From 199A to 199B”, Le Magasin, Grenoble, France
“Complete Bin Development”, Galerie Hans Mayer, Düsseldorf, Germany

2013
“Five Structures and a Shanty”, Gallery IHN, Seoul, South Korea
“For the doors that are welded shut”, Kerlin Gallery, Dublin, Ireland
“From Fredensborg to Halen via Loch Ruthven – Courtyard Housing Projections”, Highland Institute of Contemporary Art, UK
“Margin Time 2 and Laguna Discussion Platform”, Austin Museum of Art, Austin, Texas, USA
Casey Kaplan, New York, USA
Taru Naso, Tokyo, Japan

2012
“Scorpion or Felix”, Eva Presenhuber, Zürich, Switzerland
“Agreements, McNamara and Lead Times”, Taro Nasu Gallery, Tokyo, Japan
“Scorpion and und et Felix”, Casey Kaplan, New York, USA
“Liam Gillick: 199A TO 199B”, Hessel Museum of Art, Bard College, New York, USA
“Margin Time”, Maureen Paley, London, UK
Alfonso Artiaco, Napoli, Italy

2011
“A game of war Structure”, IMMA, Dublin, Ireland
“Sit in the machine”, Air de Paris, France
“Sit on the machine”, Micheline Szwajcer, Antwerp, Belgium

2010
“Everything Good Goes”, Meyer Kainer, Vienna, Austria
“Discussion Bench Platforms, A Volvo Bar, Everything Good Goes”, Casey Kaplan, New York, USA
“Seven structures and a large Vodka soda…”, Kerlin Gallery, Dublin, Ireland
“One long walk…Two short piers…”, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany

“1848!!!”, Esther Schipper, Berlin, Germany

2009
“How will you behave: A kitchen cat speaks”, German Pavillion, Biennale di Venezia, Venice, Italy
“Three Perspectives and a Short Scenario”, Museum of Contemporary Art, Chicago, Illinois, USA
“Executive 2 litre GXL”, MAK, Vienna, Austria
“Wall diagrams from the 1990s and early 2000s”, House of Art, Budweis, Czech Republic
“Two Short Plays”, Eastside Projects, Birmingham, UK

2008
“Three Perspectives and a Short Scenario”, Witte de With, Rotterdam, The Netherlands
“Three Perspectives and a Short Scenario”, Kunsthalle Zürich, Switzerland
“The State Itself Becomes a Super Whatnot”, Casey Kaplan, New York, USA
“Three Perspectives and a Short Scenario”, Kunstverein, München, Germany

2007
“Weekend in So Show”, The Lab, Belmar
“The commune itself becomes a super state”, Corvi-Mora, London, UK
“The state/commune itself becomes a super state/commune”, Micheline Szwajcer, Antwerp, Belgium

2006
“We are Medi(evil)”, Angela Bulloch and Liam Gillick, Cubitt, London, UK
“Briannnnnn & Ferryyyyyy”, Liam Gillick and Philippe Parreno, Kunsthalle Zürich Literally Based on HZ, Kerlin Gallery, Dublin, Ireland
“The State itself becomes a super commune”, Esther Schipper, Berlin, Germany

2005
“222nd Floor”, Eva Presenhuber, Zürich, Switzerland
“A short text on the possibility of creating an economy of equivalence”, Palais de Tokyo, Paris, France
“Another 2004 Again”, Baltimore Museum of Art, Maryland, USA
“Presentism”, Corvi-Mora, London, UK
“Factories in the snow”, Meyer Kainer, Vienna, Austria
“McNamara Motel”, CAC Malaga, Spain
“A short text on the possibility of creating an economy of equivalence”, Casa Encendida, Madrid, Spain
“As you approach the edge of town the lights are no softer than they were in the centre”, Casey Kaplan, New York, USA

2004
“Construccion de Uno”, Javier Lopez, Madrid, Spain
“A Group of People”, Air de Paris, France
Aspen Art Museum, Aspen, Colorado, USA
“Övningskörning (Driving Practice)”, Milwaukee Art Museum, Wisconsin, USA
“Underground (Fragments of Future Histories)”, Galerie Micheline Szwajcer, Antwerp, Belgium

2003
“Hills and Trays and…”, Schipper & Krome, Berlin, Germany
“…Punctuated Everydays”, Max Hetzler, Berlin, Germany
“Por Favor Gracias de Nada” (with Gabriel Kuri), Kurimanzutto, México City, México
“Exterior Days”, Casey Kaplan, New York, USA
“Communes, Bars and Greenrooms”, The Powerplant, Toronto, Canada
“Projects 79: Literally”, Museum of Modern Art, New York, USA
“A Film, A Clip and a Documentary” (with Sean Dack), Corvi-Mora, London, UK

2002
“The Wood Way”, The Whitechapel Gallery, London, UK
“Light Technique”, Galerie Meyer Kainer, Vienna, Austria
Rüdiger Schöttle, München, Germany

2001
“Firststepcousinbarprize”, Hauser & Wirth & Presenhuber, Zürich, Switzerland
Javier Lopez, Madrid, Spain
Corvi-Mora, London, UK
“Annlee You Proposes”, Tate Britain, London, UK
“Dedalic Convention”, Salzburg Kunstverein, Austria

2000
Applied Complex Screen, Hayward Gallery, London, UK
Galleri Charlotte Lund, Stockholm, Sweden
Schipper und Krome, Berlin, Germany
“Consultation Filter”, Westfälischer Kunstverein, Münster, Germany
“Schmerz in einem Gebäude”, fig-1, London, UK
“Woody”, CCA Kitakyūshū, Japan
“Literally No Place”, Air de Paris, France
“Renovation Filter, Recent Past and Near Future”, Arnolfini, Bristol, UK
Casey Kaplan, New York, USA

1999
Kunsthaus Glarus, Switzerland
Rüdiger Schöttle, München, Germany
“David”, Frankfurter Kunstverein, Germany

1998
Kunstverein in Hamburg, Germany
“Up on the twenty-second floor”, Air de Paris, France
“When Purity Was Paramount”, British Council, Prague, Czech Republic
“Big Conference Center”, Orchard Gallery, Derry, UK
Robert Prime, London, UK
“Révision: Liam Gillick”, Villa Arson, Nice, France
“When do we need more tractors?”, Schipper & Krome, Berlin, Germany
“The Trial of Pol Pot” (with Philippe Parreno), Le Magasin, Grenoble, France
Atle Gerhardsen, Oslo, Norway

1997
“Discussion Island, Basilico Fine Arts”, New York, USA
“Discussion Island – A What if? Scenario Report”, Kunstverein, Ludwigsburg, Germany
“A House in Long Island”, Forde Espace d’art contemporain, L’Usine, Geneva, Switzerland
“Another Shop in Tottenham Court Road”, Transmission Gallery, Glasgow, UK
“McNamara Papers, Erasmus and Ibuka Realisations, The What if? Scenarios”, Le Consortium, Dijon, France
“Reclutamento!”, Emi Fontana, Milan, Italy
“An Old Song and a New Drink” (with Angela Bulloch), Air de Paris, France

1996
“Erasmus is Late vs. The What if? Scenario”, Schipper & Krome, Berlin, Germany
Raum Aktuelle Kunst, Vienna, Austria
“The What if? Scenario”, Robert Prime, London, UK
“Documents” (with Henry Bond), Schipper & Krome, Köln, Germany

1995
“Ibuka! (Part 1)”, Air de Paris, France
“Ibuka! (Part 2)”, Künstlerhaus, Stuttgart, Germany
“Ibuka!”, Galerie Emi Fontana, Milan, Italy
“Part Three”, Basilico Fine Arts, New York, USA
“Documents” (with Henry Bond), Kunstverein ElsterPark, Leipzig, Germany

1994
“McNamara”, Schipper & Krome, Köln, Germany
“Documents” (with Henry Bond), Ars Futura, Zürich, Switzerland
Interim Art, London, UK

1992
“McNamara, Hog Bikes and GRSSPR”, Air de Paris, Nice, France
“Documents” (with Henry Bond), CCA, Glasgow, UK

1991
“Documents” (with Henry Bond), Karsten Schubert, London, UK
“Documents” (with Henry Bond), A.P.A.C., Nevers, France
“Documents” (with Henry Bond), Gio’Marconi, Milan, Italy

1989
“84 Diagrams”, Karsten Schubert, London, UK

 

Group Exhibitions

2013
“The Book Lovers”, EFA Project Space, New York, USA
“Novecento Mai Visto”, Daimler Contemporary, Berlin, Germany
“Abstract Generation: Now in Print”, MoMA, New York, USA
“Love in a Cold Climate”, S1 Artspace, Sheffield, UK
“Draft Urbanism, The Biennale of the Americas”, Denver, Colorado, USA
“Contemporary Artists of the Donegal Diaspora”, Regional Cultural Centre, Letterkenny, Ireland
“Unknown Forces”, Tophane-i Amire, Istanbul, Turkey
“One foot in the real world”, Irish Museum of Modern Art, Dublin, Ireland
“Nuit Blanche”, Paris, France
“9 Artists”, Walker Art Center, Minneapolis, Minnesota, USA

2012
“Abstract Possible: The Stockholm Synergies”, Tensta Konsthall, Stockholm, Sweden
“Utopia Gesamtkunstwerk”, 21er Haus, Vienna, Austria
“Schrift Bild”, Galerie Meyer Kainer, Vienna, Austria
“The Poster Show”, Galerie Carlier-Gebauer, Berlin, Germany
“Print/Out”, MoMA, New York, USA
“Positions on Conceptual Art”, Galerie Rüdiger Schottle, Köln, Germany
“True Stories: Scripted Realities”, Govett-Brewster Art Gallery, New Plymouth, New Zealand
“How to Make – Ideen”, Notationen, Materialisierungen, Kunsthaus Dresden, Germany
“Read, Look! We promise it’s not dangerous”, Emily Harvey Foundation, New York, USA
“Wir treffen uns am Abend”, Galerie Kamm, Berlin, Germany
“Soundworks”, ICA, London, UK
“Painting in Space”, Luhring Augustine, New York, USA
“The Mystery Spot”, Fondation D’Enterprise Ricard, Paris, France
“Various Stages”, Bedingte Bühnen, Kunsthaus Dresden, Germany
“Again”, A Time Machine, Edinburgh, UK
“Printmakers”, Edinburgh, UK
“Inhabited Architecture”, Guggenheim Museum, Bilbao, Spain
“Decade: Contemporary Collecting 2002–2012”, Albright Knox, Buffalo, New York, USA
“True Stories: Scripted Realities”, Te Tuhi Centre for the Arts, New Zealand
“Where is the Power”, Fort Worth Contemporary Arts, Texas, USA
“Parque Industrial”, Galeria Luisa Strina, Sao Paulo, Brazil
“The Feverish Library”, Friedrich Petzel, New York, USA
“The Mystery Spot”, Fondation d’enterprise Ricard, Paris, France
“True Stories: Scripted Realities”, Dunedin Public Art Gallery, New Zealand
“Screens”, Galerie Meyer Kainer, Vienna, Austria
“Looking Back”, The 7TH White Columns Annual, Greenwich Village, New York, USA

2011
“No more presence”, The Artist’s Institute, New York, USA
“Someone else’s life”, Kerlin Gallery, Dublin, Ireland
“Modern British Sculpture”, Royal Academy, London, UK
“Scaffolding of contrition”, LeRoy Neiman Gallery, New York, USA
“We Are Grammar”, Pratt Institute Gallery, New York, USA
“A lunatic on bulbs”, Giorgio Pace Projects, Chesa Planta, Switzerland
“Police!”, Galerie Nathalie Seroussi, Paris, France
“Abstract Possible”, Museo Tamayo, México City, México
“I am still alive”, MoMA, New York, USA
“Space Oddity”, Kunsthalle Andratx, Mallorca, Spain
“Contemporary Magic: A Tarot Deck art project”, Andy Warhol Museum, Pittsburgh, Pennsylvania, USA
“Sculpture Now”, Galerie Eva Presenhuber, Zürich, Switzerland
“Out of storage”, Marres, Maastricht, The Netherlands
“Conversation Pieces”, Tate, Liverpool, UK
“Als die Wälder auf Reisen gingen”, Kunstverein Pforzheim, Germany
“Göteborg International Biennale for Contemporary Art”, Göteborg, Sweden
“In Deed: Certificates of authenticity in Art”, De Vleeshal, Middelburg, The Netherlands
“In Deed: Certificates of authenticity in Art”, Fondazione Bevilacqua, La Masa, Venice, Italy
“The Air we Breathe”, SFMOMA, San Francisco, California, USA
“Performa 11”, New York, USA
“Of Bridges and Borders: Chapter 5, From Real to Surreal”, Museo de Arte Moderne de Buenos Aires

2010
“Animism”, MuKHA/Extra City, Antwerp, Belgium
“Interference: Fields for listening and Praxis”, The studio at Moderna Museet, Stockholm, Sweden
“It is it”, Espacio 1414, Santurce, Puerto Rico
“Shazam”, c/o Gerhardsen Gerner, Berlin, Germany
“A Testbed of Futurity”, Southfirst, Brooklyn, New York, USA
“Fax, Para/Site Art Space”, Hong Kong, China
“Corporate Everything”, Kunsthalle Freiburg, Germany
“Pictures about Pictures: Discources in Painting”, MUMOK, Vienna, Austria
“Self-Fulfilling Prophecies”, Leo Koenig, New York, USA
“Art”, Haas and Fuchs, Berlin, Germany
“Les Ateliers de Rennes”, Rennes, France
“The Promises of the Past”, Centre Pompidou, Paris, France
“So many choices in the world, so many boys, so many girls”, Vera Munro, Hamburg, Germany
“Post Office”, Artspace, New Zealand
“High Ideals & Crazy Dreams”, Galerie Vera Munro, Hamburg, Germany
“Humanity is not a completed project”, Villa du Parc, Centre d’art Contemporain, Annemasse, France
“Men with Balls: The Art of the 2010 World Cup”, apexart, New York, USA
“Humanity is not a completed project”, Villa du Parc, Centre d’art Contemporain, Annemasse, France
“89 KM CGAC Collection”, MARCO, Vigo, Spain
“The Philosophy of Money”, White Pavilion, Lisbon City Museum, Portugal
“Multiple Pleasures”, Tanya Bonakdar Gallery, New York, USA
“Changing Britain: Documentary Photography from the Arts Council Collection”, Portcullis House, London, UK
“Unrealised Potential”, Cornerhouse, Manchester, UK
“Aires de Jeux”, Le Quartier, Quimper, France
“Today I made nothing”, Elizabeth Dee Gallery, New York, USA
“Geometry in 20th Century Art”, Museo d’arte Latinamericano de Buenos Aires, Argentina
“Guiding Light/A rehearsal”, Performa, New York, USA
“8th Shanghai Biennale”, Shanghai, China
“Contemporary Magic: A Tarot Deck art project”, National Arts Club, New York, USA
“Nature”, Gerhardsen Gerner, Berlin, Germany
“Which whitch is which and/or summertime”, White Flag Projects, St. Louis, Missouri, USA
“Without you I am nothing: Art and its Audience”, Museum of Contemporary Art, Chicago, Illinois, USA
Esther Schipper, Berlin, Germany

 

2009
“Saints and Sinners”, Rose Art Museum, Brandeis, Waltham, Massachussets, USA
“University Custom Car Commandos”, Art in General, New York, USA
“Just what are they saying”, Jonathan Ferrara Gallery, New Orleans, Lousiana, USA
“Forms of Inquiry”, Archizoom, Lausanne, Switzerland
“The Human Stain”, CGAC, Santiago de Compostela, Spain
“Espèces d’Espaces”, Yvon Lambert, New York, USA
“International Photo Festival Knokke-Heist”, Knokke Heist, Belgium
“Beaufort 03”, Oostende, Belgium
“Unbuilt Roads”, E-flux, New York, USA
“A Factory, A Machine, A Body… Archaeology and Memory of Industrial Spaces”, Centre d’art La Panera, Lleida, Spain
“La Recherche”, Air de Paris, France
“Because I say so: Sculpture from the Scholl collection”, Frost Art Museum, Miami, Florida, USA
“Lapdogs of the Bourgeoisie”, Arnolfini, Bristol, UK
“Between Metaphor and Object”, IMMA, Dublin, Ireland
“Take the Money and Run”, De Appel, Amsterdam, The Netherlands
“UFO: Grenzgänge zwischen Kunst und Design”, NRW-Forum, Düsseldorf, Germany
“The Obstacle is Tautology”, Tulips and Roses, Vilnius, Lithuania
“Il Tempo del Postino”, Theater Basel, Switzerland
“Learn to Read Art: A History of Printed Matter (1976–2009)”, Badischer Kunstverein, Karlsruhe, Germany
“Watou 2009”, Watou, Poperinge, Belgium
“Top 10 Allegories”, Galerie Francesca Pia, Geneve, Switzerland
“T-tris”, B.P.S. 22, Charleroi, Belgium
“La Suite”, Air de Paris, France
“A Factory, A Machine, A Body…”, MUCA, México City, México
“We are sun-kissed and Snow Blind”, Patrick Seguin, Paris, France
“Gagarin: Artists in their own words”, SMAK, Gent, Belgium
“Queensland Art 2009”, Pestorious Sweeney House, Brisbane, Australia

2008
“Images: A spike magazine project”, Forde, Geneva, Switzerland
“Mixed Emotions”, Domus Atrium, Salamanca, Spain
“Lapdogs of the Bougoisie”, Tensta Konsthall, Spanga, Sweden
“MAXImin, A century of abstraction”, Fondacion Juan March, Madrid, Spain
“KW Hommage à Klaus Werner”, Galerie für Zeitgenössiche Kunst, Leipzig, Germany
“The Brisbane Sound”, Institute of Modern Art, Brisbane, Australia
Cube Passerby, Passerby, New York, USA
“Typed”, Sadie Coles, London, UK
“Fantasy”, MuKHA, Antwerp, Belgium
“Book/Shelf”, MoMA, New York, USA
“This is the Gallery and the Gallery is many things”, Eastside Projects, Birmingham, UK
“The Store”, Tulips and Roses, Vilnus, Lithuania
“Blasted Allegories: Sammlung Ringier”, Kunstmuseum, Luzern, Switzerland
“The Sydney Biennale”, Sydney, Australia
“Call it what you like”, KunstCentret Silkeborg Bad, Silkeborg, Denmark
“No so subtle subtitle”, Casey Kaplan, New York, USA
“Vincent Award”, Stedelijk Museum, Amsterdam, The Netherlands
“Private/Corporate V”, Daimler Art Collection, Haus Huth, Berlin, Germany
“Mondo e Terra”, FRAC Corse, Corte, Corse, France
“Shapes of Space 2”, Mário Sequeira Gallery, Braga, Portugal
“This is the Gallery and the Gallery is Many things”, Eastside Projects, Birmingham, UK
“La Petite Histoire”, Kunstraum Niederoesterreich, Vienna, Austria
La Vitrina, Gudalajara, México
“100 Artists: Art on the Underground”, A Foundation Gallery, London, UK
“Moments and Murals”, MD72, Berlin, Germany
“Branding Democracy”, New School, New York, USA
“Edition Schellmann Furniture”, Edition Schellmann, München, Germany
“Accessories to an artwork”, Paul Stolper Gallery, London, UK
“Theanyspacewhatever”, Guggenheim Museum, New York, USA
“Getting Even”, Lewis Glucksman Gallery, Cork, Ireland
“Made in München”, Haus der Kunst, München, Germany
“Fifty Percent Solitude”, Kerlin Gallery, Dublin, Ireland

2007
“Lapdogs of the Bourgoisie”, Platform Garanti, Istanbul, Turkey
“Active Constellation”, Brno, House of Art, Czech Republic
“Collateral: When Art Looks at Cinema”, Hangar Bicocca, Milan, Italy
“Los Vinilos”, El Basilico, Buenos Aires, Argentina
“Models for Tommorow: Köln”, EU Kunsthalle, Köln, Germany
“Pure”, Sean Kelly, New York, USA
“Airs de Paris”, Centre Pompidou, Paris, France
“The Redistribution of the Sensible”, Galerie Magnus Muller, Berlin, Germany
“The Shapes of Space”, Guggenheim Museum, New York, USA
“Memorial to the Iraq War”, ICA, London, UK
“If Everybody Had an Ocean”, Tate, St. Ives, UK
“Trajectory 4: AKA Institute of Contemporary Art”, Old Harbour, Riga, Latvia
“How to improve the world”, Birmingham Museum and Art Gallery, UK
“Perspektive 07”, Lenbachhaus, München, Germany
“Intocable (El ideal de la transparencia)”, The Museum of Contemporary Art, Valladolid, Spain
“It starts from here”, De La Warr Pavillion, Bexhill, UK
“Edition Schellmann Door Cycle”, Friedrich Petzel Gallery, New York, USA
“All You Desire”, PPOW, New York, USA
“Other Men’s Flowers”, Venetia Kapernekas Gallery, New York
“Franchise”, Assen, The Netherlands
“I can’t live without”, The Showroom, London, UK
“L’ottava Tavola: An Etymology of Contemporary Codes”, Cortona, Italy
“The Showroom Talks”, The Showroom, London, UK
“Fourier”, Centre d’art mobile, Besançon, France
“If Everybody Had an Ocean”, CAPC, Bordeaux, France
“Floating Territories”, Venice, Italy/Istanbul, Turkey and various locations
“Projektion”, Lentos Kunstmuseum Linz, Austria
“Franz West: Soufflé”, Kunstraum Innsbruck, Austria
“Tomorrow is Another Day”, Artsonje, Seoul, South Korea
“Eva Presenhuber/Jubilee Exhibition”, Vnà, Switzerland
“If everybody had an ocean”, CAPC, Bordeaux, France
“Fusion Now! More light, more power, more people”, Rokerby Gallery, London, UK
“Winter Palace”, de Aterliers, Amsterdam, The Netherlands
“Xmas Hysteria”, Galerie Emi Fontana, Milan, Italy

2006
“A person alone in a room with coca-cola coloured walls”, Grazer Kunstverein Cinéma(s), Le Magasin, Grenoble, France
“Fondos da Colección CGAC: Entre o proceso e a forma”, CGAC, Santiago de Compostela, Spain
“Slow Burn”, Galerie Edward Mitterand, Geneva, Switzerland
“Broken Surface”, Galerie Sabine Knust, München, Germany
“100 Artists See God”, Cheekwood Museum of Art, Nashville, Tennessee, USA
“Minimal Illusions”, Galerien der Stadt Esslingen, Germany
“Under Construction”, European Kunsthalle, Köln, Germany
“Ordnung und Verführung”, Haus Konstruktiv, Zürich, Switzerland
“Bühne des Lebens – Rhetorik des Gefühls”, Kunstbau München, Germany
“A short history of performance”, Whitechapel Art Gallery, London, UK
“Classical Modern”, Daimler Chrysler Contemporary, Berlin, Germany
“Back and Forth”, Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany
“Supernova”, Galerie Jana Koniarka, Trnava, Slovakia
“Grey Flags”, Sculpture Center, New York, USA
“Thank you for the Music (London Beat)”, Sprüth Magers Lee, London, UK
“Untouchable (The ideal of Transparency)”, Villa Arson, Nice, France
“Undisciplined: Attese Biennale of Ceramic Arts”, Attese
“Crytallizations”, Andreas Murkurdis Temporary, München, Germany
“Sprung ins kalte Wasser”, Shedhalle, Zürich, Switzerland
“Turtle”, Chelsea Space, London, UK
“Dirty Words”, Galeria Pedro Cera, Lisbon, Portugal
“Abstraction Now”, Wilhelm-Hack-Museum, Ludwigshafen, Germany
“Modus”, Neue Kunsthalle, St. Gallen, Switzerland
“Faster! Bigger! Better!”, ZKM, Karlsruhe, Germany
“Academy”, Van Abbemuseum, Eindhoven, The Netherlands
“Projektion”, Kunstmuseum, Luzern, Switzerland
“How to improve the World”, Hayward Gallery, London, UK
“Eye on Europe: Prints, Books and Multiples 1960 to now”, MoMA, New York, USA
“Klinik: Eine Pathologie der Gesten”, Hebbel am Ufer, Berlin, Germany
“Saigon: Open City”, Ho-Chi-Minh-Stadt (Saigon), Vietnam
“All Hawaii Entrées/Lunar Reggae”, IMMA, Dublin, Ireland
“Drapeaux Gris”, CAPC, Bordeaux, France

2005
“Exit – Ausstieg aus dem Bild”, ZKM, Karlsruhe, Germany
“The Furniture of Poul Kjaerholm and selected artwork”, Sean Kelly and R 20th Century, New York, USA
“New Cohabitats”, Galerie Ghislane Hussenot, Paris, France
“Goodbye 14th Street”, Casey Kaplan, New York, USA
“Good Titles for Bad Books”, Kevin Bruk, Miami, Florida, USA
“The Strange, Familiar and Unforgotten”, Galerie Erna Hecey, Brussels, Belgium
“Group Exhibition”, Air de Paris, France
“Anna Sanders Films”, Cinema Svetozor, Prague, Czech Republic
“Supernova”, Bunkier Sztuki, Kraków, Poland
“Icestorm”, Kunstverein München, Germany
“La La Land”, The Project, Dublin, Ireland
“Post Notes”, Midway Contemporary Art, Minneapolis, Minnesota, USA
“Bidibidobidiboo”, Works from Collezione Sandretto Re Rebaudengo, Turin, Italy
“100 Artists See God”, Contemporary Art Center of Virginia, Virginia Beach, USA
“I Really Should*”, Lisson Gallery, London, UK
“Go Between”, Kunstverein Bregenz, Austria
“Nach Rokytnik”, MUMOK, Vienna, Austria
“Extreme Abstraction”, Albright Knox Art Gallery, Buffalo, New York, USA
“100 Artists See God”, Albright College Freedman Art Gallery, Reading, Pennsylvania, USA
“General Ideas: Rethinking conceptual art 1987–2005”, CCA Wattis, San Francisco, California, USA
“Etc.”, Le Consortium, Dijon, France
“Passion beyond reason”, Wallstreet 1, Berlin, Germany
“En Route: Via another route”, Trans-Siberian Railway
“Snow Black”, Yvon Lambert, New York, USA
“Reception”, Büro Friedrich, Berlin, Germany
“Rundledererwelten”, Martin-Gropius-Bau, Berlin, Germany
“Ambiance”, K21, Düsseldorf, Germany
“Strictement Confidentiel”, CIAP, Ile de Vassiviere, Beaumont-du-Lac, France
“Thank you for the Music”, Sprüth Magers, München, Germany
“Im Bild Sein”, Galerie der HGB-Leipzig, Germany
“The Party”, Casey Kaplan, New York, USA
“Supernova”, Contemporary Art Centre, Vilnius, Lithuania
“Minimalism and after”, Daimler Chrysler Collection, Berlin, Germany

2004
“Singular Forms (Sometimes Repeated), Art from 1951 to the Present”, Guggenheim Museum, New York, USA
“Establishing Shot”, Artist’s Space, New York, USA
“100 Artists See God”, The Contemporary Jewish Museum, San Francisco, California, USA
“The Drawing Project”, Vamiali’s, Athens, Greece
“Before the End”, Le Consortium, Dijon, France
“How to learn to love the bomb and stop worrying about it”, Central de Arte en WTC, Guadalajara, México
“Tonight”, Studio Voltaire, London, UK
“Russian Doll”, MOT, London, UK
“Across the Border”, Museum Dhondt-Dhaenens, Deurle, Belgium
“9 Mütter XX04”, Mütter Museum, Philadelphia, Pennsylvania, USA
“Drunken Masters”, Fortes Vilaca, Sao Paulo, Brazil
“Sadie Hawkins Dance”, Southfirst, Brooklyn, New York, USA
“Artists’ Favourites”, ICA, London, UK
“Emotion Eins”, Ursula Blickle Stiftung/Frankfurter Kunstverein, Germany
“Em Jogo”, CAV, Coimbra, Portugal
“Czech Made”, Display, Prague, Czech Republic
“Off the Record/Sound Art”, ARC Musée d’art moderne de la ville de Paris, France
“Open”, Arcadia University Art Gallery, Glenside, Pennsylvania, USA
“Marks in Space”, Usher Gallery, Lincoln, Nebraska, USA
“Black Friday: Exercises in Hermetics”, Galerie Kamm, Berlin, Germany
“Strike”, Basekamp, Philadelphia, Pennsylvania, USA
“The Trailer Special Project”, Curzon Cinemas, London, UK
“100 Artists See God”, Laguna Art Museum, Laguna Beach, California, USA
“Trailer, Man in the Holocene”, London, UK
“Nothing Compared to This: Ambient, Incidental and New Minimal Tendencies in Current Art”, CAC, Cincinnati, Ohio, USA
“Utopia Station”, Haus der Kunst, München, Germany
“100 Artists See God”, ICA, London, UK
“Dicen que finko o miento. La ficción revisada”, Central de arte, Guadalajara, México
“Poul Kjaerholm”, Sean Kelly, New York, USA

2003
“No Ghost Just a Shell”, San Francisco Museum of Modern Art, California, USA
“Perfect Timeless Repetition”, c/o Atle Gerhardsen, Berlin, Germany
“No Ghost Just a Shell”, Van Abbemuseum, Eindhoven, The Netherlands
“Ill Communication”, DCA, Dundee, Australia
“Re-Produktion 2”, Georg Kargl, Vienna, Austria
“JRP Editions”, Galerie Edward Mitterand, Geneva, Switzerland
“Animations”, Kunstwerk, Berlin, Germany
“Breathing the Water”, Galerie Hauser & Wirth & Presenhuber, Zürich, Switzerland
“This Was Tomorrow”, New Art Centre Sculpture Park, Salisbury
“The Air is Blue”, Barragan House, México City, México
“JRP Editions”, Galería Javier López, Madrid, Spain
“The Moderns/I moderni”, Castello di Rivoli, Torino, Italy
“Glamour”, British Council, Prague, Czech Republic
“Imperfect Marriages”, Galerie Emi Fontana, Milan, Italy
“20th Anniversary Show”, Sprüth Magers, Köln, Germany
“Typofgravy”, Cell, London, UK
“Cool Luster”, Collection Lambert, Avignon, France
“Form Specific”, Moderna Galerija, Ljubljana, Slovenia
“Tirana Biennale 2”, Tirana, Albania
“3D”, Friedrich Petzel, New York, USA
“Social Facades and Others”, Lenbachhaus, München, Germany
“25th International Biennial of Graphic Arts”, Ljubljana, Slovenia
“Utopia Station”, Biennale di Venezia, Venice, Italy
“Honey I rearranged the collection”, Greengrassi/Corvi-Mora, London, UK
“Abstraction Now”, Künstlerhaus Wien, Vienna, Austria
“How to learn to love the bomb and stop worrying about it”, National Chamber of Art Industries, México City, México
“Wittgenstein: Family Likenesses”, Institute of Visual Culture, Cambridge, UK
“Adorno 100”, Frankfurter Kunstverein, Germany
“A Nova Geometria”, Galeria Fortes Vilaça, Sao Paulo, Brazil
“Everything Can Be Different”, Maryland Institute College of Art, Baltimore, Maryland, USA
“Bad Behaviour: Works from the Arts Council Collection”, Yorkshire Sculpture Park, UK

2002
“Rumour City”, TN Probe, Japan
“En/Of”, Schneiderei, Köln, Germany
“Ingenting”, Rooseum, Malmö, Sweden
“I love Dijon”, Le Consortium, Dijon, France
“…if a double-decker bus crashes into us to die by your side such a heavenly way to die and if a ten ton truck kills the both of us to die by your side the pleasure and the privilege is mine…”, Air de Paris, France
“Urgent Painting”, Musée d’art moderne de la Ville de Paris, France
“Reflexions”, Sprüth Magers, München, Germany
“Passenger: The Viewer as Participant”, Astrup Fearnley Museum, Oslo, Norway
“Nothing”, Mead Gallery, Warwick, UK
“Minimal Maximal”, National Museum of Contemporary Art, Seoul, South Korea
“Do It”, Museo de Arte Carrillo Gil, San Angel, Mexico
“J’en ai pris des coups mais j’en ai donnés aussi”, Galerie hez Valentin, Paris, France
“Art & Economy”, Deichtorhallen, Hamburg, Germany
“Everything Can Be Different”, University of Memphis, Tennesee, UK
“Void”, Rice Gallery, Tokyo/CCA Kitakyushu, Japan
“Annlee You Proposes”, Mamco, Geneve, Switzerland
“Startkapital”, K21, Düsseldorf, Germany
“Parallel Structures”, Gertrude Contemporary Art Spaces, Fitzroy, Victoria, Australia
“Private Views”, Printed Space, London, UK
“The Ink Jetty”, Neon Gallery, London, UK
“Inframince”, Cabinet Gallery, London, UK
“Happy Outsiders from UK and London”, Zachetal, Warsaw/Katowice City Gallery, Poland
“The Object Sculpture”, The Henry Moore Institute, Leeds, UK
“Without Consent”, CAN, Neuchatel, Switzerland
“The Movement Began with a Scandal”, Lenbachhaus, München, Germany
“JRP Editions”, RAK, Vienna, Austria
“Collected Contemporaries”, Moderna Museet, Stockholm, Sweden
“Summer Cinema”, Casey Kaplan, New York, USA
“Multiples X”, London Print Studio
“No Ghost Just a Shell”, Kunsthalle, Zürich, Switzerland
“Société Perpendiculaire: La Tapisserie”, FRAC Provence-Alpes-Côte d’Azur, France
“Collections”, ZKM, Karlsruhe, Germany
“Strike”, Wolverhampton Art Gallery, UK
“The Unique Phenomena of a Distance”, Magnani, London, UK
“The Galleries Show: Contemporary Art in London”, Royal Academy of Arts, London
“Turner Prize”, Tate, London, UK
“Relational Aesthetics from the 1990s”, San Francisco Art Institute, San Francisco, California, USA
“This Play 31”, La Coleccion Jumex, México
“L’image habitable – versions B,C,D,E”, Mamco, Geneva, Switzerland
“Lap Dissolve”, Casey Kaplan, New York, USA
“It’s Unfair”, Museum de Paviljoens, Almere, The Netherlands
“Gleitsicht”, Krypta 182, Bergisch Gladbach, Germany
“No Ghost Just A Shell”, Institute of Visual Culture, Cambridge, UK

2001
“Century City”, Tate Modern, London, UK
“Demonstration Room: Ideal House”, Apex Art, New York, USA
“Histoire de coeur”, collection Michel Poitevin, Fondation Guerlain, Les Mesnuls, France
“There’s gonna be some trouble, a whole house will need rebuilding”, Rooseum, Malmö, Sweden
“Stop and Go”, FRAC, Nord-Pas de Calais, Dunkerque, France
“Future Perfect”, Orchard Gallery, Derry, UK
“Minimal-Maximal”, City Museum of Art, Chiba/National Museum of Art, Kyoto/City Museum of Art, Fukuoka, Japan
“Nothing”, Northern Gallery for Contemporary Art, Sunderland, UK/Contemporary Art Centre, Vilnius, Lithuania/Rooseum, Malmö, Sweden
“Contemporary Utopia”, Museum of Modern Art, Riga, Latvia
“Berlin Biennale”, Kunst-Werk e.V., Berlin, Germany
“Collaborations with Parkett: 1984 to now”, Museum of Modern Art, New York, USA
“International Language”, Grassy Knoll Productions, various sites, Belfast, UK
“A New Domestic Landscape”, Javier Lopez, Madrid, Spain
“The Wedding Show”, Casey Kaplan, New York, USA
“Geometry and Gesture”, Thaddeaus Ropac, Salzburg, Austria
“Biennale de Lyon”, Musée d’art contemporain, Lyon, France
“A Timely Place, Or, Getting Back to Somewhere”, Print Studio, London, UK
“Strategies against Architecture”, Fondazione Teseco, Pisa, Italy
“Stéphane Dafflon/Liam Gillick/Xavier Veilhan”, Le Spot, Le Havre, France
“The Communications Department”, Anthony Wilkinson Gallery, London, UK
“Ambiance Magasin”, Meymac Centre d’art Contemporain, France
“Beautiful Productions: Parkett”, Whitechapel Gallery, London, UK
“Demonstration Room: Ideal House”, NICC, Antwerp, Belgium
“Yokohama 2001”, Yokohama Triennale, Yokohama, Japan
“Everything Can Be Different”, Jean Paul Slusser Gallery, University of Michigan School of Art, Ann Arbor, Michigan, USA
“Rumor City”, Raffinerie, Brussels, Belgium
“Animations”, PS1, Long Island City, New York, USA
“Parallel Structures”, South Bank Corporation, Brisbane, Australia
“9e Biennale de l’image en Mouvement”, Centre pour l’image contemporaine, Saint-Gervais, Geneva, Switzerland

2000
“29th International Film Festival”, Rotterdam, The Netherlands
“Continuum 001”, CCA, Glasgow, UK
“Stortorget i Kalmar”, Statens Konstråds Galleri, Kalmar, Sweden
“Media City 2000”, Seoul, South Korea
“Group Show”, Casey Kaplan, New York, USA
“Wider Bild Gegen Wart. Positions to a political discourse”, RAK Vienna, Austria
“14 + 1”, Feitchtner & Mizrahi, Vienna, Austria
“Decompressing History”, Galeri Enkehuset, Stockholm Viva Maria III, Galerie Admiralitätstraße, Hamburg, Germany
“British Art Show 5”, Touring Exhibition, Edinburgh, Southampton, Cardiff, Birmingham, UK
“Dire Aids, Art in the Age of Aids”, Promotrice delle Belle Arti, Torino, Italy
“Working Title”, Stanley Picker Gallery, Kingston University, UK
“Prefiguration”, Tucson, Arizona, USA
“Collection JRP”, Kunsthalle Fribourg, Switzerland
“What If/Tänk Om”, Moderna Museet, Stockholm, Sweden
“Interplay”, The National Museum of Contemporary Art, Oslo, Norway
“Group Show”, Paula Cooper Gallery, New York, USA
“Intelligence”, Tate Britain, London, UK
“Future Perfect”, Centre for Visual Arts, Cardiff, Wales, UK
“Haut de Forme et Bas Fonds”, FRAC Poitou-Charentes, Angoulême, France
“Vicinato 2”, Fig1, London, UK
“Vicinato 2”, Neuggerreimschneider, Berlin, Germany
Werkleitz, Tornitz, Halle (Saale), Germany
“Wilder Bild Gegen Wart, Positions to a Political Discourse”, Nieuw Internationaal Kultureel Centrum, Antwerp, Belgium
“Perfidy”, La Tourette, Eveaux, France
“Protest and Survive”, Whitechapel Gallery, London, UK
“e-mona”, The Museum of New Art, Detroit, Michigan, USA
“Aussendienst”, Kunstverein in Hamburg, Germany
“Indiscipline”, Roomade, Brussels, Belgium
“Que saurions-nous construire d’autre? (What else could we build?)”, La Villa Noailles Casa Ideal, Museo Alejandro Otero, Caracas, Venezuela
“More Shows About Buildings and Food”, Lisbon, Portugal
“Perfidy”, Kettles Yard, Cambridge, UK
“How do you change an apartment that has been painted brown? Certainly not by painting it white”, Institute of Visual Culture, Cambridge, UK
“Ausstellung der Jahresgaben”, Westfälischer Kunstverein, Münster, Germany
“Group Show”, Corvi-Mora, London, UK
“Future Perfect”, Cornerhouse, Manchester, UK

1999
“Konstruktionszeichnungen”, Kunst-Werke Berlin e.V., Berlin, Germany
“Pl@ytimes”, Ecole supérieure d’art de Grenoble, France
“Xn”, Maison de la culture, Chalon, France
“Continued Investigation of the Relevance of Abstraction”, Andrea Rosen Gallery, New York, USA
“Nur Wasser”, Neumühlen, Hamburg, Germany
“12 Artists, 12 Rooms”, Galerie Thaddeaus Ropac, Salzburg, Austria
“Air de Paris: works by AND/OR informations about”, Grazer Kunstverein
Tang, Turner and Runyon, Dallas, Texas, USA
“Plug-ins”, Salon 3, London, UK
“Etcetera”, Spacex Gallery, Exeter, UK
“Out of Sight – A cross-reference exhibition”, Büro Friedrich, Berlin, Germany
“Essential Things”, Robert Prime, London, UK
“Laboratorium”, Antwerpen Open, Antwerp, Belgium
“In The Midst of Things”, University of Central England, Bourneville, UK
“Le Capitale”, Centre régionale d’art contemporain, Sete, France
“The Space is Everywhere”, Villa Merkel, Esslingen, Germany
“Objecthood OO”, Athens, Greece
Tent, Rotterdam, The Netherlands
“Constructivism: Life into Art”, Brisbane, Australia
Convention and Exhibition Center, Brisbane, Australia
“Shopping”, FAT, London, UK
“Fantasy Heckler”, Tracey, Liverpool Bienial, UK
“Art Lovers”, Tracey, Liverpool Bienial
“Transmute”, MCA Chicago, Illinois, USA
“New York/London”, Taché-Levy, Brussels, Belgium
“Get Together/Art As Teamwork”, Kunsthalle, Vienna, Austria
East Wing Collection, Courtald Institute of Art, London, UK
“Liam Gillick and Jonathan Monk”, Casey Kaplan, New York, USA
“705 Wings of Freedom”, Berlin, Germany
“Officina Europa”, Bologna, Italy
“Une histoire parmi d’autres”, collection Michel Poltevin, FRAC Nord-Pas de Calais Space, Schipper und Krome, Berlin, Germany

1998
“Liam Gillick, John Miller, Joe Scanlan”, RAK, Vienna, Austria
“Fast Forward”, Kunstverein in Hamburg, Germany
“Artist/Author: Contemporary Artists’ Books”, American Federation of Arts touring show
“Weatherspoon Art Gallery”, Greensboro/The Emerson Gallery, Clinton/ The Museum of Contemporary Art, Chicago/Lowe Art Museum, Coral Gables/Western Gallery, Bellingham/University Art Gallery, Amherst, Massachussets, USA
“Interactive”, An Exhibition of Contemporary British Sculpture, Amerada Hess, London, UK
“A to Z”, The Approach, London, UK
“Construction Drawings”, PS1, New York, USA
“Arena – Sport- und Kunstaustellung”, Galerie im Rathaus, München, Germany
“Inglenook”, Feigen Contemporary, New York, USA
“In-significants”, Stockholm, Sweden
“Kamikaze”, Galerie im Marstall, Berlin, Germany
“London Calling”, The British School at Rome/Galleria Nazionale d’Arte Moderna, Rome, Italy
“Fuori Uso ʼ98”, Mercati Ortofrutticoli, Pescara
“Videostore”, Brick and Kicks, Vienna, Austria
“UK – Maximum Diversity”, Galerie Krinzinger, Bregenz/Vienna, Austria
“The Erotic Sublime”, Thaddeaus Ropac, Salzburg, Austria
“Entropy”, Ludwigforum, Aachen, Germany
“Places to Stay 4 P(rinted) M(atter)”, Büro Friedrich, Berlin, Germany
“Weather Everything”, Galerie für zeitgenössische Kunst, Leipzig, Germany
“Odradek”, Bard College, New York, USA
“Mise en Scène”, Grazer Kunstverein, Graz, Austria
“Minimal-Maximal”, Neues Museum Weserburg, Bremen, Germany/Kunsthalle, Baden-Baden, Germany/CGAC, Santiago de Compostela, Spain
“Ghosts”, Le Consortium, Dijon, France
“dijon/le consortium.coll - tout contre l’art contemporain”, Centre Georges Pompidou, Paris, France
“Cluster Bomb”, Morrison Judd, London, UK
“The Project of the 2nd December”, Salon 3, London, UK
“Projections”, de Appel, Amsterdam, The Netherlands
“1+ 3 = 4 x 1”, Galerie für Zietgenössische Kunst, Leipzig

1997
“Life/Live”, Centro Cultural de Belém, Lisbon, Portugal
“Temps de Pose, Temps de Parole”, Musée de l’Echevinage, Saintes Des Livres d’Artistes, L’ecole d’art de Grenoble, Grenoble, France
“Ajar”, Galleri F15, Jeløya, Norway
“Enter: audience, artist, institution”, Kunstmuseum Luzern, Luzern, Switzerland
“Space Oddities”, Canary Wharf Window Gallery, London, UK
“Moment Ginza”, Le Magasin, Grenoble, France
“I Met A Man Who Wasn’t There”, Basilico Fine Arts, New York, USA
“504”, Kunsthalle Braunschweig, Germany
“documenta X”, Kassel, Germany
“Enterprise”, ICA, Boston, Massachusetts, USA
“Group Show”, Robert Prime, London, UK
“Ireland and Europe”, Sculptors Society of Ireland, Dublin, Ireland
“Group Show”, Vaknin Schwartz, Atlanta
“Heaven – a Private View”, PS1, Long Island, New York, USA
“Hospital”, Galerie Max Hetzler, Berlin, Germany
“Kunst… Arbeit”, SüdWest LB, Stuttgart, Germany
“Other Men’s Flowers”, The British School at Rome, Italy
“Maxwell’s Demon”, Margo Leavin, Los Angeles, California, USA
“Work in Progress and or Finished”, Ubermain, Los Angeles, California, USA
“Group Show”, Air de Paris, France
“Group Show”, Schipper & Krome, Berlin, Germany

1996
“Co-operators”, Southampton City Art Gallery, Southampton, UK
“Traffic”, CAPC, Bordeaux, France
“Kiss This”, Focalpoint Gallery, Southend, UK
“March à l’ombre”, Air de Paris, France
“Departure Lounge”, The Clocktower, New York, USA
“Everyday Holiday”, Le Magasin, Grenoble, France
Der Umbau Raum, Künstlerhaus, Stuttgart, Germany
“Dinner”, Cubitt Gallery, London, UK
“Some Drawings From London”, Princelet Street, London, UK
“Nach Weimar”, Landesmuseum, Weimar, Germany
“How Will We Behave?”, Robert Prime, London, UK
“Escape Attempts”, Globe, Copenhagen, Denmark
“Life/Live”, Musée d’Art Moderne de la Ville de Paris, France
“Such is Life”, Serpentine London, UK/Palais des Beaux Arts, Brussels, Belgium/Herzlia Museum of Art, Herzlia, Israel
“Itinerant Texts”, Camden Arts Centre, London, UK
“Lost For Words”, Coins Coffee Store, London, UK
“All in One”, Schipper & Krome, Köln, Germany
“A Scattering Matrix”, Richard Heller Gallery, Los Angeles, California, USA
“Found Footage”, Tanja Grunert & Klemens Gasser, Köln, Germany
“Glass Shelf Show”, ICA, London Supastore de Luxe, Up & Co., New York, USA
“Limited Edition Artist’s Books Since 1990”, Brooke Alexander, New York, USA

1995
“Möbius Strip”, Basilico Fine Arts, New York, USA
“Bad Times”, CCA, Glasgow, UK
“In Search of the Miraculous”, Starkmann Library Services, London, UK
“The Moral Maze”, Le Consortium, Dijon, France
“Collection fin XXéme”, FRAC Poitou Charentes, Angoulême, France
“Summer Fling”, Basilico Fine Arts, New York, USA
“Karaoke”, South London Art Gallery, London, UK
“Ideal Standard Summertime”, Lisson Gallery, London, UK
“Reserve-Lager-Storage”, Oh!, Brussels, Belgium
“Filmcuts”, Neugerriemschneider, Berlin, Germany
“New British Art”, Museum Sztuki, Lodz, Poland
“Brilliant”, Walker Art Centre, Minneapolis, Minnesota, USA
“Trailer”, Mediapark, Köln, Germany

1994
“Don’t Look Now”, Thread Waxing Space, New York Backstage, Kunstmuseum Luzern, Switzerland
“Surface de Réparations”, FRAC Bourgogne, Dijon, France
“Cocktail I”, Kunstverein in Hamburg, Germany
“Public Domain”, Centro Santa Monica, Barcelona, Spain
Grand Prix, Monaco
“Rue des Marins”, Air de Paris, Nice, France
“Mechanical Reproduction”, Galerie van Gelder, Amsterdam, The Netherlands
“WM/Karaoke”, Portikus, Frankfurt, Germany
“Other Men’s Flowers”, Hoxton Square, London Miniatures, The Agency, London, UK
“Das Archiv”, Forum Stadtpark, Graz, Österreich
“Lost Paradise”, Kunstraum, Vienna, Austria
“Surface de Réparations 2”, FRAC Borgougne, Dijon, France
“The Institute of Cultural Anxiety”, ICA, London, UK

1993
Territorio Italiano, Milan, Italy
“Claire Barclay, Henry Bond, Roderick Buchanan, Liam Gillick, Ross Sinclair”, Gesellschaft für Aktuelle Kunst, Bremen, Germany
“Travelogue”, Hochschule fur Angewandte Kunst, Vienna Austria
“Los Angeles International”, Esther Schipper at Christopher Grimes, Los Angeles, California, USA
“Wonderful Life”, Lisson Gallery, London, UK
“Group Show”, Esther Schipper, Köln, Germany
“The London Photo Race”, Friesenwall 120, Köln, Germany
“Futura Book”, Air de Paris, Nice, France
“Points de Vue”, Galerie Pierre Nouvion, Monaco
“Manifesto”, Hohenthal und Bergen, München, Germany
“Backstage”, Kunstverein in Hamburg, Germany
“Two out of four dimensions”, Centre 181, London, UK
Esther Schipper, Köln, Germany
“Unplugged”, Köln, Germany

1992
“Tatoo”, Air de Paris, France/Urbi et Orbi, Paris, France/Daniel Büchholz, Köln, Germany/Andrea Rosen, New York, USA/Molteplici Culture, Rome, Italy
“Lying on top of a building the clouds look no nearer than they had when I was lying in the street”, Monika Sprüth, Köln, Germany/Esther Schipper, Köln, Germany/Le Case d’Arte, Milan, Italy
“Manifesto”, Daniel Büchholz, Köln, Germany/Castello di Rivara, Turin, Italy
Wacoal Arts Centre, Tokyo, Japan/Urbi et Orbi, Paris, France
“Etats Spécifique”, Musée d’art moderne, Le Havre, France
“12 British Artists”, Barbara Gladstone/SteinGladstone, New York, USA
“Group Show”, Esther Schipper, Köln, Germany
“ON”, Interim Art, London, UK

1991
“No Man’s Time”, CNAC, Villa Arson, Nice, France
“Air de Paris à Paris”, Air de Paris, France
“The Multiple Projects Room”, Air de Paris, France/Nice, France

1990
“The Multiple Projects Room”, Air de Paris, Nice, France

 

Collaborative Works

2012
“Adam Curtis, The desperate edge of now”, e-flux, New York, USA
“To the moon via the beach” (organised by Liam Gillick and Philippe Parreno), Arles, France

2011
“A Syntax of Dependency” (with Lawrence Weiner), MuKHA, Antwerp, Belgium

2010
“Who invented the desk” (with Gareth Long), The Apartment, Vancouver, Canada
“A Guiding Light” (with Anton Vidokle), Shanghai Biennale, China/Performa, New York, USA

2009
“The one hundred and sixty-third floor: Liam Gillick curates the collection”, MCA Chicago, Illinois, USA

2008
“The Night School”, The New Museum, New York, USA

2007
“UnitedNationsplaza”, Berlin, Germany
“Il Tempo Postino”, Manchester Festival, UK

2005
“Briannnnnn & Ferryyyyyy” (with Philippe Parreno), Vamiali’s, Athens, Greece
“Edgar Schmitz”, ICA, London, UK

2004
Rider: Law and Creativity Briannnnnn & Ferryyyyyy” (with Philippe Parreno), Konsthall, Lund, Sweden

2003
“Telling Histories”, Kunstverein München, Germany

2002
“Dark Spring” (with Nicolaus Schafhausen and Markus Weisbeck), Stiftung Ursula Blickle, Kraichtal, Germany

2001
“Dedalic Convention” (with Annette Kosak), MAK, Vienna, Austria
“Dedalic Convention/Du und Ich” (with Annette Kosak and Gary Webb), Salzburger Kunstverein, Salzburg

2000
“itsapoorsortofmemorythatonlynunsbackwards”, Goldsmiths College, Creative Curating, London, UK

1999
“Oldnewtown”, Casey Kaplan, New York, USA

1995
“Faction”, Royal Danish Academy of Arts, Copenhagen, Denmark
“Stoppage”, CCC, Tours, France
“Stoppage”, Villa Arson, Nice, France

1992
“The Speaker Project”, ICA, London, UK
“Instructions”, Gio’ Marconi, Milan, Italy

 

Public Works

2012
Swiss Re, Zürich, Switzerland
Astra Factory, Gernika, Basque Region, Spain

2011
“La aparente union del cielo y la tierra”, Locust Projects, Miami, Florida, USA

2010
Aix Pavilion, Chateau la Coste, Aix en Provence, France
Centene Plaza, St. Louis, Missouri, USA

2009
Fairmont Pacific Rim, Vancouver, Canada

2008
Dynamica Building, Guadalajara, México

2007
Lufthansa, Frankfurt, Germany
“Factory in the Snow”, Tierra y ammonia, Guadalajara, México
Full scale model of a social structure for a plaza in Anyang, Korea

2006
Maharam, Chicago, Illinois, USA

2005
Dior Homme (with Sean Dack), Shanghai, China
BSI, Lugano, Switzerland

2004
Museum in Progress, Rolling Boards, Vienna, Austria
Swiss Re, London, UK

2003
The Home Office, London, UK
Fort Lauderdale, Hollywood International Airport, Florida, USA
Regents Place, British Land, London, UK
“Headache, phone card, soda, donuts, stereo”, London, UK
Underground/Frieze Art Fair, London, UK

2002
Dekabank, Frankfurt, Germany
Alcobendas, Madrid, Spain
Kirchdorf School, South Africa
Mercat, Alicante, Spain
Olnick Corporation, New Jersey, USA

2001
Telenor, Oslo, Norway

1999
BIC Technologiezentrum, Leipzig, Germany

 

Permanent Collections

The Albright Knox Museum, Buffalo, New York, USA
Arts Council Collection, London, UK
Baltimore Museum of Art, Baltimore, Maryland, USA
British Council Collection, London, UK
Centre Georges Pompidou, Paris, France
Essl Museum of Contemporary Art, Vienna, Austria
FER Collection, Laupheim, Germany
Fondazione Sandretto Re Rebaudengo, Torino, Italy
Fonds Régional d’Art Contemporain (FRAC), France
Le Fonds National d’Art Contemporain (FNAC), France
Foundation Centro de Arte de Salamanca, Spain
Fundación Jumex, Ecatepec, México
The Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA
Lenbachhaus Museum, München, Germany
Moderna Museet, Stockholm, Sweden
Musée des Beaux Arts et d’archéologie, Besançon, France
Museum der Angewandten Kunst (MAK), Vienna, Austria
The Museum of Contemporary Art, Chicago, Ilinois, USA
The Museum of Modern Art, New York, USA
Museum Sztuki, Lodz, Poland
The Solomon R. Guggenheim Museum, New York, USA
Tate Modern, London, UK
Guggenheim Museum, Bilbao, Spain

 

Recorded Works

2010
“Liam Gillick and Corinne Jones”, Brigade Commerz

2003
“Liam Gillick/Rob Mazurek”, En/Off, Kleve, Germany
Los Angeles, Semishigure, Kleve, Germany

2002
“Wood (part of Void)”, CCA, Kitakyushu, Japan
“Capital”, Semishigure, Kleve, Germany
“Ekkehard Ehlers & Joseph Suchy/Liam Gillick”, En/Off, Kleve, Germany

2001
“Liam Gillick Meets Scott Olson in Japan”, Whatness, Frankfurt

1995
“Stoppage”, CCC Tours/Villa Arson, Nice, France

 

Live Events

Construcción de Uno, Tate, London, UK

Accrochage

20.11.2013 - 04.01.2014

Details

Bill Beckley
Daniel Buren
John Chamberlain
Lawrence Carroll
Hsiao Chin
Stéphane Dafflon
Hugo Demarco
Wojciech Fangor
Secundino Hernández
Jürgen Klauke
Julio Le Parc
Sol Lewitt
Robert Longo
Olivier Mosset
Herbert Oehm
Dennis Oppenheim
C.O. Paeffgen
Horacio Garcia Rossi
Peter Schuyff

Jürgen Klauke: Desaströses Ich

06.09.2013 - 31.10.2013

Installation Views

Jürgen Klauke

Jürgen Klauke works and lives in Köln, Germany.

1943
Born in Kilding/Cochem, Germany

 

Education

1974
Hochschule für bildende Künste Hamburg, Germany

1964
Kölner Werkschulen, Germany

 

Awards/Prizes/Grants/Fellowships

2013
Mitglied der Nordrhein-Westfälischen Akademie der Wissenschaften und der Künste

2013
Köln-Fine-Art-Preis

1995
Großer Kulturpreis der Sparkassen-Kulturstiftung Rheinland

 

Solo Exhibitions

2013
Galerie Anita Beckers, Frankfurt am Main, Germany
“Ziemlich, Tageszeichnungen 1979–81”, Galerie Guido Baudach, Berlin, Germany
“Ästhetische Paranoia”, Galerie Klaus Gerrit Friese, Stuttgart, Germany

2012
KUK der StädteRegion Aachen, Germany
Galerie Helga de Alvear, Madrid, Spain
Galerie Hans Mayer, Düsseldorf, Germany
Galerie Thoman, Wien, Austria
Galerie Guido Baudach Berlin-Charlottenburg, Germany

2011
“Ästhetische Paranoia”, André Simoens, Knokke, Belgium
“Ästhetische Paranoia”, Museum der Moderne, Salzburg, Austria

2010
“Attraktive Attraktoren”, Galerie Photo & Co., Turin, Italy
“Ästhetische Paranoia”, Fotoarbeiten, Video- und Sprachräume 2004–2010, ZKM Karlsruhe, Germany
“Fotoarbeiten 1970–1980”, Galerie Elisabeth & Klaus Thoman, Innsbruck, Austria
“Sonntagsneurosen und Video-Installationen”, Galerie Anita Beckers, Frankfurt am Main, Germany
“Fotoarbeiten der 70er”, Galerie Guido W. Baudach, Berlin, Germany
“Ästhetische Paranoia”, Fotoarbeiten, Video- und Sprachräume 2004–2010, Museum der Moderne Mönchsberg, Salzburg, Austria
“Hin und Her”, Galerie Hans Mayer, Düsseldorf, Germany

2009
“EINSAMZWEISAM”, Galerie Serge Le Borgne, Paris, France
“Ästhetische Paranoia”, André Simoens Galerie, Knokke, Belgium

2007
“Ästhetische Paranoia”, Galerie Helga de Alvear, Madrid, Spain
“Jürgen Klauke. La Nuova Pesa”, Centro per l’Arte Contemporanea, Rome, Italy

2006
“Hoffnungsträger, Aspekte des desaströsen Ich”, Museum Moderner Kunst, Passau, Germany
“Selbstgespräche”, Galerie Klein, Bad Münstereifel, Germany
“Works from the early 1970’s”, Galerie Ritter/Zamet, London, UK
“Neue Fotoarbeiten”, Galerie Hans Mayer, Düsseldorf, Germany

2005
“Selfperformance”, mit Cindy Sherman, Stiftung Weimarer Klassik und Kunstsammlungen, Germany

2004
Galleria Photo & Co., Turin, Italy
“PhotoArt”, mit Katharina Sieverding, Goethe-Institut, Singapore
“Phantomschmerz”, Galerie Hermeyer, München, Germany
“Heimspiel”, Galerie Hans Mayer, Düsseldorf, Germany

2003
Helga de Alvear, Madrid, Spain
Galerie Cent 8, Paris, France

2002
“Absolute Windstille. Jürgen Klauke – Das fotografische Werk 1970–2000”, Hamburger Kunsthalle, Hamburg, Germany

2001
“Absolute Windstille. Jürgen Klauke – Das fotografische Werk 1970–2000”, Kunst- und Ausstellungshalle der BRD, Bonn, Germany/The State Russian Museum, St. Petersburg, Russia
Galerie Cent 8, Paris, France
Maison Européenne de la Photographie, Paris, France
“El yo desastroso”, MIAC, Arrecife, Spain

2000
“Desaströses Ich und Sonntagsneurosen”, Andre Simoens Gallery, Knokke, Belgien
“Desaströses Ich”, Rupertinum, Museum für moderne und zeitgenössische Kunst, Salzburg, Germany
“Desaströses Ich”, Galería Metropolitana, Barcelona, Spain

1999
“Fotoarbeiten 1972–1998 – eine Auswahl”, Kunstverein Ulm, Germany
“Desaströses Ich”, Galerie Lutz Teutloff, Bielefeld, Germany
“Obra Fotográfica 1973–1998”, Galería Helga de Alvear, Madrid, Spain
Galerie Sollertis, Toulouse, France
“Fotoarbeiten”, Galerie in der Alten Post, Kunstverein Eislingen, Germany

1998
“Nebenwirkung/Side Effect”, Galerie Rudolfinum, Prag, Czech Republic
Galerie Aufzeit, Berlin, Germany
“Obsessionen des Seins”, Galleria Photo & Co., Turin, Italy
“Fotografien und Zeichnungen”, Lindinger + Schmid, Regensburg, Germany

1997
“Phantomempfindung/Phantom Sensation”, The Museum of Modern Art, Saitama/The Museum of Modern Art, Shiga/The Yamaguchi Prefectural Museum of Art, Japan
“Desaströses Ich”, Galerie Bugdahn und Kaimer, Düsseldorf, Germany
Galerie Schlehn, Hannover, Germany
“Nebenströmung”, Galerie Klein, Bad Münstereifel, Germany

1996
“Les névroses du dimanche et autres pièces”, Galerie Bouqueret + Lebon, Paris, France
“La Chaufferie”, Galerie de l’Ecole des Arts Décoratifs de Strasbourg, France
“Arbeiten auf Papier – Fotoarbeiten”, Showroom und Galerie Pablo Stähli, Zürich, Switzerland

1995
“Stellvertreter und Sonntagsneurosen”, Galerie Rigassi, Bern, Switzerland
“Prosecuritas”, MS Arte Noah, Kunstverein Würzburg, Germany

1994
“Prosecuritas”, Kunsthalle Bielefeld, Germany
“Sonntagsneurosen”, Galerie Axel Holm, Ulm, Germany
“Prosecuritas”, manus presse, Stuttgart, Germany
“Jürgen Klauke. Cindy Sherman”, Sammlung Ingvild Goetz, München, Germany
“Stottern + Stammeln/länglich”, Galerie Bugdahn und Kaimer, Düsseldorf, Germany

1993
Stephen Heros, Galerie Hermeyer, München, Germany
“Stottern + Stammeln/länglich”, Galerie Klein, Bonn, Germany
“Sonntagsneurosen”, Andre Simoens Gallery, Knokke, Belgien

1992
“Sonntagsneurosen”, Staatliche Kunsthalle Baden-Baden/Kunstmuseum Düsseldorf, Germany
“Fotoarbeiten”, Galerie Hermeyer, München, Germany
“Arbeiten auf Papier 1984–1991”, Kunstverein Braunschweig, Germany
“Sonntagsneurosen”, Galerie Bugdahn und Kaimer, Düsseldorf, Germany

1991
“Prosecuritas”, Moderne Kunst Dietmar Werle, Köln, Germany
“The Big Sleep”, Sonntagsneurosen, Galerie und Edition Gutsch, Berlin, Germany
“Prosecuritas”, Galerie Claudine Papillon, Paris, France
“Photo-Editionen”, TransArt Exhibitions, Köln, Germany

1990
“Zeichnungen und Fotoarbeiten”, Galerie Hermeyer, München, Germany
“Prosecuritas. Travaux photo 1986–1990”, Galerie Pierre Bernard, Nice, France
Galerie Pablo Stähli, Zürich, Switzerland

1988
Galerie Pablo Stähli, Zürich, Switzerland
“Stottern + Stammeln/länglich”, Galerie Klein, Bonn, Germany
Galerie ak, Frankfurt a.M., Germany
“Prosecuritas. Very de Nada”, Halle Sud, Genf, Switzerland

1987
“Eine Ewigkeit ein Lächeln. Zeichnungen, Fotoarbeiten, Performances 1970/86”, Hamburger Kunsthalle/Museum Boymans-van-Beuningen, Rotterdam/Museum Ludwig, Köln, Germany
“Prosecuritas & Griffe ins Leere”, Galerie Udo Bugdahn, Düsseldorf, Germany
Moderne Kunst Dietmar Werle, Köln, Germany
Galerie ak, Frankfurt a.M., Germany
Galerie Bama, Paris, France

1986
“Griffe ins Leere & Very de Nada”, Nationalgalerie, Staatliche Museen zu Berlin, Germany
Preußischer Kulturbesitz, Berlin
“Eine Ewigkeit ein Lächeln. Zeichnungen, Fotoarbeiten, Performances 1970/86”, Badischer Kunstverein, Karlsruhe, Germany

1985
Moderne Kunst Dietmar Werle, Köln, Germany
Galerie ak, Frankfurt a.M., Germany

1984
“Very de Nada. Fotoarbeiten und Zeichnungen”, Galerie Klein, Bonn, Germany

1983
Galerie Pablo Stähli, Zürich, Switzerland
Art in Progress, München, Germany

1982
Galerie Schneider, Konstanz, Germany
Galerie ak, Frankfurt a.M., Germany
Modern Art Galerie, Wien, Austria
Galerie Rudolf Zwirner, Köln, Germany
“Formalisierung der Langeweile”, Neue Galerie am Landesmuseum Joanneum, Graz, Austria

1981
“Formalisierung der Langeweile”, Rheinisches Landesmuseum, Bonn, Germany/Kunstmuseum Luzern, Switzerland
Galerie Vera Munro, Hamburg, Germany

1980
Städtisches Kunstmuseum, Düsseldorf, Germany
Galerie Ursula Schurr, Stuttgart, Germany
“Fotoarbeiten und Zeichnungen”, Galerie Klein, Bonn, Germany
Galerie Dany Keller, München, Germany

1978
Harlekin Art, Wiesbaden, Germany
Galerie Jöllenbeck, Köln, Germany

1977
Galerie Eric und Xiane Germain, Paris, France
Petersen Galerie, Berlin, Germany

1976
Galerie Space, Wiesbaden, Germany
artothek, Köln, Germany
Galerie ak, Frankfurt a.M., Germany

1975
Galerie Kochs, Köln, Germany
Galerie De Appel, Amsterdam, The Netherlands
Galerie Li Tobler, Zürich, Switzerland
Galerie Venster, Rotterdam, The Netherlands

1973
“Zeichnungen und Radierungen”, Rheinisches Landesmuseum, Bonn, Germany
Galerie Kochs, Köln, Germany

 

Performances

1987
“Postmoderne – hab mich gerne” Documenta 8, Kassel, Germany

1986
“Zweitgeist, WDR: Lyrics” Domplatte, Köln, Germany

1984
“Kunstlandschaften” Kunsthalle Kiel/Kampnagel-Gelände, Hamburg, Germany

1982
“Melancholie der Stühle, Performance 2”, Künstlerhaus Bethanien, Berlin, Germany

1981
“Melancholie der Stühle, Performance ‘81” Städtische Galerie im Lenbachhaus, München, Germany
“Formalisierung der Langeweile”, Rheinisches Landesmuseum, Bonn, Germany

1978
“The Harder They Come I”, International Performance Meeting, Belgrad, Yugoslavia

1977
“Die Wörter haben ihre Kraft verloren. Concept in Performance”, Internationaler Kunstmarkt, Köln, Germany

1975
“Keine Möglichkeit – Zwei Platzwunden” (mit Klauke Ulay/Ulay Klauke), Galerie d’Appel, Amsterdam, The Netherlands

Ben Willikens: Neue Bilder

20.11.2012 - 20.01.2013

Installation Views

Ben Willikens

Ben Willikens lives and works in München and Stuttgart in Germany.

1939
Born in Leipzig, Germany

 

Education

1962
Staatliche Akademie der Bildenden Künste, Stuttgart, Germany

 

Awards/Prizes/Grants/Fellowships

2009
Kunstpreis der Helmut-Kraft-Stiftung, Stuttgart, Germany

2006
Bayerischer Verdienstorden

2004
Silbermedaille für Verdienste um die bayerische Verfassung

2001
Bundesverdienstkreuz am Bande

1983
Hans-Molfenter-Award, Stuttgart, Germany

1972
Villa-Massimo-Award, Rome, Italy

1970
Villa-Romana-Award, Florenz, Italy

1968
Stipendium der Akademie der Künste, Berlin, Germany

 

Solo Exhibitions

2013
“Ausgewählte Arbeiten von 2009 bis 2013”, Kunstverein Langenfeld, Germany
“Gemälde aus 4 Dekaden Sammlung Würth”, Forum Würth, Chur, Switzerland

2012
“Last Supper – Melancholia – Vanitas – Floß – Night-Cut”, Galerie Hans Mayer, Düsseldorf, Germany
GaleriArtist, Istanbul, Turkey
“Arbeiten aus den Serien Nacht-Cut und Floß”, Galerie Zimmermann, Mannheim, Germany
“Der Raum als Bild”, Galerie Rieker, Heilbronn

2011
GaleriArtist, Istanbul/Ankara, Turkey
“sidebysidesidebysidesidebysidesidebyside”, Galerie Carol Johnssen, München, Germany
“Aus der Serie Floß”, Galerie Noah, Augsburg, Germany
“Der Raum als Bild”, Museum der Bildenden Künste Leipzig, Germany

2010
“Neue Arbeiten”, Galerie Carol Johnssen, München, Germany

2009
“Ben Willikens in der Clarissenstrasse”, Galerie Hans Mayer, Düsseldorf, Germany
“Das Abendmahl und das DAM”, Deutsches Architekturmuseum, Frankfurt am Main, Germany
“Räume”, Galerie Ranalter, Innsbruck, Austria
“Licht und Dunkel”, Kunstmuseum Stuttgart, Germany
“Räume der Transzendenz”, Museum am Dom, Würzburg, Germany
“70 Aquarelle”, Städtische Museen Heilbronn, Germany
Art Room Würth Austria, Böheimkirchen, Austria

2008
GaleriArtist, Istanbul, Turkey
“Neue Arbeiten”, Galerie Carol Johnssen, München, Germany

2007
“Der Innenraum des Außenraums des Innenraums”, Frankfurter Kunstkabinett Hanna Bekker vom Rath, Frankfurt am Main, Germany
Galerie Elisabeth Michitsch, Wien, Austria
“Neue Arbeiten”, Kunstverein Kunsthaus Potsdam, Germany
Galerie Manfred Rieker, Heilbronn, Germany
“Ben Willikens ve Mekanin Metafizik Estetigi”, GaleriArtist, Istanbul, Turkey
“Lichte Räume”, Kunstmuseum Celle mit Sammlung Robert Simon, Celle, Germany
Roemer- und Pelizaeus-Museum, Hildesheim, Germany

2006
Galerie Artist, Berlin, Germany
Galerie Hans Mayer, Düsseldorf, Germany
Galerie Carol Johnssen, München, Germany

2005
Galerie Peter Zimmermann, Mannheim, Germany
“Kunstausstellung der Ruhrfestspiele”, Kunsthalle Recklinghausen, Germany

2004
Lindenau Museum, Altenburg, Germany
Krefelder Kunstverein, Krefeld, Germany
Glyptothek, München, Germany

2003
Stiftung für konkrete Kunst, Reutlingen, Germany
Kunstverein Schwäbisch Hall, Germany
“Fuhrwerkswaage”, Kunstraum, Köln, Germany
Galerie Carol Johnssen, München, Germany

2002
Josef Albers Museum, Quadrat, Bottrop, Germany

2001
Galerie Carol Johnssen, München, Germany
Galerie Peter Zimmermann, Mannheim, Germany
Ausstellungsraum Hans Mayer, Berlin, Germany

2000
Sammlung Volpinum, Wien, Austria
Galerie Hans Mayer, Düsseldorf, Germany

1999
Galerie Hans Mayer, Düsseldorf, Germany
Palazzo Pitti, Florenz, Italy

1998
Busch-Reisinger Museum, Cambridge, Massachusetts, USA
Galerie Peter Zimmermann, Mannheim, Germany
Galerie Axel Thieme, Darmstadt, Germany

1997
Galerie Lindinger und Schmid, Regensburg, Germany
Galerie Carol Johnssen, München, Germany
Haus der Kunst, München, Germany
Galerie der Stadt Stuttgart, Germany
Galerie Peter Zimmermann, Mannheim, Germany

1996
Galerie Peter Zimmermann, Mannheim, Germany

1995
Galerie Axel Thieme, Darmstadt, Germany
Galerie Carol Johnssen, München, Germany

1994
Salone Villa Romana Florenz, Italy
Neues Museum Weserburg, Bremen, Germany

1993
Galerie Carol Johnssen, München, Germany

1992
Galerie Carol Johnssen, München, Germany

1991
Kunstverein Pforzheim in Reuchlinhaus, Pforzheim, Germany
Galerie Robert Simon, Hannover, Germany

1990
Galerie Manfred Rieker, Heilbronn, Germany
Galerie Schurr, Stuttgart, Germany

1989
Galerie der Stadt Esslingen, Villa Merkel, Germany
Galerie Levy, Hamburg, Germany

1988
Galerie Schurr, Stuttgart, Germany

1986
Galerie Loehr, Frankfurt am Main, Germany

1985
Deutsches Architekturmuseum, Frankfurt am Main, Germany

1984
Saarland-Museum, Saarbrücken, Germany

1983
Niederrheinischer Kunstverein Wesel, Germany
Ulmer Museum, Ulm, Germany
Galerie der Stadt Stuttgart, Germany

1982
Pinacoteca di Brera, Mailand, Italy

1981
Sprengel Museum, Hannover, Germany

1980
Staatsgalerie Stuttgart, Germany
Westfälischer Kunstverein, Münster, Germany

1979
Galerie Haderek, Stuttgart, Germany

1978
Kunstverein Freiburg am Breisgau, Germany

1976
Galerie t, Amsterdam, The Netherlands

1975
Kunsthalle Tübingen, Germany

1974
Galleria Giulia, Rome, Italy

1973
Studio f, Ulm, Germany

1972
Staatliche Graphische Sammlung München, Germany

 

Group Exhibitions

2013
“Incontri – Zeitgenössische italienische Kunst”, Schauwerk Sindelfingen, Germany

2012
“Aufbruch Realismus – Die neue Wirklichkeit im Bild nach ‘68”, Städtische Museen Heilbronn, Heilbronn, Germany
“gegenüber – Moderne Kunst im Dom zum 1000-jährigen Domjubiläum”, Bamberger Dom, Bamberg, Germany
“Mythos Atelier – Von Spitzweg bis Picasso, von Giacometti bis Nauman”, Staatsgalerie Stuttgart, Germany

2011
“Der heilige Augenblick / Il santo momento – Zeitgenössische Malerei und Skulptur aus Deutschland und Italien”, Museum am Dom, Würzburg, Germany
“Raum & Urbanität & Landschaft. Walter De Maria – Ben Willikens”, Daimler AG, Stuttgart, Germany
“Auf den zweiten Blick”, Kunsthalle Weishaupt, Ulm, Germany
“Waldeslust – Bäume und Wald in Bildern und Skulpturen der Sammlung Würth”, Kunsthalle Würth, Schwäbisch Hall, Germany

2010
“Zu(m) Tisch! Meisterwerke aus der Sammlung Ludwig von der Antike bis Picasso von Dürer bis Demand”, Ludwig Galerie, Schloss Oberhausen, Germany
“75/65 – Der Sammler, das Unternehmen und seine Kollektion”, Museum Würth, Künzelsau, Germany

2009
“Kunst aus einhundert Jahren 1908 bis 2008. Highlights der Daimler Kunst Sammlung”, Museum und Galerie im Prediger, Schwäbisch Gmünd, Germany

2008
“MAXImin. Maximum Minimization in Contemporary Art”, Daimler Art Collection, Fondación Juan March, Madrid, Spain
“is it tomorrow yet? Highlights from the Daimler Art Collection (1908–2008)”, Singapore Art Museum (SAM), Singapur

2007
“einfach sehen – die Eröffnungsausstellung”, Kunsthalle Weishaupt, Ulm, Germany
“Vor und nach dem Minimalismus. Ein Jahrhundert abstrakter Tendenzen in der Sammlung DaimlerChrysler”, Museu d‘Art Espanyol Contemporani, Fundación Juan March, Palma de Mallorca, Spain

2006
“Classical: Modern I. Klassische Moderne aus der Sammlung DaimlerChrysler”, DaimlerChrysler Contemporary, Haus Huth, Berlin, Germany

2005
“40 Jahre Galerie Hans Mayer: Perfect Painting”, Galerie Hans Mayer, Düsseldorf, Germany
“Angekommen – Die Sammlung im eigenen Haus”, Kunstmuseum Stuttgart, Germany

2004
“Land auf, Land ab”, Kunsthalle Würth, Schwäbisch Hall, Germany
“De wereld deugt, wijzelf helaas wat minder – At years end, rethinking The Family of Man”, De Appel centre of contemporary art, Amsterdam, The Netherlands
“Sammlung DaimlerChrysler – Klassische Moderne bis Neo Geo – von Arp bis Willikens und Zobernig”, Galerie der Stadt Sindelfingen, Germany

Sir Anthony Caro: Skulpturen

07.09.2012 - 31.10.2012

Installation Views

Sir Anthony Caro

2013
Died in London, UK

1924
Born in New Malden, Surrey, UK

 

Education

1953–1951
Assistant to Henry Moore

1952–1947
Strict academic training at Royal Academy Schools, London, UK (taught by different sculptor Royal Academicians as MacWilliam, Hardiman, Charoux and Maurice Lambert)

1944
M.A. Engineering, Christ’s College, Cambridge, UK

 

Awards/Prizes/Grants/Fellowships

2008
AECA Gran Premio as Best Living International Artist Represented at ARCOʼ08

2006
Honorary Degree, University of London, UK

2005
6th International Julio Gonzàles Award of the Generalitat Valenciana

2004
Honorary Fellowship, University of Arts, London, UK
Senior Academician, Royal Academy of Art, London, UK
International Award for Visual Arts, Cristobal Gabarron Foundation

2000
Order of Merit conferred by Her Majesty Queen Elizabeth

1999
Honorary Doctor of Letters, University of Westminster, London, UK

1998
Honorary Board of Trustees, International Sculpture Center, Hamilton, New Jersey, USA
Honorary Fellow, Glasgow School of Art, UK
Honorary Fellow, Bretton Hall College, University of Leeds, UK

1997
Lifetime Achievement Award, International Sculpture Center, Hamilton, New Jersey, USA
Honorary Fine Arts Degree, Florida International University, Miami, Florida, USA
Honorary Fellow, Royal Institute of British Architects, London, UK
Honorary Fellow, Royal Society of British Sculptors, London, UK

1996
Chevalier des Arts et Lettres, France
Doctor Honoris Causa, University of Charles de Gaulle, Lille, France
Honorary Doctor of Letters, Durham University, UK

1994
Honorary Doctorate, Royal College of Art, London, UK

1993
Honorary Doctor of Letters, Winchester School of Art, UK
University of Southampton, UK

1992
Honorary Member, Accademia delle Belle Arte di Brera, Milan, Italy
Praemium Imperiale Prize for Sculpture, Japan Art Association, Tokyo, Japan

1991
Honorary Fellow, Wolfson College, Oxford, UK
The Henry Moore Grand Prize: First Nobutaka Shikanai Prize
Hakone Open Air Museum, Tokyo, Japan

1990
Honorary Fine Arts Degree, University of Alberta, Edmonton, Canada

1989
Honorary Fine Arts Degree, Yale University, New Haven, Connecticut, USA

1988
Honorary Foreign Member, American Academy of Arts and Sciences

1987
Honorary Degree, University of Surrey, UK
Knight Bachelor, Queenʼs Birthday Honours

1986
Honorary Fellow, Royal College of Art, London, UK

1985
Honorary Doctor of Letters, Cambridge University, UK

1984
Trustee, Fitzwilliam Museum, Cambridge, UK

1982
Trustee, Tate Gallery, London, UK
Member of Council, Slade School of Art, London, UK

1981
Honorary Degree, Brandeis University, Massachusetts, USA
Honorary Fellow, Christʼs College, Cambridge University, UK
Member of Council, Royal College of Art, London, UK

1979
Honorary Member of American Academy and Institute of Arts & Letters
Honorary Doctor of Letters, York University, Toronto, Canada

1976
Presented with key to New York City by Mayor Abraham Beame

1969
Commander of the Order of the British Empire Prizewinner, São Paulo Biennale

1968
Honorary Doctor of Letters, University of East Anglia, UK

1966
David E. Bright Foundation Prize, Biennale di Venezia

1959
Sculpture Prize, First Paris Biennale Ford Foundation – English Speaking Union travel grant

 

Solo Exhibitions

2013
Galeria Alvaro Alcazar, Madrid, Spain
Park Avenue Series, Gagosian Gallery, London, UK
Museo Correr, Venice, Italy
Galleri Weinberger, Denmark
“Recent Sculptures”, Galerie Templon, Brussels, Belgium

2012
“Skulpturen”, Galerie Hans Mayer, Düsseldorf, Germany
“New Small Bronzes”, Mitchell-Innes and Nash, New York, USA
Jubilee Park, Canary Wharf, London, UK
“Caro at Chatsworth”, Chatsworth, UK
“Small Bronze Pieces”, Yorkshire Sculpture Park, Wakefield, West Yorkshire, UK
“Reliefs and Standing Sculptures”, New Art Centre Sculpture Park & Gallery, Salisbury, UK
“Close Up”, Yale Center for British Art, New Haven, Connecticut, USA
John Berggruen Gallery, San Francisco, California, USA

2011
Galeria Alvaro Alcazar, Madrid, Spain

2010
Galeria Joan Prats, Barcelona, Spain
“Upright Sculptures”, Annely Juda Fine Art, London, UK/Galerie Daniel Templon, Paris/Mitchell-Innes and Nash, New York, USA

2009
“Partners” (with Sheila Girling), Galerie Josine Bokhoven, Amsterdam, The Netherlands

2008
Opening of “Chapel of Light”, Church of St. Jean Baptiste in Bourbourg, France
“The Barbarians”, Galeria Alvaro Alcazar, Madrid, Spain
“Selected Works”, Hillsboro Fine Art, Dublin, Ireland

2007
“Galvanised Sculptures”, Annely Juda Fine Art, London, UK
“Flats”, New Art Centre, Wiltshire, UK
2006
“The Barbarians”, IVAM, Valencia, Spain
Galeria Altair, Palma de Mallorca, Spain

“CMA @ MOCA Exhibition”, Cleveland Museum of Contemporary Art, Cleveland, Ohio, USA

2005
“Painted Sculpture”, Mitchell-Innes & Nash, New York, USA
Tate Britain, London, UK
Institut Valencia dʼArt Modern, Valencia, Spain
Galerie Daniel Templon, Paris, France
“Sculpture 1966–1983”, Marc Selwyn Fine Art, Los Angeles, California, USA/Daniel Weinberg Gallery, Los Angeles, California, USA
Galeria Metta, Madrid, Spain
“Anthony Caro–Edouard Manet”, Musée dʼOrsay, Paris, France

2004
“The Barbarians”, Seoul Museum of Art, South Korea
“Anthony Caro 80 jaar – recente sculptuur”, Galerie Josine Bokhoven, Amsterdam, The Netherlands
“New Sculpture: The Way It Is”, Kenwood House, London, UK
“A Survey”, Grimaldis Gallery, Baltimore, Maryland, USA

2003
“Escultures i obra sobre paper”, Galeria Joan Prats, Barcelona, Spain
“The Barbarians”, Annely Juda Fine Art, London, UK

2002
Galeria Metta Galeria, Madrid, Spain
Galeria Lawrence Rubin, Milan, Italy
“L’évolution d’un sculpteur”, Château-Musée de Dieppe, France/Galeria Altair, Palma de Mallorca, Spain
“Clay Sculptures”, Galerie Besson, London, UK

2001
“Duccio Variations, Gold Blocks and Concerto Pieces”, Marlborough Gallery, New York, USA
“The Last Judgement Sculpture 1995–99”, Sammlung Würth, Johanniterhalle, Schwäbisch Hall, Germany
“A Sculptor’s Development”, Lewes Town Hall, Lewes, UK
“Caro at Longside. Sculpture and Sculpitecture”, Yorkshire Sculpture Park, Longside Gallery, Wakefield, UK

2000
Venice Design Gallery, Venice, Italy
“Paint and Steel”, Ameringer Howard Fine Art, New York City, USA
“Nye Skulpturer”, Galleri Weinberger, Copenhagen, Denmark

1999
Perimeter Gallery, Chicago, Illinois, USA
“48. Biennale di Venezia”, Venice, Italy

1998
“Sculpture from Painting”, National Gallery, London, UK
Annely Juda Fine Art, London, UK
Marlborough Gallery, New York, USA
Galerie Josine Bokhoven, Amsterdam, The Netherlands
Kukje Gallery, Seoul, South Korea
Garth Clark Gallery, New York, USA

1997
Dorset County Museum (with Sheila Girling), Dorchester, UK
Pier Art Centre (with Sheila Girling), Orkney, UK
French Institute, Thessaloniki, Greece
National Gallery, Athens, Greece
Middleheim Sculpture Park, Antwerp, Belgium

1996
Chesil Gallery (with Sheila Girling), Portland, Dorset, UK
Galerie Lelong, Paris, France
Musée des Beaux-Arts, Angers, France
University of Surrey Gallery (with Sheila Girling), Guildford, UK

1995
“Retrospective”, Museum of Contemporary Art, Tokyo
Galerie Josine Bokhoven, Amsterdam, The Netherlands
“Cascade Sculptures”, De Beyerd, Breda, The Netherlands
Gallery Kasahara, Osaka, Japan
Metropole Arts Centre, Folkestone, UK
Graves Art Gallery, Sheffield, UK

1994
Annely Juda Fine Art, London, UK
Galerie Hans Mayer, Düsseldorf, Germany
André Emmerich Gallery, New York, USA
Richard Gray Gallery, Chicago, Illinois, USA
The Iveagh Bequest, Kenwood, London, UK
Kettle’s Yard, Cambridge, UK/Whitworth Art Gallery, Manchester, UK/Graves Art Gallery, Sheffield, UK/Constantine Grimaldis Gallery, Baltimore, Maryland, USA
Kukje Gallery, Seoul, South Korea
Yorkshire Sculpture Park, Wakefield, UK
Henry Moore Studio, Dean Clough, Halifax, UK

1993
“Cascades”, Touring exhibition: Mucsarnok, Palme-Haz, Budapest, Hungary/Museum of Art, Cluj, Napoca/Museum of Art, Constant, National Galleries, Bucharest, Roumania/Akbank, Aksanat Art Gallery, Istanbul, Turkey/State Five Arts Gallery, Ankara, Turkey/State Painting and Sculpture Museum, Izmir, Turkey/Nicosia Municipal Art Centre, Cyprus

1992
Ancient Trajan Markets, Rome, Italy
Veranneman Foundation, Kruishoutem, Belgium
Galleria Oddi Baglioni, Rome, Italy
Studio Marconi, Milan, Italy
Fuji Television Gallery, Tokyo, Japan

1991
Tate Gallery, London, UK
Annely Juda Fine Art, London, UK
André Emmerich Gallery, New York, USA
Knoedler Gallery, London, UK
Galerie Hans Mayer, Düsseldorf, Germany
Galerie Wentzel, Köln, Germany
Nabis Gallery, Seoul, South Korea

1990
Galeria Charpa, Gandia, Valencia, Spain
Galerie Lelong, Paris, France
Gallery One, Toronto, Canada
Musée des Beaux-Arts, Calais, UK
Paribas Bank, Huis Österrieth, Antwerp, Belgium
Kasahara Gallery, Osaka, Japan
Fuji Television Gallery, Tokyo, Japan
Pousse Gallery, Tokyo, Japan
Asuka Gallery, Tokyo, Japan

1989
André Emmerich Gallery, New York, USA
Constantine Grimaldis Gallery, Baltimore, Maryland, USA
Sala de Exposiciones del Banco Bilbao Vizcaya, Barcelona, Spain
Richard Gray Gallery, Chicago, Illinois, USA
Kathleen Laverty Gallery, Edmonton, Alberta, Canada
Walker Hill Art Center, Seoul, South Korea
Nabis Gallery, Seoul, South Korea
Rutgers Barclay, Santa Fe, New México, USA
Galeria Sebastia Jané, Gerona, Spain
Knoedler Gallery, London, UK
Annely Juda Fine Art, London, UK
Galeria Fluxus, Porto, Portugal
Galeria Acquavella, Caracas, Venezuela

1988
“Paper Sculptures”, Sylvia Cordish Fine Arts, Baltimore, Maryland, USA
Galerie Wentzel, Köln, Germany
Elisabeth Franck Gallery, Belgium
Galerie Renée Ziegler, Zürich, Switzerland
André Emmerich Gallery, New York, USA

1987
Soledad Lorenzo Gallery, Madrid, Spain
Constantine Grimaldis Gallery, Baltimore, Maryland, USA
Northern Centre for Contemporary Art, Sunderland, UK
“Bronzes and Drawings”, Gallery One, Toronto, Canada

1986
La Lonja, Valencia, Spain
Richard Gray Gallery, Chicago, Illinois, USA
André Emmerich Gallery, New York, USA
Acquavella Gallery, New York, USA
Galeria Joan Prats, Barcelona, Spain
Commune di Bogliasco, Genova, Italy
Knoedler Gallery, London, UK
Waddington Galleries, London, UK
Iglesia de San Esteban, Murcia, Spain

1985
Kunstmuseum, Düsseldorf, Germany
Joan Miró Foundation, Barcelona, Spain
Galerie Wentzel, Köln, Germany
Galerie André Emmerich, Zürich, Switzerland
Constantine Grimaldis Gallery, Baltimore, Maryland, USA
Gallery One, Toronto, Canada
Galerie Blanche, Stockholm, Sweden
Galerie Lang, Malmö, Sweden
Galerie Artek, Helsinki, Finnland
Harcus Gallery, Boston, Massachusetts, USA
Galleria Stendhal, Milan, Italy
Nörrkopings Kunstmuseum, Sweden

1984
“1969–84”, Serpentine Gallery, London, UK
Knoedler Gallery, London, UK
Galerie Wentzel, Köln, Germany
Martin Gerard Gallery, Edmonton, Alberta, Canada
André Emmerich Gallery, New York, USA
Acquavella Gallery, New York, USA
Whitworth Art Gallery, Manchester, UK
Leeds City Art Gallery, Leeds, UK
Ordrupgaard Samlingen, Copenhagen, Denmark

1983
Waddington Galleries, London, UK
Knoedler Galleries, London, UK
Galerie de France, Paris, France
“Recent Bronzes 1976–81”, Municipal Museum, Schiedam, The Netherlands

1982
André Emmerich Gallery, New York, USA
Galerie Wentzel, Köln, Germany
Gallery One, Toronto, Canada
Moderne Gallerie im Saarland-Museum, Saarbrücken, Germany
Knoedler Gallery, London, UK

1981
Waddington Galleries, London, UK
Harcus Krakow Gallery, Boston, Massachusetts, USA
Storm King Art Centre, Mountainville, New York, USA
The Iveagh Bequest, Kenwood, London, UK
Städtische Galerie im Städel, Frankfurt, Germany
Downstairs Gallery, Edmonton, Alberta, Canada

1980
“The York Sculptures”, Christian Science Center, Boston, Masschusetts, USA
Acquavella Contemporary Art, New York, USA

1979
Kunsthalle Mannheim, Germany
Kunstverein Frankfurt, Germany
Kunstverein Braunschweig, Germany
Städtische Galerie im Lenbachhaus, München, Germany
Kasahara Gallery, Osaka, Japan
Ace Gallery, Vancouver, Canada
“Writing Pieces”, André Emmerich Gallery, New York, USA

1978
André Emmerich Gallery, New York, USA
Harcus Krakow Gallery, Boston, Massachusetts, USA
Knoedler Gallery, London, UK
Galerie André Emmerich, Zürich, Switzerland
Ace Gallery, Venice, California
Antwerp Gallery, Antwerp, Belgium
Galerie Wentzel, Hamburg, Germany
Richard Gray Gallery, Chicago, Illinois, USA

1977
Galerie Piltzer-Rheims, Paris, France
Waddington and Tooth Galleries, London, UK
André Emmerich Gallery, New York, USA
Tel Aviv Museum, Israel and the British Council tour to New Zealand, Australia and Germany

1976
Museum of Fine Arts, Boston, Massachusetts, USA
Watson de Nagy Gallery, Houston, Texas, USA
Galerie Wentzel, Hamburg, Germany
Richard Gray Gallery, Chicago, Illinois, USA
Lefevre Gallery, London, UK

1975
Museum of Modern Art, New York, USA
Walker Art Centre, Minneapolis, Minnesota, USA
Museum of Fine Arts, Houston, Texas, USA

1974
André Emmerich Gallery, New York, USA
Galerie André Emmerich, Zürich, Switzerland
The Iveagh Bequest, Kenwood, London, UK
Kenwood House, London, UK
David Mirvish Gallery, Toronto, Canada
Galleria dellʼAriete, Milan, Italy

1973
André Emmerich Gallery, New York, USA
“Norfolk and Norwich Triennial Festival”, East Anglia, UK

1972
André Emmerich Gallery, New York, USA
Kasmin Limited, London, UK

1971
David Mirvish Gallery, Toronto, Canada
Kasmin Limited, London, UK

1970
André Emmerich Gallery, New York, USA

1969
Hayward Gallery, London, UK
“X. Biennale de São Paulo”, British Section, Brazil

1968
André Emmerich Gallery, New York, USA

1967
Rijksmuseum Kröller-Müller, Otterlo, The Netherlands
Kasmin Limited, London, UK

1966
David Mirvish Gallery, Toronto, Canada
Galerie Bischofsberger, Zürich, Switzerland
André Emmerich Gallery, New York, USA

1965
Washington Gallery of Modern Art, Washington, D.C., USA
Kasmin Limited, London, UK

1964
André Emmerich Gallery, New York, USA

1963
Whitechapel Art Gallery, London, UK

1957
Gimpel Fils Gallery, London, UK

1956
Galleria del Naviglio, Milan, Italy

 

Group Exhibitions

2012
“Julio Gonzalez – First Master of Touch”, Ordovas, London, UK
“The Crisis Commission”, Somerset House, London, UK
“Post-War British Art”, Hepworth Wakefield, Wakefield, UK

“2013 Line & Circle”, Annely Juda Fine Art, London, UK
“Summer Exhibition”, Royal Academy of Arts, London, UK
“The New Situation – Art in London in the Sixties”, Sotheby’s, London, UK

2009
“Anthony Caro and Eduardo Paolozzi”, The Lightbox, Surrey, UK

2007
“Gallery: 25 Years”, Kukje Gallery, Seoul, South Korea
“Ten Great Works from the Sixties and Seventies”, Poussin Gallery, London, UK

2005
“Henry Moore: Epoche und Echo – Englische Bildhauerei im 20. Jahrhundert”, Kunsthalle Würth, Künzelsau, Germany

2004
“Turning Points: 20th Century British Sculpture”, Tehran Museum of Contemporary Art

2003
“Terrakotta-Arbeiten”, Galerie Lelong, Zürich, Switzerland

2001
“Architecture in Art”, Crane Kalman Gallery, London, UK

2000
“Blue: Borrowed And New”, The New Art Gallery, Walsall, UK
“20th Century Steel Sculpture”, Beadleston Gallery, New York, USA
Tate Modern, London, UK
“In Concerto”, Venice Design Art Gallery, Venice, Italy
“Welded: Sculpture of the Twentieth Century”, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY
“Sculptura 2000”, Kasteel Blauwhuis, Izegem, Belgium
“Sculpture and the Divine”, Winchester Cathedral, Winchester, UK
“Sculpture and Wallhung Works – Annual Exhibition 2000”, Royal Society of British Sculptors, London, UK
“Sculptura”, Blauwhuis, Izegem, Belgium

1999
“Shining Moment. Color and Abstraction in the 1960s”, Ameringer Howard Gallery, New York, USA
“A line in painting”, Gallery Fine, London, UK
“Forger L’Espace – La Sculpture Forgée au Vingtième Siècle”, Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain/Ivam Centre Julio González, Valencia, Spain/Musée des Beaux-Arts et de la Dentelle, Calais, France
“Centrum Beeldende Kunst”, Nijmegen, The Netherlands
“White Out”, Gallery Fine, London, UK
“’45–’99, A Personal View of British Painting And Sculpture by Bryan Robertson”, Kettle’s Yard, Cambridge, UK

1998
“British Figurative Art, Part 2: Sculpture”, Flowers East, London, UK
“Anthony Caro and Charles Ray”, Greengrassi Gallery, London, UK
“Fifty Years of Sculpture”, Lothbury Gallery, NatWest Group, London, UK

1997
“Grounds For Sculpture”, Hamilton, New Jersey, USA
“Abakanowicz, Bourgeois, Caro”, Marlborough, Chelsea, New York, USA

1996
“Caro and Olitski: Masters of Abstraction Draw the Figure”, New York Studio School of Drawing, Painting and Sculpture
“Un Siècle de Sculpture Anglaise Galerie Nationale du Jeu de Paume”, Paris, France
Museum Würth, Künzelsau, Germany

1995
“Cabinet Art”, Jason & Rhodes Gallery, London, UK
“British Abstract Art Part 2: Sculpture”, Flowers East, London, UK

1994
“Tenth Anniversary”, Castlefield Gallery, Manchester, UK
“Caro/Noland/Olitski: Symposium and Exhibition”, Hartford Art School, University of Hartford, Connecticut, USA
Johnson Atelier, Mercerville, New Jersey, USA
“Naumkeag Exhibition”, Stockbridge, Massachusetts, USA
“Sculpture at Goodwood”, Goodwood Sculpture Foundation, Chichester, UK

1993
“Making a Mark”, The Mall Galleries, London, UK
“The Sixties”, Barbican Art Gallery, London, UK
“Here and Now”, Serpentine Gallery, London, UK
“Partners”, Annely Juda Fine Art, London, UK
“Images of Christ”, St. Paul’s Cathedral, London, UK

1991
“Art for the Land”, Five Points Gallery, New York, USA
“Not Pop – what the others were doing”, Bernard Jacobson Gallery, London, UK
“The 7th Henry Moore Grand Prize Exhibition”, The Utsukushi-ga-Hara Open Air Museum, Ueda, Japan
“Sculpture & Sculptor’s Drawings”, William Jackson Gallery, London, UK

1990
“Glasgow’s Great British Art Exhibition”, Glasgow Museums and Art Galleries, Glasgow, UK
“Twenty One Years of Contemporary Art 1969–1990”, The Compass Contribution, Glasgow, UK
“Fourth Australian Sculpture Triennial”, National Gallery of Victoria, Australia
“Chagall to Kitaj – Jewish Experience in 20th Century Art”, Barbican, London, UK
“Small is Beautiful”, Flowers East, London, UK

1989
“Biennale de Sculpture Monte-Carlo ʼ89”, Italy
“From Picasso to Abstraction”, Annely Juda Fine Art, London, UK
“First International Festival of Ironwork (F.I.F.I.)”, British Forged Metal Sculpture, Cardiff, UK

1988
“XLIII. Biennale di Venezia”, Venice, Italy
“Made to Measure”, Kettle’s Yard, Cambridge, UK
“Gallery Exhibition”, Warwick Arts Trust, London, UK
“Tate Gallery Collection”, Tate of the North, Liverpool, UK
“Britannica, 30 Ans de Sculpture”, Musée d’Evreaux, France/Museum Van Hedendaagse Kunst Antwerpen, Belgium

1987
“British Art in the 20th Century: The Modern Movement”, Royal Academy, London, UK/Staatsgalerie, Stuttgart, Germany
“Current Affairs: British Painting and Sculpture in the 1980s”, Museum of Modern Art, Oxford, UK/The Mucsarnok, Budapest, Hungary/The National Gallery, Prague, Czechoslovakia/The Zacheta, Warsaw, Poland
“Eisen Iron Fer”, Hachmeister, Münster, Germany
“Ten British Masters”, Arnold Herstand Gallery, New York, USA
“Gallery Artists show”, Elizabeth Franck Gallery, Belgium
“The Self Portrait: A Modern View”, touring exhibition organised by Artsite Gallery, Bath International Festival
“Nine British Artists”, Francis Graham-Dixon Gallery, London, UK
“The British Masters”, Arnold Herstand Gallery, New York, USA

1986
“XLII. Biennale di Venezia”, Venice, Italy
“What is Modern Sculpture”, Centre Pompidou, Paris, France
“Between Object and Image”, touring exhibition Bilbao/Barcelona/Madrid, Spain
“Forty Years of Modern Art”, Tate Gallery, London, UK
“Triangle Artists Show”, Smith’s Gallery, London, UK
“Adelaide Festival”, Adelaide, Australia
“Group Retrospective”, Castlefield Gallery, Manchester, UK
“Homage to Joan Miró”, Joan Miró Foundation, Barcelona, Spain
“Thanks for the Memories”, Harcus Gallery, Boston, Massachusetts, USA
“Ceramic Workshop Experiments”, travelling exhibition in USA, organised by Brattleboro Museum, Vermont, USA
“A Dozen Views on Paper”, touring exhibition organised by the Cirencester Workshops for the Arts, Cirencester, UK
“1st Biennale of Paper Art”, Leopold Hoesch Museum, Düren, Germany
“British Sculpture from the 1950s and early 60s”, New Art Centre, London, UK
“Sculpture and Architecture – Restoring the Partnership”, touring exhibition organised by the Welsh Sculpture Trust
“From Figuration to Abstraction”, Juda Rowan Gallery, London, UK
“Modern English Sculpture: Aspects of Modern English Sculpture”, Lloyd Bregman Fine Art, Toronto, Canada

1985
“Transformations in Sculpture: Four Decades of American and European Art”, Solomon R. Guggenheim Museum, New York, USA
“Human Interest”, Cornerhouse, Manchester, UK

1984
“Six in Bronze”, Williams College Museum of Art, Williamstown, Massachusetts/Museum of Art, Carnegie Institute, Pittsburgh/Columbus Museum of Art, Columbus, Ohio/Brooklyn Museum, New York, USA
“The British Art Show”, touring exhibition organised by The Arts Council of Great Britain
“Direction in Contemporary American Ceramics”, Museum of Fine Arts, Boston, Massachusetts, USA
“Three Exhibitions about Sculpture III – Mind Over Matter”, touring exhibition organised by The Arts Council of Great Britain travelling to Southampton, Bradford, Stoke-on-Trent and Sheffield

1983
“Aspects of British Art”, Solomon R. Guggenheim Museum, New York, USA
“Britain Salutes New York (Caro, Hockney, Nicholson)”, André Emmerich Gallery, New York, USA

1982
“A Private Vision: Contemporary Arts from the Graham Gund Collection”, Museum of Fine Arts, Boston, Massachusetts, USA
“Casting: A Survey of Cast Metal Sculptures in the 80s”, Fuller Goldeen Gallery, San Francisco, California, USA
“Paper Sculpture” (concurrent with exhibit of John Stephan), Harcus Krakow Gallery, Boston, Massachusetts, USA
“New Small Sculpture”, Edmonton Art Gallery, Edmonton, Alberta, Canada
“Aspects of British Art Today”, Tokyo Metropolitan Art Museum, Japan/Tour of five museums in Japan

1981
“Groups IV”, Waddington Galleries, London, UK

1980
“J. Gonzalez, D. Smith, A. Caro, T. Scott, M. Steiner”, Galerie de France, Paris, France/Kunsthalle Bielefeld, Germany/Haus am Waldsee, Berlin, Germany/Kunsthalle Tübingen, Germany
Galerie Wentzel, Hamburg, Germany
Knoedler Gallery, London, UK
“L’Amérique aux Indépendants, 91e Exposition”, Société des Artistes, Grand Palais, Paris, France
“Hayward Annual”, Hayward Gallery, London, UK

1979
“A Century of Ceramics in the United States, 1878–1978”, Everson Museum of Art, Syracuse, State of New York, USA/Renwick Gallery of the National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., USA/Cooper-Hewitt Museum, New York, USA
“Works of the Early ʼ60s”, Knoedler Gallery, London, UK
“Corners: Painterly and Sculptural Work”, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, Massachusetts, USA

1978
“15 Sculptors in Steel Around Bennington, 1963–1978”, Park-McCullough House Association, North Bennington, Vermont, USA
“Late Twentieth Century Art”, Sidney and Frances Lewis Foundation, National Tour of 18 museums 1978–1983

1977
“Silver Jubilee Exhibition of Contemporary British Sculpture”, Battersea Park, London, UK
Hayward Gallery, London, UK
“Biennale de Paris: 1959–1967”, Paris, France

1976
Galerie Ulysses, Wien, Austria
“New Works in Clay”, Everson Museum of Art, Syracuse, State of New York, USA
“English Art Today 1960–1976”, The British Council, Commune di Milano, Palazzo Reale, Milan, Italy
“Painting and Sculpture Today”, Indianapolis Museum of Art, Indiana, USA

1974
“The Great Decade of American Abstraction: Modernist Art 1960 to 1970”, Museum of Fine Arts, Houston, Texas, USA
“Ten Years Ago… Painting and Sculpture from 1964”, David Mirvish Gallery, Toronto, Canada
“Newport Monumenta”, Biennial exhibition of outdoor sculpture, Newport, Rhode Island, USA
“Sculpture in Steel”, organised by Edmonton Art Gallery, shown at David Mirvish Gallery, Toronto, Canada

1973
“Art in Space: Some Turning Points”, Detroit Institute of Art, Illinois, USA
“Henry Moore to Gilbert and George: Modern British Art from the Tate Gallery”, Palais des Beaux-Arts, Brussels, Belgium

1972
“Group exhibition”, David Mirvish Gallery, Toronto, Canada
“Contemporary Sculpture: A Loan Exhibition”, Phillips Collection, Washington, D.C., USA
“Six Contemporary English Sculptors”, Museum of Fine Arts, Boston, Massachusetts, USA
“Group exhibition”, Kasmin Limited, London, UK
“Masters of the Sixties”, Edmonton Art Gallery, Edmonton, Alberta, Canada/Winnipeg Art Gallery/David Mirvish Gallery, Toronto, Canada
“Sculptura nella Citta”, Public Squares, 36. Biennale di Venezia, Venice, Italy

1971
“Group exhibition”, Kasmin Limited, London, UK
“The Deluxe Show”, Deluxe Theatre, Houston, Texas, USA
“Group exhibition”, David Mirvish Gallery, Toronto, Canada

1970
“Group exhibition”, City Art Gallery, Leeds, UK
“Group exhibition”, Kasmin Limited, London, UK
“British Sculpture out of the Sixties”, Institute of Contemporary Arts, London, UK
“Contemporary British Art”, The National Museum of Modern Art, Tokyo, Japan
“The Opening”, David Mirvish Gallery, Toronto, Canada
“British Painting and Sculpture 1960–70”, National Gallery of Art, Washington, D.C., USA

1969
“Between Object and Environment: Sculpture in an Extended Format”, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
“Artists from the Kasmin Gallery”, Arts Council Gallery, Belfast, Northern Ireland
“Seven Sculptors”, Museum of Modern Art, Oxford, UK
“Stella, Noland, Caro”, Dayton’s Gallery 12, Minneapolis, Minnesota, USA

1968
“Sculpture from Twenty Nations”, Art Gallery of Ontario, Toronto, Canada/National Gallery of Canada, Ottawa, Canada/Museum of Fine Arts, Montreal, Canada
“New British Painting and Sculpture”, University of California at Los Angeles/University of California Art Museum, Berkeley/Portland Art Museum/Vancouver Art Gallery/Henry Gallery/University of Washington, Seattle/Museum of Contemporary Art, Chicago/Contemporary Arts Museum, Houston, Texas, USA
“25 Camden Artists”, Camden Arts Festival, London, UK
“Hemisfair ʼ68”, San Antonio, Texas, USA
“Noland, Louis and Caro”, Metropolitan Museum of Art, New York, USA
“New British Sculpture”, open-air and Gallery exhibition organised by the Arnolfini Gallery, Bristol, UK
“Sculpture in a City”, touring exhibition arranged by the Arts Council of Great Britain
“Sculpture 1960–67”, touring exhibition of works from the collection of the Arts Council of Great Britain
“Ways of Contemporary Research”, Central Pavilion, XXXIV. Biennale di Venezia
“30th Annual Exhibition”, Contemporary Art Society of New South Wales, Blaxland Gallery, Sydney, Australia

1967
“Sculpture 60–66”, touring exhibition of works from the collection of the Arts Council of Great Britain
“Color, Image, Form”, Detroit Institute of Arts, Detroit, Illinois, USA
“American Sculpture of the Sixties”, Los Angeles County Museum, California, USA
“The 118 Show: Paintings/Constructions/Sculptures/Graphics”, Kasmin Limited, London, UK
“The 180 Beacon Collection of Contemporary Art”, 180 Beacon Street, Boston, Massachusetts, USA
“Englische Kunst”, Galerie Bischofberger, Zürich, Switzerland
“Selected Works from the Collection of Mr and Mrs H Gates Lloyd”, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
“Guggenheim International Exhibition 1967: Sculpture from Twenty Nations”, Solomon R. Guggenheim Museum, New York, USA
“Pittsburgh International Exhibition of Contemporary Painting and Sculpture”, Carnegie Institute, Pittsburgh, Pennsylvania, USA

1966
“Contemporary British Sculpture”, Arts Council of Great Britain
“Primary Structures: Younger American and British Sculptors”, Jewish Museum, New York, USA
“Sculpture in the Open Air”, Battersea Park, London, UK
“Sonsbeek ʼ66: International exhibition of Sculpture in the Open Air”, Sonsbeek Park, Arnhem, The Netherlands
“Five Young British Artists”, British Pavilion, XXXIII. Biennale di Venezia, Italy

1965
“Sculpture from the Arts Council Collection”, touring exhibition arranged by the Arts Council of Great Britain
“British Sculpture in the Sixties”, Tate Gallery, London, UK
“Group exhibition”, Kasmin Limited, London, UK
“Sculpture from All Directions”, World House Galleries, New York, USA
“Seven Sculptors”, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
“Kane Memorial Exhibition”, Providence Art Club, Providence, Rhode Island, USA

1964

“1954–1964: Painting and Sculpture of a Decade”, Tate Gallery, London, UK
“Documenta III”, Kassel, Germany
“Hampstead Artists 1943–64”, Kenwood House, London, UK

1963
“Sculpture: Open-Air Exhibition of Contemporary British and American Works”, Battersea Park, London, UK
“Group exhibition”, Kasmin Limited, London, UK

1962
“Young English Sculptors”, Alteneo, Madrid, Spain
“Sculpture Today”, Midland Group Gallery, Nottingham, UK

1961
“Ten Sculptors”, Marlborough New London Gallery, London, UK
“Contemporary British Sculpture”, Arts Council of Great Britain
“New London Situation: An Exhibition of British Abstract Art”, Marlborough New London Gallery, London, UK
“International Union of Architects Congress”, London, UK

1960
“Contemporary British Sculpture”, Arts Council of Great Britain
“Sculpture in the Open Air”, Battersea Park, London, UK

1959
“First Paris Biennale of Young Artists”, Musée d’Art Moderne, Paris, France
“Fifth Biennale International Exhibition of Sculpture”, Middelheim Park, Antwerp, Belgium
“Biennale International Exhibition of Sculpture”, Carrara, Italy

1958
“Contemporary British Paintings, Sculptures and Drawings”, British Embassy, Brussels, Belgium
“Sonsbeek ’58: International Exhibition of Sculpture in the Open Air”, Sonsbeek Park, Arnhem, The Netherlands
“Contemporary British Sculpture”, Arts Council of Great Britain
“Three Young English Artists”, Central Pavilion, XXIX. Biennale di Venezia, Italy
“The Religious Theme”, Tate Gallery, London, UK
“Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture”, Carnegie Institute, Pittsburgh, Pennsylvania, USA

1957
“Some Younger British Sculptors”, Manchester University, UK
“Contemporary British Sculpture”, open-air touring exhibition, UK
“Summer group exhibition”, Gimpel Fils Gallery, London, UK
“Summer group exhibition”, Redfern Gallery, London, UK
“New Trends in British Art”, Rome–New York Art Foundation, Rome, Italy

1956
“Summer group exhibition”, Gimpel Fils Gallery, London, UK

1955
“New Sculptors and Painter-Sculptors”, Institute of Contemporary Arts, London, UK
“Contemporary Painting and Sculpture”, City Art Gallery, Leeds, UK

 

Works in Public Collections

Aberdeen Art Gallery
Ackland Art Museum, Chapel Hill, North Carolina, USA
Albright Knox Art Gallery, Buffalo, New York, USA
Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, USA
Art Gallery of New South Wales, Sydney, Australia
Art Gallery of North Carolina, Newbarn, UK
Art Gallery of Ontario, Toronto, Canada
The Arts Council of Great Britain
Baltimore Museum of Art, Baltimore, Maryland, USA
Staatsgemäldesammlung, München, Germany
City of Barcelona, Spain
Bennington College, Bennington, Vermont, USA
Boston Museum of Fine Arts, Massachusetts, USA
The British Council, London, UK
Musee des Beaux-Arts, Calais, France
Caracas Museum, Venezuela
Carnegie Museum of Art, Pittsburgh, Pennsylvania, USA
Christian Science Center, Boston, Massachusetts, USA
Christʼs College, Cambridge, UK
Smart Museum, University of Chicago, Illinois, USA
Cleveland Museum of Art, Cleveland, Ohio, USA
Comino Foundation, USA
Dallas Museum of Fine Arts, Texas, USA
Duke University Art Gallery, Durham, North Carolina, USA
Dayton Art Institute, Ohio, USA
Edmonton Art Gallery, Alberta, Canada
Everson Museum, Syracuse, State of New York, USA
Felton Bequest, Melbourne, Australia
Fitzwilliam Museum, Cambridge, UK
Folkwang Museum, Essen, Germany
Fukuoka City Art Museum, Japan
Glasgow Museum of Modern Art, UK
Hakone Open Air Museum, Tokyo, Japan
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., USA
Ho-am Art Museum, Seoul, South Korea
Houston Museum of Fine Arts, Lillie & Hugh Roy Cullen Sculpture Garden, Texas, USA
de Nagy Watson Gallery, Houston, Texas, USA
Israel Museum, Jerusalem
J.B. Speed Museum, Louisville, Kentucky, USA
Joan Miró Foundation, Barcelona, Spain
Johannesburg Art Gallery, Johannesburg, Russia
Kaiser Wilhelm Museum, Krefeld, Germany
Kunsthalle Bielefeld, Germany
Kunsthaus, Zürich, Switzerland
Kunstmuseum Hannover (Sammlung Sprengel), Germany
Kunstsammlung der Ruhr-Universitat, Bochum, Germany
Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
Los Angeles County Museum of Art, California, USA
Louisiana Museum of Modern Art, Humlebæk, Denmark
Metropolitan Museum of Art, New York, USA
Modern Art Museum of Fort Worth, Texas, USA
Musée des Beaux-Arts et de la Dentelle, Calais, France
Museum Ernst-Gerhard, Saarbrücken, Germany
Museum Ludwig, Köln, Germany
Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania
Museum of Contemporary Art, Los Angeles, California, USA
Museum of Contemporary Art, Tokyo, Japan
Museum of Modern Art, New York, USA
Museum of Modern Art, Shiga, Japan
Museum of Modern Art Toyama, Toyama City, Japan
Museum Schloss Morsbroich, Leverkusen, Germany
Museum Würth, Künzelsau, Germany
National Gallery of Victoria, Melbourne, Australia
National Gallery of Art, Washington, D.C., USA
National Museum of Art, Osaka, Japan
National Museum of Contemporary Art, Seoul, South Korea
Nelson Gallery of Art, Kansas City, Missouri, USA
North Carolina Museum of Art, Raleigh, North Carolina, USA
Parrish Art Museum, Southampton, New York, USA
Peterborough Development Corporation, UK
Philadelphia Museum of Art, Pennsylvania, USA
Phillips Collection, Washington, D.C., USA
Portland Art Museum, Portland, Oregon, USA
Rijksmuseum Kröller-Müller, Otterlo, The Netherlands
Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA
Sarah Lawrence College, Bronxville, New York, USA
Saarlandmuseum, Saarbrücken, Germany
Scottish National Gallery of Modern Art, Edinburgh, UK
Setagaya Art Museum, Tokyo, Japan
Sintra Museum of Modern Art (Berardo Collection), Portugal
Skulpturenmuseum Albertinum, Dresden, Germany
Solomon R. Guggenheim Museum, New York, USA
Sondra & Marvin Smalley Sculpture Garden, The University of Judaism, Los Angeles, California, USA
City of St. Louis Museum, Missouri, USA
Staatsgalerie Stuttgart, Germany
Storm King Art Centre, Mountainville, New York, USA
Syracuse University, New York, USA
Tate Gallery, London, UK
Tel Aviv Museum, Israel
Toledo Museum of Art, Ohio, USA
UCLA Art Council, Los Angeles, California
Ulster Museum, Belfast, UK
University of Alberta, Edmonton, Alberta, Canada
University of California, Franklin D. Murphy Sculpture Garden, Los Angeles, California, USA
University of East Anglia, Norwich, UK
Vancouver Art Gallery, British Columbia, Canada
Von der Heydt-Museum, Wuppertal, Germany
Wakayama Prefectural Museum, Japan
Wakefield Museum and Art Gallery, Wakefield, UK
Wakita Museum of Art, Japan
Walker Art Centre, Minneapolis, Minnesota, USA
Walker Hill Art Center, Seoul, South Korea
Wallraf-Richartz Museum, Köln, Germany
West London College, London, UK
Westfälisches Landesmuseum, Münster, Germany
Whitworth Art Gallery, Manchester, UK
Wilhelm Lehmbruck Museum, Duisburg, Germany
Wolfgang Gurlitt Museum/Neue Galerie der Stadt Linz, Austria
Wolfson College, Oxford, UK
Yale University Art Gallery, New Haven, Connecticut, USA
York University of Fine Art, Toronto, Canada

Jürgen Klauke: Sonntagsneurosen

31.05.2012 - 31.08.2012

Installation Views

Jürgen Klauke

Jürgen Klauke works and lives in Köln, Germany.

1943
Born in Kilding/Cochem, Germany

 

Education

1974
Hochschule für bildende Künste Hamburg, Germany

1964
Kölner Werkschulen, Germany

 

Awards/Prizes/Grants/Fellowships

2013
Mitglied der Nordrhein-Westfälischen Akademie der Wissenschaften und der Künste

2013
Köln-Fine-Art-Preis

1995
Großer Kulturpreis der Sparkassen-Kulturstiftung Rheinland

 

Solo Exhibitions

2013
Galerie Anita Beckers, Frankfurt am Main, Germany
“Ziemlich, Tageszeichnungen 1979–81”, Galerie Guido Baudach, Berlin, Germany
“Ästhetische Paranoia”, Galerie Klaus Gerrit Friese, Stuttgart, Germany

2012
KUK der StädteRegion Aachen, Germany
Galerie Helga de Alvear, Madrid, Spain
Galerie Hans Mayer, Düsseldorf, Germany
Galerie Thoman, Wien, Austria
Galerie Guido Baudach Berlin-Charlottenburg, Germany

2011
“Ästhetische Paranoia”, André Simoens, Knokke, Belgium
“Ästhetische Paranoia”, Museum der Moderne, Salzburg, Austria

2010
“Attraktive Attraktoren”, Galerie Photo & Co., Turin, Italy
“Ästhetische Paranoia”, Fotoarbeiten, Video- und Sprachräume 2004–2010, ZKM Karlsruhe, Germany
“Fotoarbeiten 1970–1980”, Galerie Elisabeth & Klaus Thoman, Innsbruck, Austria
“Sonntagsneurosen und Video-Installationen”, Galerie Anita Beckers, Frankfurt am Main, Germany
“Fotoarbeiten der 70er”, Galerie Guido W. Baudach, Berlin, Germany
“Ästhetische Paranoia”, Fotoarbeiten, Video- und Sprachräume 2004–2010, Museum der Moderne Mönchsberg, Salzburg, Austria
“Hin und Her”, Galerie Hans Mayer, Düsseldorf, Germany

2009
“EINSAMZWEISAM”, Galerie Serge Le Borgne, Paris, France
“Ästhetische Paranoia”, André Simoens Galerie, Knokke, Belgium

2007
“Ästhetische Paranoia”, Galerie Helga de Alvear, Madrid, Spain
“Jürgen Klauke. La Nuova Pesa”, Centro per l’Arte Contemporanea, Rome, Italy

2006
“Hoffnungsträger, Aspekte des desaströsen Ich”, Museum Moderner Kunst, Passau, Germany
“Selbstgespräche”, Galerie Klein, Bad Münstereifel, Germany
“Works from the early 1970’s”, Galerie Ritter/Zamet, London, UK
“Neue Fotoarbeiten”, Galerie Hans Mayer, Düsseldorf, Germany

2005
“Selfperformance”, mit Cindy Sherman, Stiftung Weimarer Klassik und Kunstsammlungen, Germany

2004
Galleria Photo & Co., Turin, Italy
“PhotoArt”, mit Katharina Sieverding, Goethe-Institut, Singapore
“Phantomschmerz”, Galerie Hermeyer, München, Germany
“Heimspiel”, Galerie Hans Mayer, Düsseldorf, Germany

2003
Helga de Alvear, Madrid, Spain
Galerie Cent 8, Paris, France

2002
“Absolute Windstille. Jürgen Klauke – Das fotografische Werk 1970–2000”, Hamburger Kunsthalle, Hamburg, Germany

2001
“Absolute Windstille. Jürgen Klauke – Das fotografische Werk 1970–2000”, Kunst- und Ausstellungshalle der BRD, Bonn, Germany/The State Russian Museum, St. Petersburg, Russia
Galerie Cent 8, Paris, France
Maison Européenne de la Photographie, Paris, France
“El yo desastroso”, MIAC, Arrecife, Spain

2000
“Desaströses Ich und Sonntagsneurosen”, Andre Simoens Gallery, Knokke, Belgien
“Desaströses Ich”, Rupertinum, Museum für moderne und zeitgenössische Kunst, Salzburg, Germany
“Desaströses Ich”, Galería Metropolitana, Barcelona, Spain

1999
“Fotoarbeiten 1972–1998 – eine Auswahl”, Kunstverein Ulm, Germany
“Desaströses Ich”, Galerie Lutz Teutloff, Bielefeld, Germany
“Obra Fotográfica 1973–1998”, Galería Helga de Alvear, Madrid, Spain
Galerie Sollertis, Toulouse, France
“Fotoarbeiten”, Galerie in der Alten Post, Kunstverein Eislingen, Germany

1998
“Nebenwirkung/Side Effect”, Galerie Rudolfinum, Prag, Czech Republic
Galerie Aufzeit, Berlin, Germany
“Obsessionen des Seins”, Galleria Photo & Co., Turin, Italy
“Fotografien und Zeichnungen”, Lindinger + Schmid, Regensburg, Germany

1997
“Phantomempfindung/Phantom Sensation”, The Museum of Modern Art, Saitama/The Museum of Modern Art, Shiga/The Yamaguchi Prefectural Museum of Art, Japan
“Desaströses Ich”, Galerie Bugdahn und Kaimer, Düsseldorf, Germany
Galerie Schlehn, Hannover, Germany
“Nebenströmung”, Galerie Klein, Bad Münstereifel, Germany

1996
“Les névroses du dimanche et autres pièces”, Galerie Bouqueret + Lebon, Paris, France
“La Chaufferie”, Galerie de l’Ecole des Arts Décoratifs de Strasbourg, France
“Arbeiten auf Papier – Fotoarbeiten”, Showroom und Galerie Pablo Stähli, Zürich, Switzerland

1995
“Stellvertreter und Sonntagsneurosen”, Galerie Rigassi, Bern, Switzerland
“Prosecuritas”, MS Arte Noah, Kunstverein Würzburg, Germany

1994
“Prosecuritas”, Kunsthalle Bielefeld, Germany
“Sonntagsneurosen”, Galerie Axel Holm, Ulm, Germany
“Prosecuritas”, manus presse, Stuttgart, Germany
“Jürgen Klauke. Cindy Sherman”, Sammlung Ingvild Goetz, München, Germany
“Stottern + Stammeln/länglich”, Galerie Bugdahn und Kaimer, Düsseldorf, Germany

1993
Stephen Heros, Galerie Hermeyer, München, Germany
“Stottern + Stammeln/länglich”, Galerie Klein, Bonn, Germany
“Sonntagsneurosen”, Andre Simoens Gallery, Knokke, Belgien

1992
“Sonntagsneurosen”, Staatliche Kunsthalle Baden-Baden/Kunstmuseum Düsseldorf, Germany
“Fotoarbeiten”, Galerie Hermeyer, München, Germany
“Arbeiten auf Papier 1984–1991”, Kunstverein Braunschweig, Germany
“Sonntagsneurosen”, Galerie Bugdahn und Kaimer, Düsseldorf, Germany

1991
“Prosecuritas”, Moderne Kunst Dietmar Werle, Köln, Germany
“The Big Sleep”, Sonntagsneurosen, Galerie und Edition Gutsch, Berlin, Germany
“Prosecuritas”, Galerie Claudine Papillon, Paris, France
“Photo-Editionen”, TransArt Exhibitions, Köln, Germany

1990
“Zeichnungen und Fotoarbeiten”, Galerie Hermeyer, München, Germany
“Prosecuritas. Travaux photo 1986–1990”, Galerie Pierre Bernard, Nice, France
Galerie Pablo Stähli, Zürich, Switzerland

1988
Galerie Pablo Stähli, Zürich, Switzerland
“Stottern + Stammeln/länglich”, Galerie Klein, Bonn, Germany
Galerie ak, Frankfurt a.M., Germany
“Prosecuritas. Very de Nada”, Halle Sud, Genf, Switzerland

1987
“Eine Ewigkeit ein Lächeln. Zeichnungen, Fotoarbeiten, Performances 1970/86”, Hamburger Kunsthalle/Museum Boymans-van-Beuningen, Rotterdam/Museum Ludwig, Köln, Germany
“Prosecuritas & Griffe ins Leere”, Galerie Udo Bugdahn, Düsseldorf, Germany
Moderne Kunst Dietmar Werle, Köln, Germany
Galerie ak, Frankfurt a.M., Germany
Galerie Bama, Paris, France

1986
“Griffe ins Leere & Very de Nada”, Nationalgalerie, Staatliche Museen zu Berlin, Germany
Preußischer Kulturbesitz, Berlin
“Eine Ewigkeit ein Lächeln. Zeichnungen, Fotoarbeiten, Performances 1970/86”, Badischer Kunstverein, Karlsruhe, Germany

1985
Moderne Kunst Dietmar Werle, Köln, Germany
Galerie ak, Frankfurt a.M., Germany

1984
“Very de Nada. Fotoarbeiten und Zeichnungen”, Galerie Klein, Bonn, Germany

1983
Galerie Pablo Stähli, Zürich, Switzerland
Art in Progress, München, Germany

1982
Galerie Schneider, Konstanz, Germany
Galerie ak, Frankfurt a.M., Germany
Modern Art Galerie, Wien, Austria
Galerie Rudolf Zwirner, Köln, Germany
“Formalisierung der Langeweile”, Neue Galerie am Landesmuseum Joanneum, Graz, Austria

1981
“Formalisierung der Langeweile”, Rheinisches Landesmuseum, Bonn, Germany/Kunstmuseum Luzern, Switzerland
Galerie Vera Munro, Hamburg, Germany

1980
Städtisches Kunstmuseum, Düsseldorf, Germany
Galerie Ursula Schurr, Stuttgart, Germany
“Fotoarbeiten und Zeichnungen”, Galerie Klein, Bonn, Germany
Galerie Dany Keller, München, Germany

1978
Harlekin Art, Wiesbaden, Germany
Galerie Jöllenbeck, Köln, Germany

1977
Galerie Eric und Xiane Germain, Paris, France
Petersen Galerie, Berlin, Germany

1976
Galerie Space, Wiesbaden, Germany
artothek, Köln, Germany
Galerie ak, Frankfurt a.M., Germany

1975
Galerie Kochs, Köln, Germany
Galerie De Appel, Amsterdam, The Netherlands
Galerie Li Tobler, Zürich, Switzerland
Galerie Venster, Rotterdam, The Netherlands

1973
“Zeichnungen und Radierungen”, Rheinisches Landesmuseum, Bonn, Germany
Galerie Kochs, Köln, Germany

 

Performances

1987
“Postmoderne – hab mich gerne” Documenta 8, Kassel, Germany

1986
“Zweitgeist, WDR: Lyrics” Domplatte, Köln, Germany

1984
“Kunstlandschaften” Kunsthalle Kiel/Kampnagel-Gelände, Hamburg, Germany

1982
“Melancholie der Stühle, Performance 2”, Künstlerhaus Bethanien, Berlin, Germany

1981
“Melancholie der Stühle, Performance ‘81” Städtische Galerie im Lenbachhaus, München, Germany
“Formalisierung der Langeweile”, Rheinisches Landesmuseum, Bonn, Germany

1978
“The Harder They Come I”, International Performance Meeting, Belgrad, Yugoslavia

1977
“Die Wörter haben ihre Kraft verloren. Concept in Performance”, Internationaler Kunstmarkt, Köln, Germany

1975
“Keine Möglichkeit – Zwei Platzwunden” (mit Klauke Ulay/Ulay Klauke), Galerie d’Appel, Amsterdam, The Netherlands

Tony Oursler: Lapsed Fantasist

16.03.2012 - 01.05.2012

Installation Views

Tony Oursler

Tony Oursler works and lives in New York, USA.

1957
Born in New York, USA

 

Education

1979
California Institute of the Arts, B.A.

 

Solo Exhibitions

2016
“pU3\*c”, Galerie Hans Mayer, Düsseldorf, Germany
“TC: The Most Interesting Man Alive”, Chrysler Museum, Norfolk, Virginia, USA
“PriV%te”, Lehmann Maupin Gallery, Hong Kong, China

2015
“Cosa mentale, Imaginaries of Telepathy of the 20th-Century Art”, Centre Pompidou-Metz, France
“Classifier Cascades”, Bernier Eliades Gallery, Athens, Greece
“La Sucrière”, Biennale de Lyon, France
“Imponderable”, Luma Foundation, Les Forges, Parc des Ateliers, Arles, France
Lehmann Maupin Gallery, New York, USA
“Influence Machine”, Blinc Festival Adelaide, Pinky Flats, Adelaide, Australia
“template/variant/friend/stranger”, Lisson Gallery, London, United Kingdom

2014
“Obscura”, Galerie Hans Mayer, Düsseldorf, Germany
“Phantasmagoria”, Musee des Arts Contemporains de la Federation Wallonie-Brussels, Hornu, Belgium
National Gallery of Korea, Seoul, South Korea
“X ERGO Y”, Stedelijk, Amsterdam, The Netherlands
“I/O Underflow”, Oude Kerk, Amsterdam, The Netherlands
“Influence Machine”, Wolverhampton Art Gallery, Wolverhampton, United Kingdom
“Passe-Partout”, Baldwin Gallery, Aspen, Colorado, USA
“Vox Vernacular”, New York Public Library, New York, USA
“Innesti Psciotici”, Galleria In Arco, Torino, Italy
“1 plus 1 equals 1”, Musee d’art Contemporain Montreal, Montreal, Quebec, Canada
“A Collective Invention: Photographs at Play”, Morgan Library, New York, USA

2013
Albert Baronian, Brussels, Belgium
Musée des Arts Contemporains del la Fédération Wallonie, Hornu, Belgium
Artsonje Center, Seoul, South Korea
Galeria Leme, Sao Paulo, Brazil
“Phobic/WhiteTrash”, JMG Galerie, Paris, France
“UFOs and Effigies”, Arthur Ross Architecture Gallery, Graduate School of Architecture, Columbia University, New York, USA
“agentic iced etcetera”, Pinchuk Art Center, Kiev, Ukraine
“Little Worlds”, Honolulu Museum of Art, Hawaii, USA
“Agentic Iced Etcetera”, Pinchuk Art Centre, Kiev, Ukraine
“Tony Oursler: hopped (popped)”, Edward Hopper House, Nyack, New York, USA

2012
“Face to Face”, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
ARoS Aarhus Kunstmuseum, Aarhus, Denmark
313 Gallery, Seoul, South Korea
Contemporary by Angela Li, Hong Kong, China
ArtSonje Center, Seoul, South Korea

2011
JGM. Galerie, Paris, France
“Open Obscura”, Padiglione d’Arte Contemporanea PAC, Milan, Italy

2010
“Vertical Loop Task”, Baldwin Gallery, Aspen, Colorado, USA
Lehmann Maupin, New York City, USA
“Autochtonous too high”, Le Carré, scène nationale, Chateau Gontier Oi Futuro, Rio de Janeiro, Brazil
“Peak”, Lehmann Maupin, New York, USA
“The Uncanny Valley”, Adobe Museum of Digital Media
“On Off”, Jensen Gallery, Auckland, New Zealand
“Number 7, Plus or Minus 2”, Gallery Faurschou, Beijing, China

2009
Gallery Paule Anglim, San Francisco, California, USA
Galerie Baronian-Francey, Brussels, Belgium
“Gaze Heuristic (with Droll)”, Galleria in Arco, Turin, Italy
“Gallery Paule Anglim”, San Francisco, California, USA
“Cell Phones Diagrams Cigarettes Searches and Scratch Cards”, Metro Pictures Gallery, New York, USA
“50 Shilling”, Galerie Steinek, Vienna, Austria
“Void or Everything Ever Wanted”, Luminato Festival, Toronto, Canada
“Vampiric Battle”, Mattress Factory, Pittsburgh, Pennsylvania, USA
“Lock 2,4,6”, Kunsthaus Bregenz, Bregenz, Austria
“Five Take Radius”, Clocktower, New York, USA
“Haze or Transparency with Friends and Colors”, AGO, Toronto, Canada

2008
“Trunk Mask Frame Hutchet Crutch Queen”, Galeria Soledad Lorenzo, Madrid, Spain
“Tony Oursler: HIGH” Lisson Gallery, London, UK
“White Night”, Paris, France
“NixAlienClimaxCloudAxe”, House of Photography, Moscow, Russia
“St. Roch”, KK Projects, New Orleans, Louisiana, USA
“Project for Physic Garden”, London, UK
“AWGTHTGTWTA”, New York, USA
“Horizon Scander Jeu”, Gare du Nord, Paris, France
Jensen Gallery, Auckland, New Zealand
“Project for Land and Beach”, Gibbs Farm, New Zealand
“Mirada Pensante Canary Islands Tour”, El Tanque Santa Cruz de Tenerife/La Regenta, Las Palmas de Gran Canaria/Centro Juan Ismael, Fuerteventura/Instituto de America, Granada, Spain

2007
“Ooze” Lehmann Maupin, New York, USA
“Dum-Dum, Metalbreath, Wadcutter”, Galleria Emi Fontana, Milan, Italy
“Recent Works”, Galerie Forsblom, Helsinki, Finnland
“Phobos”, Bernier/Eliades, Athens, Greece
Gallery Paule Anglim, San Francisco, California, USA

2006
“Monsters”, Les editions Take Five et Simon Studer Art, Genève, Switzerland
“Blue Invasion”, Hyde Park North, Sydney, Australia
“Sound Digressions in Seven Colours”, Neyhaus, New York, USA
“Thought Forms”, Metro Pictures, New York, USA
“Good Vibrations: Visual Arts and Rock Music”, Palazzo delle Papesse, Sienna, Italy
“Spaced”, Margo Levin Gallery, Los Angeles, California, USA
“Disposifs”, Kunstforeningen GL Strand, Copenhagen, Denmark
Galeria IN ARCO, Turin, Italy
“Perfect Partner”, Montclair, New Jersey, USA

2005
“Seven Months of My Aesthetic Education (Plus Some)”, Metropolitan Museum of Art, New York, USA
“Dispositifs”, Musée de Jeu de Paume, Paris/Domus Atrium, Salamanca/City Art Museum, Helsinki/GL Strand, Cophenhagen
“Blue Invasion”, Hyde Park, Sydney, Australia
Tennis Palace at the Helsinki City Art Museum, Helsinki, Finland

2004
Bernier Elaiades, Athens, Greece
Margo Levin Gallery, Los Angeles, California, USA
“Blob”, Galeria Soledad Lorenzo, Madrid, Spain
Lehmann Maupin, New York, USA
“Unk”, Aarhus Kunsthaus, Aarhus, Germany
Studio, Musée d’Orsay, Paris, France
Margo Leavin Gallery, Los Angeles, California, USA
“Blob”, Galeria Soledad Lorenzo, Madrid, Spain
“Braincast”, Seattle Public Library, Seattle, Washington, USA
“PHOBOS”, Bernier Eliades, Athens, Greece

2003
Metro Pictures Gallery, New York, USA
Jensen Gallery, New Zealand
Lisson Gallery, London, UK
Paula Anglum, San Francisco, California, USA
Metro Pictures, New York, USA
Jean Bernier Gallery, Athens, Greece
Jensen Gallery, Auckland, New Zealand

2002
“TDrawings”, Lehmann Maupin, New York, USA
“Luftmetall”, Galerie Hans Mayer, Düsseldorf, Germany
“Shock-Rock”, Gräflicher Kurpark Driburg, Garten Landschaft Ostwestfalen-Lippe, Germany
“Station”, Magasin 3 Stockholm Konsthall, Stockholm, Sweden
“The Influence Machine”, Magasin 3 Projekt, Stockholm, Sweden
“Parallel Lines”, Studio d’Arte Raffaelli, Trento, Italy
Galleria IN ARCO, Torino, Italy
Museo Arte Contemporanea di Roma, Italy
Galerie H.S. Steinek, Vienna, Austria
“Station”, Magasin 3, Stockholm Konsthall, Stockholm, Sweden
“Drawings, CD-ROM, Installation, Videotapes”, Pei Ling Chan Gallery and Garden for the Arts, Savannah College of Art and Design, Savannah, Georgia, USA

Museo d’Arte Contemporanea, Roma, Italy

2001
Galerie Ghislaine Hussenot, Paris, France
Henry Art Gallery, Seattle, Washington, USA
IVAM, Centre del Carme, València, Spain/Centro Cultural de Belém, Lisbon, Portugal/KoldoMitxelena Kulturenea, Donosti-San Sebastián, Spain
Ghislaine Hussenot, Paris, France
“Flucht”, Kunsthaus Bregenz, Austria
“Antennae Pods Transmissions”, Metro Pictures, New York, USA
Institut Valencià D’Art Modern, Valencia, Spain
Newcomb Gallery, Tulane University, New Orleans, Lousiana, USA
“Flucht”, Kunsthaus Bregenz, Bregenz, Austria
Galerie Joan Prats, Barcelona, Spain

2000
“Introjection: Tony Oursler”, Houston Contemporary Arts Museum, Texas, USA
“Sulfer, Glass, Silicon”, 1000 Eventi, Milan, Italy
“Blue Transmission”, Lisson Gallery, London, UK
“Introjection: Tony Oursler”, LA MoCA, Los Angeles, California, USA
“The Influence Machine”, The Becks/Artangel Commission, Soho Square, London, UK
Galerie H.S. Steinek, Vienna, Austria
“The Empty Cabinet”, Henry Art Gallery, University of Washington, Seattle, Washington, USA
University ArtGallery, University of California, San Diego, California, USA
Bernier/Eliades, Athens, Greece
Margo Leavin Gallery, Los Angeles, California, USA
“The Darkest Color Infinitely Amplified”, The Whitney Museum of American Art, New York, USA
EVOL, Sammlung Goetz, München, Germany

1999
Malmö Konsthall, Malmö, Sweden
“Introjection: Tony Oursler”, Williams College Museum of Art/Contemporary Art Museum Houston, Texas, USA
Ujazdowski Castle, Warsaw, Poland
Tel Aviv Museum of Art, Tel Aviv, Israel
“Introjection: Tony Oursler mid-career survey, 1976–1999”, MASS MoCA, North Adams, Massachussetts/Williams College Museum of Art, Williamstown, Massachussetts/Contemporary Arts Museum, Houston, Texas/Los Angeles Museum of Contemporary Art, California/Des Moines Art Center, Des Moines, Iowa, USA
Galerie Biedermann, München, Germany

1998
“1000 eventi”, Milan, Italy
Kunstverein Hannover, Germany
“The Poetics Project: 1977–1997”, in collaboration with Mike Kelley/Barcelona version: Lehmann Maupin
Metro Pictures, New York, USA
“Directions – Tony Oursler: Video Dolls with Tracey Liepold”, Hirshhorn Museum & Sculpture Garden, Washington, D.C., USA
“Videotapes, Dummies, Drawings, Photographs, Viruses, Heads, Eyes, & CD-ROM”, Galeria Soledad , Lorenzo, Madrid, Spain/Galleria 1000 Eventi, Milan, Italy/Kunstverein Hannover, Hannover, Germany/Malmö Konsthall, Malmö, Sweden

1997
“Judy”, ICA, Philadelphia, Pennsylvania, USA
Margo Leavin Gallery, Los Angeles, California, USA
“Skulpturenprojekte”, Münster, Germany
Museum of Contemporary Art, Bordeaux, France
Manchester City Art Galleries, UK
Aspen Art Museum, Aspen, Colorado, USA
Musée d’art contemporain de Bordeaux, Bordeaux, France/Salade Exposiciones Rekalde, Bilboa, Spain
Gallery Paul Anglim, San Francisco, California, USA
Galerie Biedermann, München, Germany
Gallery Koyanagi, Tokyo, Japan
“Der menschliche Fator—Das Individuum im Spiegel der zeitgenossischen Kunst”, Hypo Bank, Luxembourg City, Luxembourg/Kunsthandel Achenbach, Düsseldorf, Germany
The Video Room, White Columns, New York, USA
“Videoskulpturen”, Galerie Franck & Schulte, Berlin, Germany

1996
Lisson Gallery, London, UK
Metro Pictures, New York, USA
Museum of Contemporary Art, San Diego
Van Abbemuseum, Eindhoven, The Netherlands
Jean Bernier, Athens, Greece
Centre Georges Pompidou, Paris, France

1995
RUM, Malmö, Sweden
Centre d’Art Contemporain, Geneva, Switzerland
“Video Installations, Objects, Watercolours”, Musee des Artes Modernes et Contemporains, Strasbourg, France
Galerie, Graphisches Kabinett, Wiener Secession, Wien, Austria
“Hysterical”, Atle Gerhardsen, Oslo, Norway
“System for Dramatic Feedback”, Portikus Frankfurt, Germany/Les Musées de la Ville de Strasbourg, Strasbourg, France/Centre d’Art Contemporain, Geneva, Switzerland/Stedlijk Van Abbemuseum, Eindhoven, The Netherlands
“Video Installations, Objects, Watercolors”, Musée d’Art Moderne et Contemporain, Strasbourg, France
Galerie Ghislaine Hussenot, Paris, France
“Ouvres Récentes”, Galeria Soledad Lorenzo, Madrid, Spain
Galeria Soledad Lorenzo, Madrid, Spain

1994
Lisson Gallery, London, UK
Jean Bernier Gallery, Athens, Greece
“Dummies, Flowers, Altars, Clouds and Organs”, Metro Pictures, New York, USA
“Recent Video Works”, The Contemporary Museum, Honolulu, Hawaii, USA
Linda Chathcar Gallery, Santa Monica, California, USA

1993
“Phobic/White Trash”, Centre d’Art Contemporain, Geneve, Switzerland/Kunstwurke, Berlin, Germany
Andrea Rosen Gallery, New York, USA
The Living Room, San Francisco, California, USA
IKON Gallery, Birmingham/Bluecoat Gallery, Liverpool, UK

1992
“F/X Plotter, 2 Way”, Kijkhuis, Den Haag, The Netherlands
“Station Project” (with James Casebere), Kortrijk (Railway Station), Belgium
The Space, Boston, Massachusetts, USA
The Knitting Factory, New York, USA

1991
Diane Brown Gallery, New York, USA
“Dummies, Hex Signs, Watercolours”, The Living Room, San Francisco, California, USA
The Pacific Film Archives, San Francisco, California, USA
The Cinematheque, San Francisco, California, USA

1990
Hallwalls, Buffalo, New York, USA
Diane Brown Gallery, New York, USA
The Kitchen, New York, USA
“On Our Own”, The Segue Gallery, New York, USA

1989
The Walker Art Center, Minneapolis, Minnesota, USA
Boston Film/Video Foundation, New York, USA
“A Scene”, P.S.1, New York, USA
“Complete Works”, The Kitchen, New York, USA
Soho TV M/T Channel 10, New York, USA
The Kitchen, New York, USA
“Relatives” (video/performance in collaboration with Constance DeJong), The Kitchen, New York/Rockland Center for the Arts, West Nyak, New York/Seattle Arts Museum, Washington/Mikery Theatre, Amsterdam/ECG-TV Studios, Frankfurt, Germany
“Drawings, Objects, Videotapes”, Delta Gallery, Düsseldorf, Germany
Folkwang Museum, Essen, Germany
Collective for Living Cinema, New York, USA
Museum für Gegenwartskunst, Basel, Switzerland
Bobo Gallery, San Francisco, California, USA

1988
“Tony Oursler’s Works”, Le Lieu, Québec City, Canada
“Constellation: Intermission”, Diane Brown Gallery, New York, USA
Western Front, Vancouver, Canada
“Tony Oursler and Constance Dejong”, LACPS/EZTV, Los Angeles, California, USA

1987
The Kitchen, New York, USA

1986
“Spheres of Influence”, Centre Georges Pompidou, Paris, France
New Langton Arts, San Francisco, California, USA
Nova Scotia College of Art and Design, Nova Scotia, Canada
Boston Film/Video Foundation, Boston, Massachusetts, USA

1985
Kijkhuis, Den Haag, The Netherlands
Schule für Gestaltung, Basel, Switzerland
The American Center, Paris, France
Kunst Delft, Delft, The Netherlands
ELAC, Espace Lyonnais d’Art Contemporain, Lyon, France
Schule fur Gestaltung, Basel, Switzerland

1984
Anthology Film Archives, New York, USA
“L-7, L-5”, The Kitchen, New York, USA
David Mo Gallery, New York, USA
The Kitchen, New York, USA

1983
“La Mamelle”, San Francisco, California, USA
“My Sets”, Media Study, Buffalo, New York, USA
“Son of Oil”, A Space, Toronto, Canada
“LACE-Panic House”, Los Angeles, California, USA
“X Catholic” (performance in collaboration with Mike Kelley), Beyond Baroque, Los Angeles, California, USA

1981
University Art Museum, University of California, Berkley, California, USA
“Video Viewpoints”, Museum of Modern Art, New York, USA
The School of the Art Institute of Chicago, Chicago, Illinois, USA

 

Group Exhibitions

2013
“Disembodied”, Cleveland Museum of Art, Cleveland, Ohio, USA
“Mike Kelley”, Centre Georges Pompidou, Paris, France
“Strawberry Ecstasy Green,” Espace Louis Vuitton, Venice, Italy
“The Poetics Project”, Centre Pompidou, Paris, France
“The Influence Machine”, Tate Modern, London, UK
“Crossed Circuits; Norte Sul Leste Oeste”, Museu de Arte Moderna, Sao Paulo, Brazil

2012
“The Royal Family”, Hayward Gallery Project Space, London, UK
“Glasstress New York: New Art from the Biennale di Venezias”, The Museum of Art and Design, New York, USA

2011
“Paradise Lost”, Istanbul Modern, Istanbul, Turkey
“Off the Wall/Fora da Parede”, Museu Serralves, Museu de Arte Contemporânea, Porto, Portugal
“The view from a Volcano – The Kitchen’s Soho Years, 1971–85”, The Kitchen, New York City, USA
“CLAP”, Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, New York, USA
“The Royal Family”, Hayward Gallery, London, UK
“Blink! Light, Sound & the Moving Image”, Denver Art Museum, Denver, Colorado, USA
“Let the Healing Begin”, IMA Institute of Modern Art, Brisbane, Australia
“Anonyme Skulpturen. Video und Form in der zeitgenössischen Kunst”, Galerie im Taxispalais, Innsbruck, Austria
“Nothing in the World but Youth”, Turner Contemporary Gallery, Margate, UK
“Night Scented Stock”, Marianne Boesky Gallery, New York, USA
“Glasstress”, 54th Biennale di Venezia, Venice, Italy
“The Way We Are Now: Selections from the 21st Century Collection”, Cincinnati Art Museum, Cincinnati, Ohio, USA
“Unreal”, Vancouver Art Gallery, Vancouver, Canada

2010
“Fourteen Again”, Chelsea Art Museum, New York, USA
“Julia Stoschek Collection – I want to see how you see”, Haus der Photographie, Deichtorhallen Hamburg, Germany
“C’est la vie! Vanités de Caravage à Damien Hirst”, Musée Maillol, Fondation Dina Vierny, Paris, France
“Spazio. The Scene and the Imaginary”, Museo nazionale delle arti del XXI secolo, Rome, Italy
“Things evoke feelings”, CSW Centrum Sztuki Wspolczesnej/Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
“Corso. Werke der Sammlung Essl im Dialog”, Essl Museum, Klosterneuburg, Austria
“11. Triennale Kleinplastik – Larger Than Life – Stranger Than Fiction”, Triennale Kleinplastik Fellbach, Fellbach, Germany
“Dessins contemporains/Collection Florence et Daniel GUERLAIN”, Musée des Beaux-Arts et d’Archéologie de Besançon, France
“Off the Wall Part 1: Thirty Performative Actions”, The Whitney Museum of American Art, New York, USA
“Ordinary Madness”, Carnegie Museum of Art, Pittsburgh, Pennsylvania, USA
“Five in Istanbul: A Selection of Artists from Lehmann Maupin Gallery”, Borusan Muzik Evi, Istanbul, Turkey
“The Rhythm of Istanbul”, AKBank Sanat, Istanbul, Turkey
“Il Trucco e le Maschere”, Byblos Gallery, Verona, Italy
Centro Cultural Oi Futuro, Rio de Janeiro, Brazil
“C’est la Vie! Vanités – De Pompéï à Damien Hirst”, Musée Maillol, Paris, France

2009
“Huésped”. Museo Nacional de Bellas Artes , Buenos Aires, Argentina
“Art and Electronic Media”, Bitforms Gallery, New York, USA
“Surrealism and Contemporary Art: Subversive Spaces”, Compton Verney, Warwickshire, UK
“Animated”, Centre d’Art Bastille, Grenoble, France
“SONIC YOUTH etc.: Sensational Fix”, Malmö Konsthall, Malmö, Sweden
“UNDERWATER”, Western Bridge, Seattle, Washington, USA
“Lisson Presents 3/29 Bell Street”, Lisson Gallery, London, UK
“Histoires à l“ère numérique. Werke aus der Sammlung”, Espace Multimédia, Gantner, Basel, Switzerland
“Plastic Culture: Legacies of Pop 1986–2008”, Harris Museum and Art Gallery, Preston, Lancashire, UK
“XIV. Quadriennale di Roma”, Quadriennale di Roma, Rome, Italy
“Subversive Spaces: Surrealism and Contemporary Art”, Whitworth Art Gallery, Manchester, UK/Kunsthalle Düsseldorf, Germany
“Boule to Braid”, Lisson Gallery, London, UK

2008
”La vidéo, un art, une histoire 1965–2007”, Musée Fabre, Montpellier, France
“Listen Darling… The World is Yours”, Ellipse Foundation, Alcoitão, Portugal
“Anatomie | les peaux du dessin – collection Florence et Daniel Guerlain, FRAC, Amiens, France
“Sympathy for the Devil: Art and Rock and Roll Since 1967”, Musée d’art contemporain de Montréal, Montreal, Canada
“Sonic Youth etc. – Sensational Fix”, Museum für moderne und zeitgenössische Kunst , Bolzano, Italy
“Julia Stoschek Collection: Destroy, she said”, PinchukArtCentre, Kiev, The Ukraine
“Keine Angst”, Kunstverein Ludwigshafen, Germany
“PORTRAIT”, Galerie Hübner & Hübner, Frankfurt am Main, Germany
“My Favourite Things Vol.1”, Fotografisk Center, Copenhagen, Denmark
“Order. Desire. Light. An exhibition of contemporary drawings”, Irish Museum of Modern Art, Dublin, Ireland
“SONIC YOUTH etc. – SENSATIONAL FIX”, International Space for Emerging Arts, Saint-Nazaire, France
“Call it what you like”, Collection Rik Reinking, Kunst Centret Silkeborg Bad, Silkeborg, Denmark
“New Sculptures“, Galerie Forsblom, Helsinki, Finnland
“Lost Paradise – Der Blick des Engels”, Zentrum Paul Klee, Bern, Switzerland
“Punk. No One is Innocent”, Kunsthalle Wien, Vienna, Austria
“Hovedutstillinger”, Rogaland Museum of Fine Arts, Stavanger, Norway
“Tele Mondo” Le Parvis, scène nationale Tarbes Pyrénées, Ibos, France
“The Morning After“,Videoarbeiten der Sammlung Goetz, Neues Museum Weserburg, Bremen, Germany
“20/20”, Jensen Gallery, Auckland, New Zealand
“Good Doll, Bad Doll”, Armory Center for the Arts, Pasadena, California, USA
“The Cinema Effect: Illusion, Reality, and the Moving Image Part I: Dreams, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA
“Grensetilstander – internasjonal samtidskunst fra 1990” tallet - Sørlandets Art Museum, Kristiansand, Norway
“Looking at Music”, Museum of Modern Art, New York, USA
“California Video”, J. Paul Getty Museum, Los Angeles, California, USA
“Slightly Unbalanced”, Chicago Cultural Center, Chicago, Illinois, USA/Museum London, London
Canada/Huntington Museum of Art, Huntington, West Virginia, USA/Rodman Hall Arts Center, St. Catharines, Canada/Paul and Lulu Hillliard University Art Museum, Lafayette, Louisiana, USA/Joel and Lila Harnett Museum of Art, Richmond, Virginia, USA

2007
“J”embrasse Pas”, Collection Lambert En Avignon, France
“Pompidou Centre New Media 1965–2003”, Museu Nacional De Arte Contemporanea, Museu do Chiado, Lisbon, Portugal
“Borderlines”, Kunstmuseum, Bergen, Norway
“Theater without Theater”, Museum of Contemporary Art, Barcelona, Spain/Walker Art Center, Minneapolis, Minnesota, USA
“Contemporary, Cool and Collected”, Mint Museum of Art, Charlotte, North Carolina, USA
“Mask”, James Cohan Gallery, New York/NY Playback/Musée d’Art Moderne de la Ville de Paris, France
“Don’t Look”, Davis Museum and Cultural Center, Wellesley, Massachusetts, USA
“Chelsea to Caochangdi”, Chambers Fine Art, Beijing, China
“To Be Continued…Magasin 3”, Stockholm, Sweden
“Her (his)tory”, Museum of Cycladic Art, Athens, Greece
“Panic Attack! Art in the Punk Years”, Barbican Art Gallery, London, UK
“Inaugural Exhibition: Wrestle”, Hessel Museum of Art, Bard College, Annandaleon, Hudson, New York, USA
“Rockín Roll Vol. I”, Metro Pictures, New York, USA
Norrköpings Museum of Art, Norrköping, Sweden
“Passion for Art”, Essl Museum of Contemporary Art, Klosterneuburg, Austria
“Sympathy for the Devil: Art and Rock and Roll Since 1967”, Museum of Contemporary Art, Chicago, Illinois, USA

2006
“Don’t Trust Anyone Over 30” with Dan Graham and Rodney Graham, Whitney Biennal, Whitney Museum of American Art, New York, USA
“Into me/Out of me”, KW Institute for Contemporary Art, Berlin, Germany
“On/Off”, FRAC Lorraine, France
“Open House”, The Ellipse Foundation: Contemporary Art Collection, Lisbon, Portugal
“Super Vision”, Institute of Contemporary Art, Boston, Massachusetts, USA
“New York New York: Fifty Years of Art”, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco

2005
“Guardami, Percezione del Video”, Palazzo Delle Papesse, Centro Arte Contemporanea, Siena, Italy
“Perfect Partner”, with Kim Gordon, Barbican, London, UK

2004
“100 Artists See God”, The Jewish Museum, San Francisco and Laguna Art Museum, USA
“OMA AMO”, Neue Nationalgalerie, Berlin/Kunsthal, Rotterdam, The Netherlands
“DeJong, Oursler, Zansky Installations”, Rockland Center for the Arts, New York, USA
“Lonely Planet”, Contemporary Art Center, Art Tower Mito, Ibaraki-ken, Japan
“Videodreams: Between the Cinematic and the Theatrical”, Kunsthaus Graz, Austria
“North Fork/South Fork: East End Art Now”, Parish Art Museum, Southampton, Long Island, New York, USA
“An Exhibit and Private Auction”, Marianne Boesky Gallery, New York, USA
“At years end, rethinking The Family of Man”, De Appel, Amsterdam, The Netherlands
“The Print Show”, Exit Art, New York, USA
“A fripon Fripon et Demi”, Collection Lambert en Avignon, Avignon, France
“Bodily Space”, Albright-Knox Gallery, Buffalo, New York, USA
“Freud –The Creative Analysis of Analysis”, University of Connecticut, Storrs, Connecticut, USA
“Loachim Plum Collection”, Museum Kurhaus Kleve, Kleve, Germany
“Making Visible”, Gallery Faurschou, Copenhagen, Denmark
“Disparities & Deformations – Our Grotesque”, 5th International Site Santa Fe Biennial, Santa Fe, New Mexico, USA
“Landscape and Memory”, Centro Atlántico de Arte Moderno, Grand Canaria, Spain
Metro Pictures, New York, USA
“Visions of America, Contemporary Art from the Essl and Sonnabend Collection”, Kunst der Gegenwart, Vienna, Austria
Galeria Soledad Lorenzo, Madrid, Spain

2003
“Mystic”, Massachusetts College of Art, Boston, Massachusetts, USA
“videoMIX”, Arario Gallery, Cheonan-city, South Korea
“Drawings”, Metro Pictures, New York, USA
“Yanomami: Spirit of the Forest”, Fondation Cartier pour l’Art Contemporain, Paris, France
“Video +”, Carl Solway Gallery, Cincinnati, Ohio, USA
“The Poetics Project: 1977–1997”, Barbican Center, London, UK
“Skin: Contemporary Views of the Human Body”, Jacksonville Museum of Modern Art, Jacksonville, Florida, USA
“Mystic”, Sandra and David Bakalar Gallery, Massachusetts College of Art, Boston, Massachusetts, USA
“La Vista Y La Visión”, Institute Valencia d’Art Modern, Valencia, Spain
“Fast Forward”, Media Art Sammlung Goetz, KZM, Karlsruhe, Germany
“Art, Lies, and Videotape: Exposing Performance”, Tate Liverpool, Liverpool, UK
“Lux”, Andrew Jensen Gallery, Auckland, New Zealand/Mark Hutchins Gallery, Wellington, New Zealand

2002
“Hautnah: Die Sammlung Goetz”, Museum Villa Stuck, München, Germany
“Parole”, Galleria Civica di Arte Contemporanea, Trento, Italy
“Slow Motion”, Ludwig Forum für internationale Kunst, Aachen, Germany
“Station”, Magasin 3 Stockholm Konsthall, Stockholm, Sweden
“Heart of Glass”, Crafts Council Gallery, London, UK
“lehmann Maupin”, 540 West 26 Street, July 2002, New York, USA
“M_ARS. Art and War”, Neue Galerie Graz, Graz, Austria
“VideoMix”, Arario Gallery, Korea
“Galeria Soledad Lorenzo, Madrid, Spain
“The poetics Project 1977–1997”, Multi-media installation, Barbican Center, London, UK
“Contemporary Collecting: New Art for Manchester”, Manchester Art Gallery, UK
“Yanomami, l”esprit de la foret”, Fondation Cartier pour l”art contemporain, Paris, France
“Hommage an Rudolf Schwarzkogler”, Galerie Krinzinger, Vienna, Austria
“On Perspective”,Galleri Faurschou, Copenhagen, Denmark
“The First Decade-Video From the EAI Archives”, Museum of Modern Art, New York, USA
“The Uncanny”, Vancouver Art Gallery, Vancouver, Canada
Metro Pictures, New York, USA
“Vue De Près/Close Up”, Cuchifritos, New York, USA
“Portrait as Performance”, Hand Workshop Art Center, Richmond, Virginia, USA
“New York Renaissance–Masterworks From the Whitney Museum of American Art”, Palazzo Reale, Milan, Italy
Garten Landschaft Ostwestfalen-Lippe, Gräflicher Kurpark Driburg, Driburg, Germany
“Los Exceosos de la Mente”, Centro Andaluz de Arte Contemporáneo, Seville, Spain
“Ce Qui Arrive”, Fondation Cartier Pour L’Art Contemporain, Paris, France
“Cardinales”, Museo de Arte Contemporánea de Vigo, Vigo, Spain
“Video Acts”, P.S.1 Contemporary Art Center, Long Island City, New York/Institute of Contemporary Arts, London, UK
“Body Electric: Video Art and the Human Body”, Cheekwood, Nashville, Tennessee, USA
“Life, Death, Love, Hate, Pleasure, Pain”, Museum of Contemporary Art, Chicago, Illinois, USA

2001
“Ghost”, Ciocca Arte Contemporanea/Claudia Gian Ferrari Arte Contemporanea, Milan, Italy
“Black Box: The Dark Room in Art”, Museum of Fine Arts, Berne, Switzerland
“Tony Oursler, Mike Kelly, Jim Shaw”, Galerie Biedermann, München, Germany
“Switch”, Musée départemental d’art contemporain de Rochechouart, Limousin, France
“Electronic Maple: Human Language and Digital Culture in Contemporary Art”, New York, USA
Center for Media Arts, New York, USA
“Wechseltrom – Alternating Current”, Sammlung Hauser und Wirth in der Lokremise St. Gallen, Switzerland
“Das innere Befinden”, Kunstmuseum Liechtenstein, Liechtenstein
“God is in the Details”, Centre for Contemporary Art, Geneva, Switzerland
“Memento Mori”, Galerie Jérome de Noirmont, Paris, France
“Get Together: Art as Teamwork”, Kunsthalle Wien, Austria
“Artcité: when Montréal Turns into a Museum”, Museum of Contemporary Art, Monréal, Canada
“A Contemporary Cabinet of Curiosities – Selections from the Vicki and Kent Logan Collection”, Oliver Art Center, California College of the Arts, Oakland, California, USA
“Televisions”, Kunsthalle Wien, Vienna, Austria
“I Need You to Be There”, Center for Curatorial Studies, Bard College, Annandale-on Hudson, New York, USA
“Heart of Glass”, Queens Museum of Art, Queens, New York/The Crafts Council, London, UK
“Collaborations with Parkett: 1984 to Now”, Museum of Modern Art, New York, USA
“I’m Not Here: Constructing Identity at the Turn of the Century”, Susquehanna ArtMusuem, Harrisburg, Pennsylvania, USA
“Recent Acquistions”, Rockford Art Museum, Rockford, Illinois, USA
“Lateral Thinking: Art of the 1990’s”, Museum of Contemporary Art, San Diego, California/Colorado Sprigs Fine Art Center, Colorado Springs, Colorado/Hood Museum, Dartmouth University, Hanover, New Hampshire/Dayton Art Institute, Dayton, Ohio, USA
“Outside of the Box”, Contemporary Art Museum, University of South Florida, Tampa, Florida, USA
“Off The Grid: Works on Paper”, Lehmann Maupin Gallery, New York, USA

2000
“Appearance”, Galleria d’Arte Moderna Bologna, Italy
“The Anagrammatical Body”, Centre for Art and Media Technology Karlsruhe, Germany
“Mike Kelly/Tony Oursler”, Centre Pompidou, Paris, France
“Heaven”, Tate Liverpool, Liverpool, UK
“Wanas 2000”, Wanas Foundation, Knislinge, Sweden
“Film/Video Works – Lisson Gallery at 9 Keane Street”, Lisson Gallery, London, UK
“Sinn + Sinnlichkeit – Körper und Geist des Bildes”, New Museum Weserburg, Weserburg, Switzerland
“Media City, Seoul 2000”, Contemporary Art and Technology Biennial, Seoul, South Korea
“Spectacular Bodies – The Art and Science of the Human Body from Leonardo to now”, Hayward Gallery, London, UK
“Hitchcock et l’art: coïncidences fatales”, Musée des beaux-arts, Montréal, Canada
“Ich ist atwas Anderes (I is Another)”, Kunstsammlung, Düsseldorf, Germany
“Moving Pictures”, Real Art Ways, Hartford, Connecticut, USA
“Bizzaro World”, Cornell Fine Arts Museum, Rollins College, Winter Park, Forida, USA
“Blurring Boundaries: Installation Art 1969–1996”, San Jose Museum of Art, San Jose, California, USA
“Presumed Innocent”, Musée d’art Contemporain de Bordeaux, France
“Head Over Heels into the Millenium”, Musée d’art Contemporain de Montréal, Canada
“Limited and Unlimited Editions”, Artists Space, New York, USA
“Exorcism/Aesthetic Terrorism”, City Collection Rotterdam, The Netherlands
“Présumés innocents – L’art contemporain et l’enfance”, Musée d’Art Contemporain de Bordeaux, France
Metro Pictures, New York, USA
“Illuminations”, Auckland Art Museum, Chapel Hill, North Carolina, USA
“American Art Today: Fantasies & Curiosities”, Art Museum at Florida International University, Miami, Florida, USA
“00”, Barbara Gladstone Gallery, New York, USA
“WildLife”, Reynolds Gallery, Richmond, Virginia, USA
Officine Senza Nome, Polilab 2000, Terracino, Italy
“Long days”, longer nights, Galapagos Art & Performance Space, Brooklyn, New York, USA
“Hitchcock and Art: Fatal Coincidences”, The Montréal Museum of Fine Arts, Montréal, Canada/Centre Georges Pompidou, Paris, France
“Collecting Ideas: Works from the Polly and Mark Addison Collection”, Denver Art Museum, Denver, Colorado, USA

1999
“Tony Oursler, Dirk Reinartz”, Malmö Konsthall, Sweden
“I love New York”, Museum Ludwig, Köln, Germany
“Heaven: An Exhibition That Will Break Your Heart”, Kunsthalle Düsseldorf, Germany/Tate Gallery, Liverpool, UK
“Wände/Wall Works”, Museum Villa Stuck, München, Germany
“U.S. To Art 1950–2000”, Studio Casoli, Milano, Italy
“The Edge of Awareness – Al Limite Della Coscienza”, Triennale di Milano, Milano, Italy
“Sammensatt – Composite”, Museet for Samtidskunst, National Museum of Contemporary Art, Oslo, Norway
“Double Lives”, Institut de Cultura de Barcelona, Spain
“Video Cult/ures”, Center for Art and Media, MfCA, Karlsruhe, Germany
“American Century”, Whitney Museum of American Art, New York, USA
“Skin”, Deste Foundation Center for Contemporary Art, Athens, Greece
“Triennale Exhibition: Sentiment of the Year 2000”, Triennale di Milano, Milan, Italy
“Millennium My Eye!”, Musée d’art Contemporain de Montréal, Canada
“6th International Istanbul Biennial”, Istanbul Foundation for Culture and Arts, Istanbul, Turkey
“Drawn by…”, Metro Pictures, New York, USA
“Rewind to the Future”, Bonner Kunstverein, Bonn, Germany
“Salome: Images of Women in Contemporary Art”, Castle Gallery, New Rochelle, New York, USA
“Collectors Collect Contemporary: 1990–1999”, Institute of Contemporary Art, Boston, Massachussetts
“Heaven”, Kunsthalle Düsseldorf, Germany
“Der Anagrammatische Körper”, Jahresmuseum, Mürzzuschlag, Austria/ZKM Medientheater, Karlsruhe, Germany
“I’m Not Here”, Susquehanna Art Museum, Harrisburg, Pennsylvania, USA
“Life Cycles”, Galerie für Zeitgenössische Kunst, Leipzig, Germany

1998
“Electronically Yours”, National Portrait Gallery, London, UK
Kunstverein Hannover, Germany
“Reservate der Sehnsucht/Zones of Desire”, Kulturbüro Stadt, Dortmund, Germany
“Video: Tony Oursler, Bruce Naumen, Sam Taylor-Wood”, San Francisco Museum of Modern Art, San Francisco, California, USA
“Sao Paulo Biennale XXIV”, São Paulo, Brazil
Gian Enzo Sperone, Milan, Italy
“Presumed Innocence”, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, USA
“The Secret Life of Clothes”, The Nishinippon, Fukuoka, Japan
“Mysterious Voyages”, Contemporary Museum, Baltimore, Maryland, USA
“Exterminating Angel”, Galerie Ghislaine Hussenot, Paris, France
“Spectacular Optical”, Thread Waxing Space, New York, USA
“Pop Surrealism”, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, USA
“Avatar”, De Oude Kerk, Amsterdam, The Netherlands
“Bathroom”,Thomas Healy Gallery, New York, USA
“mächtig gewaltig: Internationale Videokunst”, ACC Galerie Weimar, Germany
“German Connections and Contradictions: Modern and Contemporary Art from Atlanta Collections”, Michael C. Carlos Museum, Emory University, Atlanta, Georgia, USA
“From Figure to Floor: Sculpture in the Twentieth Century, Milwaukee Art Museum, Milwaukee, Wisconsin, USA
“Emotion”, Deichtorhallen, Hamburg, Germany
“I Love New York”, Museum Ludwig, Köln, Germany
“Bowie”, Rupert Goldsworthy Gallery, New York, USA
“Escenes de L’Imaginari: Festival internacional de Teatre visual i de Titelles de Barcelona XXV. aniversari”, Institut del Teatre, Barcelona, Spain

1997
“Whitney Biennale”, New York, USA
“Anatomy of Space and Time”, Kobe Fashion Museum, Japan
“Gothic”, ICA, Boston, Massachusetts, USA
“Made in France”, Centre Georges Pompidou, Paris, France
“Video Positive”, Liverpool and Manchester, UK
“Scream and Scream Again, Film in Art”, Museum of Contemporary Art, Helsinki, Finnland
Paule Anglim Gallery, San Francisco, USA
Capc Musée d’art Contemporain, Bordeaux, France
“Künstlerlnnen, 50 Positionen”, Kunsthaus Bregenz, Vienna, Austria
“Technological drift”, Lawing, Houston, Texas, USA
Tokyo Koi Nagi Gallery, Tokyo, Japan
“Poetics Project 1977–1997” with Mike Kelley, Documenta X, Kassel, Germany
“Skulptur Projekte”, Münster, Germany
“The Body”, The Art Gallery of New South Wales, Sydney, Australia
Museum of Contemporary Art, Tokyo, Japan
“The Digital Video Wall”, Rockefeller Center, New York, USA
“M.A. Thesis Exhibition”, Center For Curatorial Studies, Bard College, Annandale-on-Hudson, New York, USA
“Engel: Engel”, Kunsthalle Wien, Vienna, Austria/Galerie Rudolfinum, Prague, Czech
“Republic* Identité”, Institut d’Art Contemporain, Geneva, Switzerland
SITE Santa Fe, Santa Fe, New Mexico, USA
Barbara Krakow Gallery, Boston, Massachusetts, USA
“Installations/Projects”, P.S. 1 Contemporary Art Center, Long Island City, New York, USA
“World Wide Video Festival”, Stedilijk Museum, Amsterdam, The Netherlands
“Patrick Painter”, Santa Monica, California, USA
“Zones of Disturbance, steirischer herbst 97”, Graz, Austria
“der Menschliche Faktor – Das Individuum im Spiegel zeitgenossischen Kunst”, Hypobank International S.A., Luxembourg City, Luxembourg
The Eli Broad Family Foundation, Santa Monica, California, USA

1996
“Never Walk Home Alone”, The Photographers Gallery, London, UK
“Elsewhere”, Galerie Froment & Putman, Paris, France
“Scream and Scream Again”, MOMA, Oxford, UK
“Moving Structures”, Lehmann Maupin, New York, USA
“New Persona/New Universe”, Stazione Leopolda, Florence, Italy
“Being and Time, the emergence of video projection”, Albright Knox Art Gallery, Buffalo, New York, USA
“Portrett”, National Museum of Contemporary Art, Oslo, Norway
“Hide and Seek”, The Jerusalem Foundation, Israel
“ID, An international survey on the notion of identity in contemporary art”, Stedelijk
van Abbemuseum, Eindhoven, The Netherlands
“Altered and Irrational”, Whitney Museum of American Art, New York, USA
“Sex & Crime: On Human Relationships”, Sprengel Musem, Hannover, Germany
“Young Americans: New American Art in the Saatchi Collection”, Saatchi Gallery, London, UK
“Phantasmagoria”, Museum of Contemporary Art, Sydney, Australia
“10th Biennale of Sydney”, Sydney, Australia
“Sampler 2”, David Zwirner, New York, USA
“Empty Dress”, The Rubelle & Norman Schafler Gallery, Pratt Institute, Brooklyn, New York, USA
“Kingdom of Flora”, Shoshana Wayne Gallery, Santa Monica, California, USA
“Human Technology”, Revolution, Ferndale, Michigan, USA
Metro Pictures, New York, USA
Lisson Gallery, London, UK
“Tomorrow”, Rockland Center for the Arts, West Nyack, New York, USA
The Cincinnati Art Museum, Cincinnati, Ohio, USA
“New York Unplugged II”, Gallery Cotthem, Knokke-Zoute, Belgium
“Radical Images”, 2nd Austrian Triennial on Photography, Neue Galerie am Landesmuseum, Austria
“Matthew Barney, Tony Oursler, Jeff Wall”, Sammlung Goetz, München, Germany
Cranbrook Art Museum, Bloomfield Hills, Michigan/Portland Art Museum, Portland, Oregon/Contemporary Arts Museum, Houston, Texas, USA
Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA
“The Red Gate”, Whitney Museum of American Art, New York, USA/Museum van Hedendaagse Kunst, Ghent, Belgium
“The Scream”, The Nordic Arts Centre, Helsinki, Finland/Arken Museum of Modern Art, Ishoj, Denmark
“Face Value: American Portraits”, The Parrish Art Museum, South Hampton, New York, USA
“Intermission”, Basilico Fine Arts, New York, USA
“ID”, Van Abbemuseum, Eindhoven, The Netherlands

1995
“Ars 95”, Museum of Contemporary Art, Helsinki, Finland
“The Message is the Medium: Issues of Representation in Modern Technologies”, Castle Gallery, College of New Rochelle, New York, USA
“Zeichen & Wunder”, Kunsthaus Zürich, Switzerland/Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
“Entre Acte 1”, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands
“Fetishism”, Brighton Museum and Art Galleries, UK
“Fantastic Prayers”, (collaboration with Constance DeJong and Stephen Vitiello), DIA Center for thr Arts, Rushmore Festival, New York, USA
“Inside Out: Psychological Self-Portraiture”, The Aldrich Musseum of Contemporary Art, Connecticut, USA
“Trust”, Tramway, Glasgow, Scotland
“Man & Machine: Technology Art”, Dong-Ah Gallery, Seoul, Korea
“Configura 2 – Dialog Der Kulturen – Erfurt 1995”, Erfurt, Germany
“Immagini in Prospettive”, Zerynthia, Rome, Italy
“L”Effect Cinéma”, Musée d’Art Contemporain de Montréal, Canada
“Auto Reverse”, Saint-Gervais and Centre Européen de la Culture, Geneva, Switzerland
Mendelson Gallery, Pittsburgh, Pennsylvania, USA
“Passions Privées”, Museé d’Art Moderne de la Ville de Paris, France
“Le Printemps de Cahors”, la Compagnie des Arts, Cahors, France
“Playtime: Artists and Toys”, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA
“Video Spaces: Eight Installations”, The Museum of Modern Art, New York, USA
“1995 Carnegie International”, Carnegie Museum of Art, Pittsburgh, Pennsylvania, USA
“3e Biennale de Lyon”, France

1994
Galleria Galliani, Genova, Italy
“Beeld”, Museum van Hedendaagse, Citadelpark, Gent, Belgium
“A Sculpture Show”, Marian Goodman Gallery, New York, USA
“Tony Oursler and John Kessler”, Salzburg Kunstverein, Salzburg, Austria
“The Laugh of #12”, Fort Asperen, Acquoy, The Netherlands/Galleria Galliani, Genoa, Italy
“The Figure”, The Lobby Gallery, Deutsche Bank, New York, USA
Metro Pictures, New York, USA
Laura Carpenter Fine Art, Santa Fe, New Mexico, USA
“Home Video Redefined: Media, Sculpture and Domesticity”, Center of Contemporary Art, Miami, Florida, USA
“Light”, ARTprop, New York, USA
“Medienbiennale 94”, Minima Media, Leipzig, Germany
“Heart of Darkness”, Kroller Müller Museum, The Netherlands

1993
“Love Again”, Kunstraum Elbschloss, Hamburg, Germany
“3rd International Biennale in Nagoya-Artec“93”, Nagoya City Art Museum, Japan
“Privat”, Gallery F-15, Oslo, Norway

1992
“Documenta 9”, Kassel, Germany
“Station Project”, Kortrijk Railway Station, Kortrijk, Belgium

1991
“New York Time Festival”, Museum van Hedendaagse Kunst, Gent, Belgium
“Triune”, Bluecoat Gallery, Video Positive Festival, Liverpool, UK

1990
“The Technological Muse”, Katonah Museum of Art, Katonah, New York, USA
“Tendance Multiples, Vidéo des Années 80”, Centre Georges Pompidou, Paris, France
“Video/Objects/Installations/Photography”, Howard Yezerski Gallery, Boston, Massachusetts, USA
“Video Transforms Television – Communicating Unease”, New Langton Arts, San Francisco, California, USA

1989
“World Wide Video Festival”, Den Haag, The Netherlands
“Biennial Exibition”, Whitney Museum of American Art, New York, USA
“Video Sculpture 1963–1989”, Kölnischer Kunstverein, Köln, Germany
“XII Salso Film & TV Festival”, Salsomaggiore, Italy
“Masterpieces”, Stadtgarten, Köln, Germany
“Nepotism”, Hallwalls, Buffalo, New York, USA
“Video and Language”, Museum of Modern Art, New York, USA
“Sanity is Madness”, The Artists Foundation Gallery, Boston, Massachusetts, USA
“World Wide Video Festival”, Den Haag, The Netherlands

1988
“The BiNational”, Institute of Contemporary Art, Museum of Fine Arts, Boston, Massachusetts, USA
“Film Video Arts, 17 Years”, Museum of Modern Art, New York, USA
“Twilight, Festival Belluard 88 Bollwerk”, Fribourg, Switzerland
“2nd Videonale”, Bonn, Germany
“New York Dagen”, Kunstichting, Rotterdam, The Netherlands
“Videografia”, Barcelona, Spain
“Varitish”, Korea
“New York Musikk”, Oslo, Norway
“Festival International du Nouveau Cinema et de la Vidéo”, Montreal, Canada
“Replacement”, LACE, Los Angeles, California, USA
“Interfermental 7”, Hallwalls, Buffalo, New York, USA
“Serious Fun Festival”, installation for Alice Tully Hall, Lincoln Center, New York, USA

1987
“L“époque, la mode, la morale, la passion”, Centre Georges Pompidou, Paris, France
“Aspects of Media: Video”, Department of Video/Art Advisory Service of the Museum of Modern Art for Johnson & Johnson, New York, USA
“Japan 1987”, Television and Video Festival, Spiral, Tokyo, Japan
“Documenta 8”, Kassel, Germany
“Schema”, Baskerville + Watson Gallery, New York, USA

1984
“The Luminous Image”, Stedjelijk Museum, Amsterdam, The Netherlands

1983
“X Catholic”, Beyond Baroque, Los Angeles, California, USA

 

Videos

2004
“Commu”, Seattle Public Library, Seattle, Washington

2000
“The Influence Machine”, The Becks/Artangel Commission

1992
“Toxic Detox”, (in collaboration with Joe Gibbons)
“Triptych: Model Release” (with Constance DeJong)
“Paranoid Schozoid Position” (with Kim Gordon)
“Test” (with Karen Finley)

1991
“Kepone”, 10 Min.

1990
“Tunic (for Karen)”, (in collaboration with Sonic Youth), 6 Min.

1988
Diane Brown Gallery

“ONOUROWN”, (Collaboration with Joe Gibbons), 47 Min.
“Joy Ride TM”, (in collaboration with Constance DeJong)

1987
“Sucker”, 5 Min.

Belgium Radio and Television
The Western Front of Vancouver and Los Angeles Contemporary Exhibitions

1986
Centre Georges Pompidou, Paris, France
“Diamond the 8 Lights: Sphères d’Influence”, 55 Min.

1985
“Sphères d’influence”, 45 Min., Farbe

1984
“EVOL”, 30 Min.

1983
“Spinout”, 17 Min.
“Theme Song from Si Fi”, 5 Min.
“Rome Hilton”, 2 Min.
“My Class”, 12 Min., Farbe

1982
“Son of Oil”, 18 Min., Farbe

1981
“Grand Mal”, 23 Min. Farbe

1979
“Diamond Head”, 25 Min., s/w
“Selected Shorts”, 20 Min.
“The Rosery Finger of Dawn”, 10 Min., Farbe
“The Loner”, 32 Min., Farbe

1978
“Life”, 10 Min., s/w
“Good Things + Bad Things”, 10 Min., s/w

1977
“The Life of Phillis”, 55 Min., s/w

1976
“Joe, Joe’s Transsexual Brother and Joe’s Woman”, 25 Min., s/w

 

Performances

1994
Dia Centre for the Arts with Constance de Jong and Steven Vitiello

 

Public Collections

 

Aarhus Kunstmuseum, Denmark
Ackland Art Museum, Chapel Hill, North Carolina, USA
Albright Knox Art Gallery, Buffalo, New York, USA
Arken Museum for Modern Art, Denmark
Broad Art Foundation, Los Angeles, California, USA
CAPC Musée d’art Contemporain de Bordeaux, Bordeaux, France
Carnegie Museum of Art, Pittsburgh, Pennsylvania, USA
Fondation Cartier pour l’Art Contemporain, Paris, France
Centre Georges Pompidou, Paris, France
Cincinnati Art Museum, Cincinnati, Ohio, USA
Cleveland Museum of Art, Cleveland, Ohio, USA
DePont Foundation for Contemporary Art, Tilburg, The Netherlands
Des Moines Art Center, Des Moines, IA
Eli Broad Family Foundation, Los Angeles, California, USA
Ellipse Foundation of Contemporary Art, Cascais, Portugal
Goetz Collection, München, Germany
Hammer Museum, Los Angeles, California, USA
Hara Museum, Tokyo, Japan
Hirshhorn Museum and Scu
lpture Garden, Washington, D.C., USA
JB Speed Museum, Louisville, Kentucky, USA
Joslyn Art Museum, Omaha, NE
Los Angeles County Museum of Art, Los Angeles, California, USA
Magasin 3, Stockholm, Sweden
Milwaukee Art Museum, Milwaukee, Wisconsin, USA
Modern Art Museum of Fort Worth, Fort Worth, Texas, USA
Musée d’Art Contemporain de Montréal, Montréal, Canada
Musée d’Art Contemporain, Lyon, France
Museu d’Art Contemporani, Barcelona, Spain
Museum der Kulturen, Basel, Switzerland
Museum of Contemporary Art, Chicago, Illinois, USA
Museum of Contemporary Art, Helsinki, Finland
Museum of Contemporary Art, San Diego, California, USA
Museum of Modern Art, New York, USA
Museum Ludwig, Köln, Germany
National Museum of Osaka
Osaka, Japan
Orange County Museum of Art
Newport Beach, California, USA
Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA
San Francisco Museum of Modern Art, San Francisco, California, USA
Saatchi Collection, London, UK
Staatsgalerie Moderner Kunst, München, Germany
Tate Modern, London, UK
Van Abbemuseum, Eindhoven, The Netherlands
Virginia Museum of Fine Arts, Richmond, VA
Whitney Museum of American Art, New York, USA
Williams College Museum of Art, Williamstown, Massachusetts, USA
ZMK/Center for Art & Media, Karlsruhe, Germany

Markus Oehlen: Neue Bilder

19.01.2012 - 28.02.2012

Installation Views

Markus Oehlen

Markus Oehlen works and lives in Krefeld, Germany.

1954
Born in Krefeld, Germany

Education

1976
Kunstakademie Düsseldorf, Germany

 

Awards/Prizes/Grants/Fellowships

1987
Berliner Kunstpreis

 

Solo Exhibitions

2012
Galerie Hans Mayer, Düsseldorf, Germany

2011
Galerie Bärbel Grässlin, Frankfurt am Main, Germany

2010
“Starfighter”, Galerie der Stadt Backnang, Germany
“Radieschen und Erdnuss – eine gemeinsame Erklärung” (with Tim Berresheim), Kunsthalle Gießen, Germany
“The Metalshit Metaphacre”, Galerie Sabine Knust, München, Germany

2008
Galerie Bärbel Grässlin, Frankfurt am Main, Germany
Galerie Hammelehle und Ahrens, Köln, Germany

2007
Galerie Hans Mayer, Düsseldorf, Germany
Galerie Hohenlohe, Wien, Austria

2006
Galerie Juana de Aizpuru, Madrid, Spain

2005
“Löffelpogo!”, Galerie Bärbel Grässlin, Frankfurt am Main, Germany
Galerie Asbaek, Kopenhagen, Denmark

2004
Galerie Hammelehle und Ahrens, Köln, Germany
Galerie Hans Mayer, Düsseldorf, Germany

2003
Galerie Suzanne Tarasiève, Paris, France
Galerie Bärbel Grässlin, Frankfurt am Main, Germany

2002
Galerie Suzanne Tarasieve, Paris, France
Galerie Hammelehle und Ahrens, Köln, Germany
Kunstsammlungen Chemnitz, Germany

2001
Galerie Hohenlohe und Kalb, Wien, Austria
Galerie Hans Mayer, Düsseldorf, Germany

2000
Galerie Bärbel Grässlin, Frankfurt am Main, Germany
“Der Ritt der sieben Nutten – das war mein Jahrhundert” (Markus and Albert Oehlen), Museum Abteiberg, Mönchengladbach, Germany
Galerie Esther Freund, Wien, Austria

1999
Galerie Bleich-Rossi, Graz, Austria
Galerie Hammelehle und Ahrens, Stuttgart, Germany

1998
Galerie Juana de Aizpuru, Madrid, Spain
Galerie Hammelehle und Ahrens, Stuttgart, Germany
Galéria Saro León, Las Palmas de Gran Canaria, Spain

1997
Paranoia Picknick, Galerie Gisela Capitain, Köln, Germany
Galerie Andreas Binder, München, Germany
Galerie Patrick de Brock, Knokke, Belgien

1996
Galerie Hammelehle und Ahrens, Stuttgart, Germany
Galerie Bärbel Grässlin, Frankfurt am Main, Germany
Kunstverein Kassel, Germany

1995
Museum Dhondt Dhaenens (with P. Vandenberg), Deurle, Belgium

1994
Art Frankfurt, Galerie Bärbel Grässlin, Frankfurt, Germany
Krefelder Kunstverein, Krefeld, Germany
Brigitte Schenk, Köln, Germany
“25 Zeichnungen – 1 Assemblage”, Galerie Andreas Binder, München, Germany
Saro Leone, Gran Canaria, Spain

1993
“Projects 39” (with Georg Herold), The Museum of Modern Art, New York, USA

1992
David Nolan Gallery, New York, USA

1991
Galerie Gisela Capitain, Köln, Germany
Galerie Peter Pakesch, Wien, Austria
Galerie Max Hetzler, Köln, Germany

1990
Galerie Grässlin-Ehrhardt, Frankfurt, Germany
Galerie Bleich-Rossi, Graz, Austria
“Realidad Abstracta” (with Albert Oehlen), Universidad Internacional Menendez Pelayo, Santander, Spain
Birgit Küng, Zürich, Switzerland

1989
“Arbeiten auf Papier”, Maximilianverlag Sabine Knust, München, Germany
Galerie Max Hetzler, Köln, Germany

1988
Galerie Grässlin-Erhardt, Frankfurt am Main, Germany
PPS Galerie, F.C. Gundlach, Hamburg, Germany
Galerie Ursula Schurr, Stuttgart, Germany

1987
Galerie Fucares, Madrid, Spain
Galerie Max Hetzler, Köln, Germany
Galerie Borgmann-Capitain, Köln, Germany
Art Cologne 87, Galerie Max Hetzler, Köln, Germany
Galerie Reinhard Onnasch, Berlin, Germany

1986
Galerie Arno Kohnen, Düsseldorf, Germany
Galerie Grässlin-Erhardt, Frankfurt am Main, Germany
Galerie Peter Pakesch, Wien, Austria

1985
“Kunst RAI 85”, Galerie Max Hetzler, Amsterdam, The Netherlands
Galerie Reinhard Onnasch, Berlin, Germany
Asperger & Bischoff Gallery Inc., Chicago, Illinois, USA
“Drei Skulpturen”, Galerie Max Hetzler, Köln, Germany
Galerie Richard Foncke, Gent, Belgium

1984
Galerie Reinhard Onnasch, Berlin, Germany
Galerie Heinrich Erhardt, Madrid, Spain
Galerie Max Hetzler, Köln, Germany

1983
Galerie Arno Kohnen, Düsseldorf, Germany
Forum Kunst, Rottweil, Germany
Galerie Peter Pakesch, Wien, Austria
Galerie Max Hetzler, Köln, Germany

1982
Galerie Max Hetzler, Stuttgart, Germany
Galerie Vera Munro, Hamburg, Germany
Galerie Art in Progress, München, Germany

1981
Galerie Silvio Baviera, Zürich, Switzerland

1979
Galerie Arno Kohnen, Düsseldorf, Germany
Künstlerhaus Hamburg, Germany

1977
“Television”, Konrad Fischers Raum Neubrückstraße, Düsseldorf, Germany

 

Group Exhibitions

2010
“Die Bilder tun was mit mir… Einblicke in die Sammlung Frieder Burda”, Museum Frieder Burda, Baden-Baden, Germany
“West/Ost. Ludwigs Grafik 2”, Ludwig Forum, Aachen, Germany

2009
“Männer, Frauen und Porträts aus der Sammlung Grässlin”, St. Georgen, Germany
Art Foundation Mallorca Collection, Centro Cultural Andratx, Mallorca, Spain
“Passioniert Provokativ – Die Sammlung Stoffel”, Pinakothek der Moderne, München, Germany
“Hängung #5, Sammlung Peter und Alison Klein”, Eberdingen, Germany

2008
“PAS DE DEUX – Wie sich die Bilder gleichen”, Städtische Galerie Villa Zanders, Bergisch Gladbach, Germany
“Vertrautes Terrain – Aktuelle Kunst in und über Deutschland”, Museum für Neue Kunst, ZKM, Karlsruhe, Germany
“Klasse Markus Oehlen”, Galerie Noah, Augsburg, Germany
“Pensée Sauvage – von menschlicher Freiheit”, Kunstverein Frankfurt, Germany

2007
“Pensée Sauvage – von menschlicher Freiheit”, Ursula Blickle Stiftung, Kraichtal, Germany
“Sammlung Grässlin”, Räume für Kunst, St. Georgen, Germany

2006
“FASTER! BIGGER! BETTER”, ZKM, Museum für Neue Kunst, Karlsruhe, Germany
“Sammlung Grässlin”, Räume für Kunst, St. Georgen, Germany
“abstract art now - strictly geometrical?”, Wilhelm-Hack-Museum, Ludwigshafen, Germany
“Neue Malerei – Erwerbungen 2002–2005”, Museum Frieder Burda, Baden-Baden, Germany
“Sonderschau”, Art Forum Berlin 2006, Berlin, Germany
“Art Unlimited”, Art 37 Basel 2006, Switzerland
“Open Source”, raum 500, München, Germany
“Sammlung Dahlmann”, Leopold Hoesch Museum, Düren, Germany

2004
“Sammlung Falckenberg”, FIAC Paris, France

2003
“Resonanzräume”, Präfektur Shizuoka, Hamamatsu, Japan
“Action Button, Neuerwerbungen zur Bundessammlung Zeitgenössischer Kunst”, Hamburger Bahnhof, Berlin, Germany
“Markus Oehlen/Jorge Rodrigues”, Galeria Filomena Soares, Lisbon, Portugal
“Because if itʼs not love, then itʼs the bomb that will bring us together”, Institute of Visual Culture, Cambridge, Massachusetts, USA
“Obsessive Malerei – Ein Rückblick auf die Neuen Wilden”, Museum für Neue Kunst, ZKM Karlsruhe, Germany
“gar.net”, Die Bank, München, Germany

2002
Kunstverein Malkasten, Düsseldorf, Germany
Galerie Suzanne Tarasiève, Paris, France

2001
Sala de Exposiciones Rekalde, Bilbao, Spain
Schloss Morsbroich, Städtisches Museum Leverkusen, Germany
Salons de Musique, Musée d’Art Moderne et Contemporain de Strassbourg, France
Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany
Städtisches Museum Abteiberg, Mönchengladbach, Germany
Ausstellungsgesellschaft für zeitgenössische Kunst, Zollverein, Essen, Germany
“Vom Eindruck zum Ausdruck – Grässlin Collection”, Deichtorhallen, Hamburg, Germany

2000
“Transfer”, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain

1999
“1818 Tage bis heute”, Galerie Hammelehle und Ahrens, Stuttgart, Germany
ARCO Madrid, Stand Galéria Juana de Aizpuru, Spain
“Malerei”, INIT-Kunsthalle Berlin, Germany
“Die Schule von Athen – Deutsche Kunst heute”, Tecnopolis, Athen, Greece
Galerie Karl Pfefferle, München, Germany

1998
“El Niño”, Museum Abteiberg Mönchengladbach, Germany
“Fast forward: image”, Kunstverein in Hamburg, Germany

1997
“Hommage à Kippenberger” (with A. Oehlen, Büttner, Kiecol, West, Herold), Galéria Juana de Aizpuru, Madrid, Spain
“Art Forum Berlin”, Stand Galerie Hammelehle und Ahrens, Berlin, Germany

1996
“Kalt 1”, Tivoli Kraftwerk, München, Germany
Galerie Hammelehle und Ahrens, Stuttgart, Germany
European Art Forum Berlin, Stand Galerie Hammelehle und Ahrens, Berlin, Germany

1994
“Akzentverschiebungen”, Neues Museum Weserburg, Bremen, Germany
Klemens Gasser (with Büttner, Förg, Herold, A. Oehlen), Bolzano/Bozen, Italy
“Frauenkunst – Männerkunst”, Kunstverein Kippenberger/Museum Fridericianum, Kassel, Germany

1993
“Estrategia del Sentido” (with Herold, Kosuth, LeWitt), Palacio Revillagigedo, Gijón, Spain

1991
“Bildlicht – Malerei zwischen Material und Immaterialität”, Wien, Austria
“Gullivers Reisen”, Galerie Sophia Ungers, Köln, Germany

1989
“Neue Figuration – Deutsche Malerei 1960–88”, Kunstmuseum Düsseldorf/Schirn Kunsthalle Frankfurt am Main, Germany

1988
“Skulpturenprojekte Dürr – Broken Neon”, Galerie Dürr, München, Germany
“Broken Neon”, Galerie Silvana Lorenz, Paris, France
“Videoprojekt: ausgesuchte Videos von …”, München, Germany

1987
“Q.U.I.”, Villa Arson, Nizza, France
“Neue Kunst in Hamburg”, Kampnagelfabrik, Hamburg, Germany
“Broken Neon – Steirischer Herbst 87”, Forum Stadtpark, Graz, Austria
“Multiples”, Daniel Buchholz, Köln, Germany

1986
“Deutsche Malerei der Gegenwart”, Galerie Comicos, Lissabon, Portugal
“Macht und Ohnmacht der Beziehungen”, Museum am Ostwall, Dortmund, Germany
“Neue deutsche Kunst aus der Sammlung Ludwig”, Aachen, Germany
Haus Metternich, Koblenz, Germany
“Europa-Amerika”, Museum Ludwig, Köln, Germany

1985
Galerie Heinrich Ehrhardt, Frankfurt am Main, Germany

“7000 Eichen”, Kunsthalle Bielefeld, Germany
Studio d (with Büttner, Kippenberger, A. Oehlen), Tübingen, Germany
“Internationale Kunstausstellung”, National Galerie Budapest, Hungary

“1945–1995, Kunst in der Bundesrepublik Deutschland”, Nationalgalerie Berlin, Germany

1984
“Zwischenbilanz”, Neue Galerie im Johanneum, Graz, Austria
Museum Villa Stuck, München, Germany/Forum für aktuelle Kunst, Galerie Krinzinger, Innsbruck, Austria/Rheinisches Landesmuseum, Bonn, Germany
“Deutsch-sprechende Galeristinnen”, Galerie Six Friedrich, München, Germany
“Tiefe Blicke”, Hessisches Landesmuseum, Darmstadt, Germany
“von hier aus”, Messegelände Düsseldorf, Germany
“Metro Pictures” (with Büttner, Kippenberger, A. Oehlen), New York, USA
Sammlung Metzger, Kunsthalle Budapest, Hungary
Sara Hilden Art Museum, Tampere, Kuntnernes Hus, Oslo, Norway

1983
Galerie Max Hetzler, Stuttgart, Germany
“Schwerter zu Zapfhähnen”, Galerie Peter Pakesch, Wien, Austria

1982
“Über sieben Brücken mußt Du gehen”, Galerie Max Hetzler, Stuttgart, Germany
Kutscherhaus, Berlin, Germany
Herbstsalon, Kunsthalle Köln, Germany
“La Giovane Transavanguardia Tedesca”, Galleria Nazionale dʼArte Moderna, San Marino
“Tendenzen 82”, Museum Ulm, Germany

1981
“Art Allemagne Aujourdʼhui”, Musée de la Ville de Paris, France
“Rundschau Deutschland I”, Lothringer Straße, München, Germany
“Rundschau Deutschland II”, im Klapperhof, Köln, Germany
“Junge Kunst aus Westdeutschland 81”, Galerie Max Hetzler, Stuttgart, Germany
“Gegen-Bilder”, Badischer Kunstverein, Karlsruhe, Germany

1980
“1. außerordentliche Veranstaltung in Bild und Klang zum Thema der Zeit: Aktion Pisskrücke (Geheimdienst am Nächsten)”, Künstlerhaus, Hamburg, Germany
“Finger für Deutschland”, Atelier Jörg Immendorff, Düsseldorf, Germany
“Kunstausstellungen Gutenbergstraße 62a”, Stuttgart, Germany

1979
“Immer wieder X9200” (with Walter Dahn), Galerie Magers, Bonn, Germany
“1. außerordentliche Veranstaltung in Bild und Klang zum Thema der Zeit: Elend”, Kippenbergers Büro, Berlin, Germany

1978
“Böth Thungen - chlechte Thäne” (with Albert Oehlen), Galerie Arno Kohnen, Düsseldorf, Germany

9 Künstler, 9 Werke: Kunstakademie

09.09.2011 - 10.11.2011

Installation Views

Bill Beckley: Neue Arbeiten

02.09.2010 - 15.10.2010

Installation Views

Bill Beckley

Bill Beckley lives and works in New York.

1946
Born in Hamburg, Pennsylvania, USA

 

Education

1977
Kutztown State University, B.F.A., Kutztown, Pennsylvania, USA

1970
Tyler School of Art, M.F.A., Philadelphia, Pennsylvania, USA

 

Awards/Prizes/Grants/Fellowships

1997
Pollock-Krasner Grant

1986
New York Council of the Arts

1979
National Endowment of the Arts

1976
New York Council of the Arts

1973
New York Council of the Arts

 

Solo Exhibitions

2014
“The Accidental Poet – Works from the Seventies”, Galerie Hans Mayer, Düsseldorf, Germany

2013
“Retrospective”, Galerie Hans Mayer, Düsseldorf, Germany
“Flag Attempts”, Galerie Hans Mayer, Art Basel, Switzerland

2011
Rosenbaum Contemporary Boca Raton, Florida, USA
112 Greene Street Show 1970–1973, James Solomon Gallery, New York, USA
“P420 Arte contemporanea e libri”, Bologna, Italy
“Talk at the National Arts Club”, New York City (for Anthony Haden Guest), USA
“Narration works of 70” by Bill Beckley, Peter Hutchinson, and Franco Vaccari, Alternative Histories, Exit Art, New York, USA
Galerie Hans Mayer, Düsseldorf, Germany
Sammlung Hoffmann, Berlin, Germany

2010
Galerie Hans Mayer, Düsseldorf, Germany
“Etcetera”, Tony Shafrazi Gallery, New York, USA
Galerie Hans Mayer, ARCO Madrid, Spain
ArteFiera, Studio Trisorio, Napoli/Rome, Italy
Galerie Hans Mayer, Art Basel Miami Beach, USA
Rosenbaum Contemporary, Art Basel Miami Beach, USA

2009
Galerie Hans Mayer, Düsseldorf, Germany
Studio Trisorio, Naples, Italy
Studio Trisorio, Rome, Italy

2008
Galerie Hans Mayer, Düsseldorf, Germany
“Ping-Pong Dialogues”, Chelsea Space, London, UK
Rosenbaum Contemporary Gallery Center, Florida, USA

2007
Galerie Hans Mayer, Düsseldorf, Germany
Park Ryu Sook Gallery, Korea
Bruna Soletti Gallery, Milan, Italy
Dorfman Projects, NYC, New York, USA

2006
Park Ryu Sook Gallery, Korea

2004
Robert McClain Gallery, Houston, Texas, USA
Studio Trisorio, Naples, Italy
Studio Trisorio, Rome, Italy

2003
Galerie Hans Mayer, Düsseldorf, Germany
Gallery Park Ryu-Sook, Seoul, South Korea

2001
Tony Shafrazi Gallery, (Fourteen Stations) New York City, USA
“New works”, Galerie Hans Mayer, Berlin, Germany

2000
“Selected works 1970–1999”, John Gibson Gallery, New York City, USA

1999
Anouk Taché and Carole Lévy Gallery, Brussels, Belgium

1998
Galerie Hans Mayer, Düsseldorf, Germany
Galeria Milano, Milano, Italy
Galeria Trisorio, Naples, Italy

1997
John Gibson Gallery, New York, USA

1996
Ace Gallery, Los Angeles, USA

1995
“Five Easy Pieces”, Ace Gallery, New York City, USA

1994
Galerie Hans Mayer, Düsseldorf, Germany
Foundation Chateau de Jau, France

1993
Galeria Pedro Oliveira, Porto, Portugal

1992
“On The Road To Ra” (performance), American Opera Projects, New York City, USA
Galleria Trisorio, Naples, Italy

1991
John Gibson Gallery, New York City, USA
“Drawings”, Ace Contemporary Exhibitions, Los Angeles, USA

1990
Galerie Daniel Templon, Paris, France

1989
Galleria Milano, Milan, Italy
Studio G-7, Bologna, Italy

1988
Ace Contemporary Exhibitions, Los Angeles, USA

1987
Tony Shafrazi Gallery, New York City, USA
Galerie Hans Mayer, Düsseldorf, Germany

1986
Galerie Daniel Templon, Paris, France
John Gibson Gallery, New York City, USA
Galleria Trisorio, Naples, Italy

1984
Freidus/Ordover Gallery, New York City, USA
“Retrospective”, Städtisches Museum, Mönchengladbach, Germany

1983
John Gibson Gallery, New York City, USA
Galerie Hans Mayer, Düsseldorf, Germany

1982
Studio Canaviello, Milan, Italy
Bonlow Gallery, New York City, USA

1981
Galerie Daniel Templon, Paris, France
Marian Desson Gallery, Chicago, USA
International Center of Photography, New York City, USA
Annina Nosei Gallery, New York City, USA

1980
Nigel Greenwood Gallery, London, UK
Galerie Loyse Oppenheim, Geneva, Switzerland

1979
Galerie Vera Munro, Hamburg, Germany
Nigel Greenwood Gallery, London, UK
Galerie Denise Rene, Hans Mayer, Düsseldorf, Germany

1978
Museum of Modern Art, New York City, USA
Studio G7, Bologna, Italy
Galerie Denise Rene, Hans Mayer, Düsseldorf, Germany
Art in Progress, München, Germany

1977
Galerie Daniel Templon, Paris, France
Galerie Denise Rene, Hans Mayer, Düsseldorf, Germany
Nigel Greenwood Gallery, London, UK

1976
Galleria dʼAllesandro, Ferranti, Rome, Italy
John Gibson Gallery, New York City, USA
Galleria Lucio Amelio, Naples, Italy

1975
Galerie Yvon Lambert, Paris, France
Galerie Patrick Verelst – Marc Poitier dit Caulier, Antwerp, Belgium
Performance, Steinway Hall, New York City, USA
Galleria Francoise Lambert, Milan, Italy
Gallery 20, Amsterdam, Netherlands

1974
Gallery 20, Amsterdam, Netherlands
Francoise Lambert, Milan, Italy
John Gibson Gallery, New York City, USA

1973
John Gibson Gallery, New York City, USA
Nigel Greenwood Gallery, London, UK
Galerie Konrad Fischer, Düsseldorf, Germany

1972
Performance, 98 Greene Street, Holly Solomon, New York City
112 Greene Street Gallery, New York City
Gallery 20, Amsterdam, Netherlands
Performance and installation, Galerie Rudolf Zwirner, Köln, Germany
Galleria Francoise Lambert, Milan, Italy

1971
93 Grand Street, organized by Willoughby Sharp and Avalanche Magazine, New York City, USA

1969
Wabash Transit Gallery, Chicago Art Institute, Illinois, USA

 

Group Exhibitions

2013
Group Show, Galerie Hans Mayer, Düsseldorf, Germany
“Color – An exhibition of works by Bill Beckley”, Via Lewandowsky, Guillaume Bruère and Rebecca Llanos, Andrae Kaufmann Gallery, Berlin, Germany
Group Show, Friedman Benda Gallery, Chelsea, New York, USA

2011
“Narration works of 70” by Bill Beckley, Peter Hutchinson and Franco Vaccari, P420 Arte contemporanea e libri, Bologna, Italy
Rosenbaum Contemporary, Boca Raton, Florida, USA

2010
“Alternative Histories”, Exit Art, New York, USA

2004
“Behind the Facts, 1968–1974”, Miro Foundation, Barcelona, Spain
“Behind the facts, 1968–1974”, Servalles Museum, Porto, Portugal
“Behind the Facts, 1968–1974”, Miro Foundation, Kassel, Germany
“Four Artists”, Dorfman Projects New York, USA

2002
“Made in USA: Keith Haring, Robert Longo, Kenny Scharf, Bill Beckley”, Ludwig Galerie, Schloss Oberhausen, Germany
Art Downtown, New York, USA

“1968–1977, Lʼart en cause”, Musée dʼart Contemporain de Bordeaux, France

2000
“Critic as Grist”, White Gallery, New York, USA
“Narrative”, Studio G7, Bologna, Italy
Sammlung Hoffman, Berlin, Germany
Daimler-Benz collection, Berlin, Germany

1999
Sammlung Falckenberg, Museum der bildenden Künste, Leipzig, Germany
“17 Contempory Artists from America, Italy and México”, The Menile Collection, Texas, USA
“Heroines and Heros”, Cynthia Broan Gallery, New York, USA
“Americans in France”, The Fish Market, Perpignan, France

1998
“Fotoz”, Siqueiros Koll Gallery, Los Angeles, USA
“Fotoz”, Spiral Lounge, New York, USA
“Project Plans”, John Gibson Gallery, New York, USA
“Acts of Faith”, Abraham Lubelski Gallery, New York, USA

1997
“LʼArte in Faccia”, Associazione Nazionale DʼArte Moderna, Milan, Italy
“Twentieth Anniversary Exhibition”, Chateau de Jau, Cases de Pene, France
“Inaugural Exhibition”, Hoffmann Collection, Berlin, Germany
“Numbers”, Kunstmuseum Stuttgart, Germany
“The @ Show”, Satellite Gallery, Long Island City

1996
“Artistʼs Photographs”, John Gibson Gallery, New York, USA
“Narrative Art”, Palazzo Rasponi Murat, Ravenna, Italy

1995
“Narrative Art”, Studio G7 Bologna, Italy

1994
“Conceptual Photographs”, John Gibson Gallery, New York, USA
“Venticinquesimo”, Studio dʼArte Cannaviello, Milan, Italy

1993
Collection of Vicky Remy, Musee dʼArt Modern, St. Etienne, France

1992
“The Seventies”, John Gibson Gallery, New York, USA

1991
“Buchstäblich”, Von der Heydt-Museum, Wuppertal, Germany
“Home Show”, sponsored by Pat Hen Gallery, New York City, USA
“Group Show”, Elysium Art Source, New York City, USA

1990
“American Express”, John Gibson Gallery, New York, USA
“Aquarian Artists”, Fine Arts Center, Kingston, Rhode Island, USA

1989
“Image World: Art and Media Culture”, Whitney Museum of American Art, New York, USA
“Annual 7”, Mandeville Gallery, University of California, San Diego, USA
“Words”, Tony Shafrazi Gallery, New York, USA
“Text and Photograph”, John Gibson Gallery, New York, USA
“Micro-Sculpture Show”, University of Rhode Island, USA

1988
“This is Not a Photograph”, Akron Art Museum, Akron, Ohio, USA
“This is Not a Photograph”, The Chrysler Museum, Norfolk, Virginia, USA
“Large Scale Photography”, Los Angeles County Museum, L.A., California, USA
“Ten Years of Collecting, 1976–86”, Edward Downe Collection, Wellesley College Museum, Massachusetts, USA

1987
“This is Not a Photograph”, The John and Mable Ringling Museum of Art, Sarasota, Florida, USA

1986
“New Painting and Sculpture”, Indianapolis Museum, Indiana, USA

1985
“A New Beginning”, Hudson River Museum, New York, USA

1984
“Collage Expanded”, School of Visual Arts Museum, New York City, USA
“Sex Show”, Cable Gallery, New York City, USA
“Plastic”, Miriam Perle Gallery, New York City, USA

1983
“Rupture, pas Rupture?”, Creation Art Press, Centre Culturel de Paris, France
“Kunst mit Photographie”, Neue Nationalgalerie, Berlin, Germany
“Kunst mit Photographie”, Kölnischer Kunstverein, Köln, Germany
“Kunst mit Photographie”, Münchner Stadtmuseum, München, Germany
“Kunst mit Photographie”, Kunsthalle zu Kiel, Germany

1981
“A Seventies Selection”, Miami Art Museum, Ohio, USA
“Alternatives in Retrospect”, The New Museum, New York City, USA

1980
“Pier and Ocean”, Hayward Gallery, London, UK
Rijksmuseum Kröller-Müller, Otterlo, Netherlands
“Photographic Art”, Museum of Modern Art, Paris, France

1978
“Whitney Biennial Exhibition”, New York City, USA
“Story Art”, Heidelberger Kunstverein, Bonner Kunstverein, Krefelder Kunstverein, Germany

1978
“American Story Art”, Contemporary Art Museum, Houston, Texas, USA
“American Story Art”, Contemporary Art Center, New Orleans, USA
“American Story Art”, Art Gallery, Winnipeg, USA
“American Story Art”, University of California, Santa Barbara and Berkley, USA

1977
“The Surrealist Heritage”, organized by Sam Hunter, Clark Institute, Williamsberg, USA
“Documenta 6”, Kassel, Germany

1976
“Narrational Imagery: Beckley, Rusch, Warhol”, University of Massachusetts, Amhurst, USA
“Biennale di Venezia”, Venice, Italy
“Sequenced Photographs”, University Art Museum, Austin, Texas, USA
“Sequenced Photographs”, San Francisco Art Museum, California, USA
“Sequenced Photographs”, Broxtan Art Gallery, Los Angeles, California, USA

1975
“Camera Art”, Lund Kunsthalle, Sweden
“Sequenced Photographs”, University of Maryland Gallery, Maryland, USA
“Toys”, The Clocktower, New York City, USA
“Report From Soho”, Grey Art Gallery, New York City, USA
“Word, Image, Number”, Sarah Lawrence Gallery, New York City, USA
“Paris Biennale”, Paris, France

1974
“Narrative 2”, John Gibson Gallery, New York City, USA
“Photographic Art”, Flash Art, Milan, Italy
“Verbal Visual 3”, John Gibson Gallery, New York City, USA
“Narrative Art”, Studio dʼArte Canaviello, Rome, Italy
“Art and Architecture”, Royal College of Art, London, UK

1973
“7”, Museum of Modern Art, New York City, USA
“Story”, John Gibson Gallery, New York City, USA
“Xerox Show”, Rochester, New York, USA
“Richard Fonke Gallery”, Gent, Belgium
“Contemporanea”, Rome, Italy
“Three Game Installations”, 112 Greene St., April, New York, USA

1972
“Spaces”, organized by Vito Acconci, School of Visual Arts, New York City, USA
“Information Show”, Museum of Modern Art, New York, USA

1971
“112 Greene St. Installation”, April, New York City, USA
“112 Greene St. Installation”, January, New York City, USA
“Projects Pier 18”, organized by Willoughby Sharp, Museum of Modern Art, New York City, USA

1970
“112 Greene Street”, December, organized by R. Ferrer, J. Lew and A. Saret, New York City, USA

1969

“Untitled”, organized by Italo Scanga, Cheltenham, Pennsylvania, USA
“Art in the Mind”, Allen Memorial Art Museum, Oberlin, Ohio, USA

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